<p>Today on Art of the Cut we speak with director/editor Josh Safdie and his co-editor co-producer and co-writer, Ronald Bronstein. Safdie and Bronstein are nominated this year for Oscars for Best Picture, Best Screenplay, and Best Editing for <em>Marty Supreme</em>. Safdie has an additional nomination for the film for Best Achievement in Directing.</p><p>The pair has worked together for almost two decades on such films as <em>Uncut Gems, Good Time, Heaven Knows What,</em> and <em>Daddy Longlegs.</em></p><p>Our discussion today includes the importance of editing the film linearly – not looking at dailies until after the shoot - and being in love with their flawed main character.</p><p>If you'd like to read along with this interview and see the trailer, clips and stills from the film, visit the BorisFX.com website and check out the Art of the Cut blog:</p><p>borisfx.com/blog/aotc.</p>