<p>Today on Art of the Cut, we speak with editor Doc Crotzer, ACE, about the HBO film, <em>Miss you, Love You</em>.</p><p>Doc is an ACE Eddie winner for <em>Roadhouse</em>, and an ACE Eddie nominee for his work on the TV series, <em>Glee</em>. A frequent collaborator of Doug Liman, Doc’s other work includes the <em>John Wick</em> spinoff <em>Ballerina</em>, <em>Sons of Anarchy</em>, and producing, directing and editing the TV series <em>Good Behavior</em>.</p><p>A discussion about how to find the rhythm in the silences, the challenges of editing with very little music, and when to turn Walter Murch’s “blink” rule against itself.</p><p>If you want to read along with this interview and see images from the movie, clips, the trailer, timeline screenshots and a photo of Doc&#39;s editing set-up, check out the BorisFX blog:</p><p>borisfx.com/blog/aotc</p><p><br></p>

Art of the Cut

Steve Hullfish, ACE

Miss You, Love You

JUN 11, 202652 MIN
Art of the Cut

Miss You, Love You

JUN 11, 202652 MIN

Description

<p>Today on Art of the Cut, we speak with editor Doc Crotzer, ACE, about the HBO film, <em>Miss you, Love You</em>.</p><p>Doc is an ACE Eddie winner for <em>Roadhouse</em>, and an ACE Eddie nominee for his work on the TV series, <em>Glee</em>. A frequent collaborator of Doug Liman, Doc’s other work includes the <em>John Wick</em> spinoff <em>Ballerina</em>, <em>Sons of Anarchy</em>, and producing, directing and editing the TV series <em>Good Behavior</em>.</p><p>A discussion about how to find the rhythm in the silences, the challenges of editing with very little music, and when to turn Walter Murch’s “blink” rule against itself.</p><p>If you want to read along with this interview and see images from the movie, clips, the trailer, timeline screenshots and a photo of Doc&#39;s editing set-up, check out the BorisFX blog:</p><p>borisfx.com/blog/aotc</p><p><br></p>