<p>Today on Art of the Cut we speak with four of the editors on the buzzy new Amazon Prime series, <em>Young Sherlock</em>. With us are Cheryl Potter, Calum Ross, Phil Hookway, and Tim Murrell.</p><p>Cheryl’s been on Art of the Cut before, starting back when she was an additional editor for Pietro Scalia, ACE, on Ridley Scott’s <em>The Martian</em>. We’ve also talked to her about the TV series, <em>Snowpiercer</em>. Her other credits include <em>The Lord of the Rings: Rings of Power.</em></p><p>Tim Murrell has edited features like <em>Monkey Man</em> and <em>21 Bridges</em>, and TV series like<em> The Terror</em> and <em>Patrick Melrose</em>.</p><p>Philip Hookway has edited TV series, <em>Deep State, Being Human, </em>and <em>Torchwood.</em></p><p>Calum Ross has edited TV series including <em>Loki, The Devil’s Hour, Sex Education, </em>and <em>Not Another Happy Ending. </em></p><p>Today we’re discussing the importance of in-person collaboration for the edit team, the power of adjusting the tonal dial “just so,” and the benefit of re-thinking how the show begins.</p><p>You can read along with this interview and see images of the editing crew, the trailer and even a timeline screenshot at the BorisFX blogsite:</p><p>borisfx.com/blog/aotc</p>