<p>Today on Art of the Cut, we have the lead editor and the VFX editor of the documentary series, <em>The Dinosaurs</em>, from Netflix and Amblin’ Entertainment.</p><p>Ben Lavington Martin, BFE was the lead editor on the series and cut the first episode. His other work includes <em>The World According to Jeff Goldblum, David Attenborough&#39;s Natural History Museum Alive, One Strange Rock</em>, and <em>Nova</em>, among many others.</p><p>Matt Howorth was the visual effects editor. His other credits include shorts: <em>Rodents</em> and <em>Bull Shark Bandits</em>.</p><p>Our discussion today is about walking the line between animation editing and natural history documentary storytelling… and calibrating science, entertainment, and emotion over eons of evolution.</p><p>If youre interested in reading along with this interview and seeing the trailer and clips and images from the docu-series, check out BorisFX&#39;s blog site:</p><p>borisfx.com/blog/aotc</p>

Art of the Cut

Steve Hullfish, ACE

THE DINOSAURS

APR 30, 202652 MIN
Art of the Cut

THE DINOSAURS

APR 30, 202652 MIN

Description

<p>Today on Art of the Cut, we have the lead editor and the VFX editor of the documentary series, <em>The Dinosaurs</em>, from Netflix and Amblin’ Entertainment.</p><p>Ben Lavington Martin, BFE was the lead editor on the series and cut the first episode. His other work includes <em>The World According to Jeff Goldblum, David Attenborough&#39;s Natural History Museum Alive, One Strange Rock</em>, and <em>Nova</em>, among many others.</p><p>Matt Howorth was the visual effects editor. His other credits include shorts: <em>Rodents</em> and <em>Bull Shark Bandits</em>.</p><p>Our discussion today is about walking the line between animation editing and natural history documentary storytelling… and calibrating science, entertainment, and emotion over eons of evolution.</p><p>If youre interested in reading along with this interview and seeing the trailer and clips and images from the docu-series, check out BorisFX&#39;s blog site:</p><p>borisfx.com/blog/aotc</p>