<description>&lt;p&gt;Today on Art of the Cut we speak with Doug Crise, ACE about editing Barry Levinson’s latest film, &lt;em&gt;The Alto Knights&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;Doug was nominated for an Oscar and a BAFTA and won an ACE Eddie for &lt;em&gt;Babel&lt;/em&gt;. Then was nominated for a BAFTA and an ACE Eddie for &lt;em&gt;Birdman&lt;/em&gt;. Also nominated for an Emmy and an ACE Eddie for &lt;em&gt;Dopesick&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;This discussion includes - among other things - that value of intercutting scenes that weren’t written to be intercut, building suspense through editing, and the revelation of the film’s original opening scene and why it changed.&lt;/p&gt;&lt;p&gt;If you&amp;#39;d like to read along with this podcast, the full transcript is available below, including clips, trailers and images.&lt;/p&gt;&lt;p&gt;borisfx.com/blog/aotc&lt;/p&gt;
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Today on Art of the Cut we speak with Doug Crise, ACE about editing Barry Levinson’s latest film, The Alto Knights.Doug was nominated for an Oscar and a BAFTA and won an ACE Eddie for Babel. Then was nominated for a BAFTA and an ACE Eddie for Birdman. Also nominated for an Emmy and an ACE Eddie for Dopesick.This discussion includes - among other things - that value of intercutting scenes that weren’t written to be intercut, building suspense through editing, and the revelation of the film’s original opening scene and why it changed.If you&#39;d like to read along with this podcast, the full transcript is available below, including clips, trailers and images.borisfx.com/blog/aotc

Art of the Cut

THE ALTO KNIGHTS

THE ALTO KNIGHTS

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