<p>Today on Art of the Cut we speak with Rachel Goodlett Katz, ACE, and Dylan Firshein - the editors of <em>Star Wars: The Mandalorian and Grogu.</em></p><p>Dylan’s been on the show before when we discussed the TV series, <em>The Mandalorian</em>, for which he’s been nominated for two Emmys. He also edited on <em>The Book of Boba Fett</em>. Dylan was also a first assistant editor on <em>Solo: A Star Wars Story</em>, and <em>The Big Short.</em></p><p>Rachel’s also been an editor on <em>The Mandalorian</em> TV series. Her other TV work includes <em>Halt and Catch Fire, The Walking Dead, </em>and <em>Gossip Girl.</em> She also edited parts 1, 2, and 3 of the <em>Fear Street</em> films.</p><p>Our discussion today is about the value of editing on set, the challenges and possibilities of editing with a masked main character, and the power of cinematic inspiration from the classics</p><p>If you&#39;d like to read along with this podcast and see images - like the amazing on-set editing set-up, please visit the BorisFX blog site:</p><p>borisfx.com/blog/aotc</p>

Art of the Cut

Steve Hullfish, ACE

Star Wars: The Mandalorian and Grogu

JUN 4, 202644 MIN
Art of the Cut

Star Wars: The Mandalorian and Grogu

JUN 4, 202644 MIN

Description

<p>Today on Art of the Cut we speak with Rachel Goodlett Katz, ACE, and Dylan Firshein - the editors of <em>Star Wars: The Mandalorian and Grogu.</em></p><p>Dylan’s been on the show before when we discussed the TV series, <em>The Mandalorian</em>, for which he’s been nominated for two Emmys. He also edited on <em>The Book of Boba Fett</em>. Dylan was also a first assistant editor on <em>Solo: A Star Wars Story</em>, and <em>The Big Short.</em></p><p>Rachel’s also been an editor on <em>The Mandalorian</em> TV series. Her other TV work includes <em>Halt and Catch Fire, The Walking Dead, </em>and <em>Gossip Girl.</em> She also edited parts 1, 2, and 3 of the <em>Fear Street</em> films.</p><p>Our discussion today is about the value of editing on set, the challenges and possibilities of editing with a masked main character, and the power of cinematic inspiration from the classics</p><p>If you&#39;d like to read along with this podcast and see images - like the amazing on-set editing set-up, please visit the BorisFX blog site:</p><p>borisfx.com/blog/aotc</p>