<p>Today on Art of the Cut, we speak with multi-Oscar-nominated editor, Myron Kerstein, ACE, about editing Jon Chu’s Wicked for Good.</p><p>Chu and Kerstein last worked together - of course - on <em>Wicked</em>. And before that on tick, tick… BOOM. Before THAT they collaborated on In the Heights. And before THAT on Crazy Rich Asians - and we’ve talked about ALL of those films here on Art of the Cut.</p><p>Kerstein’s previous work as an editor includes the feature films Going in Style, Garden State and Glee: The 3D Concert Movie. He’s also expanded his talents to the director’s chair, but that’s a topic for another interview.</p><p>This interview discusses the value of story cards on a wall, the complexities of editing vocals recorded live during filming, and the implications of this film’s darker tone and operatic power.</p><p>If you'd like to read along with this inteview and see exclusive photos, check out the BorisFX blog site:</p><p>borisfx.com/blog/aotc</p>
