New Books in Biography & Memoir

In Rehearsing the Future: The Thought and Practice of James and Grace Lee Boggs (AK Press, 2026), Michael Doan explores the work and legacy of James and Grace Lee Boggs, two of the most influential American radical thinkers of the twentieth century. Grace Lee Boggs earned a PhD in philosophy in the 1940s, though facing obstacles to an academic career as a young Chinese American woman, she left and became a political organizer in Detroit, where she met and married James Boggs, a Black autoworker and labor organizer from Alabama who had moved North during the Great Migration. Over the course of more than forty years of partnership and participation in labor, civil rights, Black Power, anticolonial, and feminist movements, the Boggses articulated a philosophy of long-term revolutionary strategy they called “dialectical humanism.” Rejecting state socialism and traditional Marxism, dialectical humanism instead attributes social change to the conscious, collective activity of people engaged in place-based organizing with a view to transforming everyday life, with hallmark projects such as community gardens, daycare networks, and mediation programs. Above all, revolution is not a fixed program but must evolve as ideas, movements, and institutions are changed through collective practice. Through their life work and publications, James and Grace Lee Boggs modeled how to do philosophy from within movements. In Rehearsing the Future, Doan lays out the intellectual history of dialectical humanism, the far-reaching theory and practice that continues to guide movement-building around the world, inspiring forms of activism such as visionary organizing and emergent strategy. Michael D. Doan is a Canadian-born father, educator, activist, and philosopher. He joined the James and Grace Lee Boggs Center to Nurture Community Leadership in 2016 and is an Associate Professor of Philosophy at Oakland University. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).

Chekhov liked to joke that he was a doctor by profession and merely did literary work in his spare time. Behind the joke lies an intriguing truth. We remember Chekhov as a towering literary figure, but medicine and humanitarian work occupied much of his life and profoundly shaped the way he encountered human suffering. Nowhere is this more striking than in his remarkable journey across Siberia to Sakhalin Island. Travelling through an immense and unforgiving landscape to investigate conditions in the penal colony, Chekhov undertook an expedition that he would remember as one of the defining experiences of his life. Written by a neuroscientist and practising clinician, Chekhov’s Sakhalin Journey: Doctor, Humanitarian, Writer (Bloomsbury, 2023) follows Chekhov along this extraordinary route, drawing on his own account to reveal the doctor, humanitarian and observer behind the celebrated author. The result is a richer portrait of Chekhov, one that asks us to see his medicine and literature not as competing lives, but as different expressions of the same searching attention to human experience and the determination to not ‘do nothing’ to improve human lives. Professor Jonathan Cole (MA, MSc, DM, FRCP, FTPS), is a British consultant clinical neurophysiologist, author, and researcher known for combining neuroscience with first-person patient narratives. He serves as a consultant at the University Hospital in Dorset, a visiting professor at Bournemouth University, and has served as the President of the International Federation of Clinical Neurophysiology. Inspired by his mentor and friend Oliver Sacks, Cole’s work heavily emphasizes the subjective, lived experience of individuals surviving rare or severe neurological conditions. Jonathan is one of those rare scientists who combines both the rigor of scientific investigations with literary endeavours and even theatre. I will include both Jonathan’s personal website and his website for his collaborations in theatrical productions. Dr. Anya Daly is Senior Lecturer in Philosophy and Ethics in the School of Arts and Society, University of Tasmania. Interdisciplinary collaborations are at the core of Anya’s research interests. She investigates the intersections of phenomenology with philosophy of mind, the philosophy of perception, the philosophy of psychiatry, embodied and social cognition, enactivism, ethics, aesthetics and Buddhist Philosophy.

In this latest Books for Better Understanding video from Notre Dame Press, Jake Kildoo facilitates a conversation between Rabbi Irving "Yitz" Greenberg and Ariel Burger about the new introductions they wrote for NDP's recently released expanded editions of two Elie Wiesel classics: Four Hasidic Masters and Their Struggle Against Melancholy and Five Biblical Portraits. Both Greenberg and Burger share illuminating insights about the works, as well as reflections on their friendships with Wiesel.

A Protestant Air: Gide, Sartre, Barthes, and the Religion of Literary Modernity (Cornell UP, 2026) focuses on the Protestant connection linking three intellectual giants of twentieth-century French thought. All three came from a Protestant background and thus shared a common marginality in a nation culturally marked by Catholicism, one that profoundly shaped their personalities, thinking, and literary careers. When Gide received the Nobel Prize in 1947, he declared that if he had represented anything as a writer, it was the "spirit of protestation." Clémentine Fauré-Bellaïche explores the filiation that this spirit weaves between Gide, Sartre, and Barthes. She shows how their Protestant difference, confronted with France's Catholicity, informed their posture as writers, their conceptualization of literature, and their elaboration of the figure of the French intellectual as a counterauthority, with a distinctive positioning vis-à-vis the individual and the institution. As such, A Protestant Air examines the religious underpinnings of twentieth-century letters and politics, their interaction with the secularization of French society, and, more broadly, the historical and philosophical relationship between the Protestant ethos and modernity itself. Guest Clémentine Fauré-Bellaïche is Associate Professor of French and Francophone Studies at Brandeis University; she is currently at work on two projects. The first one, tentatively titled Transnational Theologies — Religious Networks and The Making of French Thought, is centered on the reconfiguration of French thought between the wars, informed by transnational circulations, exchanges of ideas across cultural spaces, and intellectual transfers between the religious and the secular spheres. The second one is a French literary history of the notion of conspiracy, both as form and as imaginary, from Balzac and Marcel Proust to Paul Nizan and Michel Houellebecq. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.

Pink Auteur, Red Outlaw: Adachi Masao and Japan’s Cinema of Revolution (Awai Books, 2026) is the first-ever English-language book on Adachi Masao. Based on extensive interviews with the director and years of research, this study offers a comprehensive portrait of the filmmaker and his provocative oeuvre – from socially engaged pink films and New Wave cinema to experimental documentary and avant-garde psychodrama. An essential read for those interested in cinema, history, or politics. Author William Andrews is a Tokyo-based writer and translator originally from Britain. He is the author of The Japanese Red Army: A Short History and Dissenting Japan: A History of Japanese Radicalism and Counterculture, from 1945 to Fukushima. His translations in the visual and performing arts have been widely published.