<description>&lt;p&gt;Today on Art of the Cut, the editor of Oscar-contender &lt;em&gt;Sentimental Value&lt;/em&gt;, Olivier Coutté.&lt;/p&gt;&lt;p&gt;Olivier’s is a Danish editor whose previous work includes &lt;em&gt;Thelma, Oslo August 31st, Beginners, &lt;/em&gt;and &lt;em&gt;The Apprentice&lt;/em&gt;, for which he was nominated for a Film Independent Spirit Award. He also won the Tribeca Jury Award for Best Editing of a narrative feature for &lt;em&gt;Bridgend.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Our conversation today will cover structuring where montages belong in the film, the importance of trust in the cutting room, and the need to include “sparkles” amid the drama, … Among many other things!&lt;/p&gt;&lt;p&gt;If you&amp;#39;d like to read along with this interview and see exclusive photos, plus trailers, clips and more, check out the BorisFX.com blog site!&lt;/p&gt;&lt;p&gt;borisfx.com/blog/aotc&lt;/p&gt;
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Today on Art of the Cut, the editor of Oscar-contender Sentimental Value, Olivier Coutté.Olivier’s is a Danish editor whose previous work includes Thelma, Oslo August 31st, Beginners, and The Apprentice, for which he was nominated for a Film Independent Spirit Award. He also won the Tribeca Jury Award for Best Editing of a narrative feature for Bridgend.Our conversation today will cover structuring where montages belong in the film, the importance of trust in the cutting room, and the need to include “sparkles” amid the drama, … Among many other things!If you&#39;d like to read along with this interview and see exclusive photos, plus trailers, clips and more, check out the BorisFX.com blog site!borisfx.com/blog/aotc

Art of the Cut

Sentimental Value

Sentimental Value

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