<description>&lt;p&gt;Today, we’re talking to Evan Schiff, ACE about editing Guillermo del Toro’s &lt;em&gt;Frankenstein&lt;/em&gt; which is available now on Netflix.&lt;/p&gt;&lt;p&gt;Evan’s feature editing career includes &lt;em&gt;Nobody, Southside With You, John Wick Chapter 2 &lt;/em&gt;AND &lt;em&gt;Chapter 3&lt;/em&gt;, and &lt;em&gt;Birds of Prey&lt;/em&gt;, among others.&lt;/p&gt;&lt;p&gt;Today: A discussion of the importance of editing speed while collaborating, the advantage of having the time for many screenings, and how being a “sound-aware editor” can shape the story.&lt;/p&gt;&lt;p&gt;If you&amp;#39;d like to read along with this interview and see exclusive photos and a timeline screenshot, visit the BorisFX.com blog site at:&lt;/p&gt;&lt;p&gt;borisfx.com/blog/aotc&lt;/p&gt;
</description>

Today, we’re talking to Evan Schiff, ACE about editing Guillermo del Toro’s Frankenstein which is available now on Netflix.Evan’s feature editing career includes Nobody, Southside With You, John Wick Chapter 2 AND Chapter 3, and Birds of Prey, among others.Today: A discussion of the importance of editing speed while collaborating, the advantage of having the time for many screenings, and how being a “sound-aware editor” can shape the story.If you&#39;d like to read along with this interview and see exclusive photos and a timeline screenshot, visit the BorisFX.com blog site at:borisfx.com/blog/aotc

Art of the Cut

FRANKENSTEIN

FRANKENSTEIN

Description