<description>&lt;p&gt;Today on Art of the Cut we speak with editor Chris Tonick about the feature-film, &lt;em&gt;The Furious.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Chris has edited films like &lt;em&gt;Kung Fu Games, Trigger Warning, &lt;/em&gt;and &lt;em&gt;Black Friday&lt;/em&gt;. He was a producer on the Walter Murch documentary, &lt;em&gt;Her Name Was Moviola.&lt;/em&gt; He’s also been part of the post teams of &lt;em&gt;The Suicide Squad, Once Upon a Time in Hollywood,&lt;/em&gt; and &lt;em&gt;John Wick 2.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;On this episode, we&amp;#39;re discussing - among other things - why the biggest job in this action movie wasn’t cutting the action, how the film’s most memorable moment came from trying out a left-field idea, and how fight scenes are like pop songs.&lt;/p&gt;&lt;p&gt;If you&amp;#39;d like to read along with this interview and see the trailer, clips, and exclusive images, check out the BorisFX blog site:&lt;/p&gt;&lt;p&gt;BorisFX.com/blog/aotc&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;
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Today on Art of the Cut we speak with editor Chris Tonick about the feature-film, The Furious.Chris has edited films like Kung Fu Games, Trigger Warning, and Black Friday. He was a producer on the Walter Murch documentary, Her Name Was Moviola. He’s also been part of the post teams of The Suicide Squad, Once Upon a Time in Hollywood, and John Wick 2.On this episode, we&#39;re discussing - among other things - why the biggest job in this action movie wasn’t cutting the action, how the film’s most memorable moment came from trying out a left-field idea, and how fight scenes are like pop songs.If you&#39;d like to read along with this interview and see the trailer, clips, and exclusive images, check out the BorisFX blog site:BorisFX.com/blog/aotc

Art of the Cut

The Furious

The Furious

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