<description>
        The Irving Berlin standard, Remember, from 1925 is analysed according to the method. Bricks used include: Chromatic Dropback; Cadence; Launcher; To IV n Mack (and Yak). Joins used include: Dogleg; Bootstrap; Sidewinder; (Happenstance).
      </description>

The Irving Berlin standard, Remember, from 1925 is analysed according to the method. Bricks used ...

The Irving Berlin standard, Remember, from 1925 is analysed according to the method. Bricks used include: Chromatic Dropback; Cadence; Launcher; To IV n Mack (and Yak). Joins used include: Dogleg; Bootstrap; Sidewinder; (Happenstance).

30. Remember

<description>
        The standard is analysed according to the method.

Bricks used include TTFA dropback; Double Pullback; SPOT; 7-chord Pullback; To IV n Mack; To IV n Yak; On-Off-On; Cadence; Slow Launcher; Bootstrap Launcher.

Once again, joins are hardly needed. The Bootstrap join is used.
      </description>

The standard is analysed according to the method.

Bricks used include TTFA dropback; Double Pu...

The standard is analysed according to the method.

Bricks used include TTFA dropback; Double Pullback; SPOT; 7-chord Pullback; To IV n Mack; To IV n Yak; On-Off-On; Cadence; Slow Launcher; Bootstrap Launcher.

Once again, joins are hardly needed. The Bootstrap join is used.

29. Star Dust

<description>
        These two standards are analysed according to the method and found to be almost identical. These songs are used to show how standards often visit common keys of I, IV and iv (relative minor) and the joins that are used to get between them (Bauble, Sidewinder, Half Nelson). The Slow Launcher is examined and its location at the end of B sections in ABAC songs considered.

Confirming key using the Homer join is discussed and the Spring Cadence is introduced.
      </description>

These two standards are analysed according to the method and found to be almost identical. These ...

These two standards are analysed according to the method and found to be almost identical. These songs are used to show how standards often visit common keys of I, IV and iv (relative minor) and the joins that are used to get between them (Bauble, Sidewinder, Half Nelson). The Slow Launcher is examined and its location at the end of B sections in ABAC songs considered.

Confirming key using the Homer join is discussed and the Spring Cadence is introduced.

28. If I Should Lose You & You'd Be So Nice To Come Home To

<description>
        The standard Misty is analysed according to the method. Comparison is made with "I Want to Talk About You".

Bricks used include: To IV n Yak; POT; SPOT; On-Off-On; Yardbird Cadence; Regular Cadence; CESH; Two-goes; Starlight Cadence.

Just two joins are used: Bootstrap and Downwinder.
      </description>

The standard Misty is analysed according to the method. Comparison is made with "I Want to Talk A...

The standard Misty is analysed according to the method. Comparison is made with "I Want to Talk About You".

Bricks used include: To IV n Yak; POT; SPOT; On-Off-On; Yardbird Cadence; Regular Cadence; CESH; Two-goes; Starlight Cadence.

Just two joins are used: Bootstrap and Downwinder.

27. Misty

<description>
        This bossa nova standard is analysed according to the method. The song is not in the book and so a chart is available on the Google Group web site.

The song is unusually long, with effectively two ABAC song forms joined together, one minor and the other major.
      </description>

This bossa nova standard is analysed according to the method. The song is not in the book and so ...

This bossa nova standard is analysed according to the method. The song is not in the book and so a chart is available on the Google Group web site.

The song is unusually long, with effectively two ABAC song forms joined together, one minor and the other major.

26. No More Blues (Chega De Saudade)


      Discussions about the book Insights In Jazz that contains a method to memorise hundreds of jazz chord progressions. www.dropback.co.uk
    

John Elliott's Insights In Jazz Podcast

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