<description>&lt;p&gt;Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight.&lt;/p&gt;&lt;p&gt;With&lt;/p&gt;&lt;p&gt;Susan Jones
Emeritus Professor of English Literature at the University of Oxford&lt;/p&gt;&lt;p&gt;Derek B. Scott
Professor Emeritus of Music at the University of Leeds&lt;/p&gt;&lt;p&gt;And&lt;/p&gt;&lt;p&gt;Theresa Buckland
Emeritus Professor of Dance History and Ethnography at the University of Roehampton&lt;/p&gt;&lt;p&gt;Producer: Simon Tillotson&lt;/p&gt;&lt;p&gt;Reading list: &lt;/p&gt;&lt;p&gt;Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020)&lt;/p&gt;&lt;p&gt;Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack’ (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained’ (Dance Research, 36/2, 2018)&lt;/p&gt;&lt;p&gt;Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011)&lt;/p&gt;&lt;p&gt;Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) &lt;/p&gt;&lt;p&gt;Paul Cooper, ‘The Waltz in England, c. 1790-1820’ (Paper presented at Early Dance Circle conference, 2018)&lt;/p&gt;&lt;p&gt;Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England’ by Theresa Jill Buckland&lt;/p&gt;&lt;p&gt;Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001)&lt;/p&gt;&lt;p&gt;Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022)&lt;/p&gt;&lt;p&gt;Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013)&lt;/p&gt;&lt;p&gt;Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009)&lt;/p&gt;&lt;p&gt;Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006)&lt;/p&gt;&lt;p&gt;Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012)&lt;/p&gt;&lt;p&gt;Eduard Reeser, The History of the Walz (Continental Book Co., 1949)&lt;/p&gt;&lt;p&gt;Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz’ by Andrew Lamb&lt;/p&gt;&lt;p&gt;Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz’&lt;/p&gt;&lt;p&gt;Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973)&lt;/p&gt;&lt;p&gt;Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009)&lt;/p&gt;&lt;p&gt;Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013)&lt;/p&gt;&lt;p&gt;Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016)&lt;/p&gt;&lt;p&gt;David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023)&lt;/p&gt;&lt;p&gt;Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002)&lt;/p&gt;&lt;p&gt;Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013)&lt;/p&gt;</description>

Melvyn Bragg and guests discuss the impact of the waltz on British society and culture.

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight.WithSusan Jones
Emeritus Professor of English Literature at the University of OxfordDerek B. Scott
Professor Emeritus of Music at the University of LeedsAndTheresa Buckland
Emeritus Professor of Dance History and Ethnography at the University of RoehamptonProducer: Simon TillotsonReading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020)Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack’ (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained’ (Dance Research, 36/2, 2018)Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011)Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820’ (Paper presented at Early Dance Circle conference, 2018)Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England’ by Theresa Jill BucklandZelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001)Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022)Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013)Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009)Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006)Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012)Eduard Reeser, The History of the Walz (Continental Book Co., 1949)Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz’ by Andrew LambDerek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz’Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973)Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009)Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013)Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016)David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023)Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002)Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013)

The Waltz

<description>&lt;p&gt;Melvyn Bragg and guests discuss Lewis Carroll's book which first appeared in print in 1865 with illustrations by John Tenniel. It has since become one of the best known works in English, captivating readers who follow young Alice as she chases a white rabbit, pink eyed, in a waistcoat with pocket watch, down a rabbit hole that becomes a well and into wonderland. There she meets the Cheshire Cat, the Hatter, the March Hare, the Mock Turtle and more, all the while growing smaller and larger, finally outgrowing everyone at the trial of Who Stole the Tarts from the Queen of Hearts and exclaiming 'Who cares for you? You’re nothing but a pack of cards!'&lt;/p&gt;&lt;p&gt;With&lt;/p&gt;&lt;p&gt;Franziska Kohlt
Leverhulme Research Fellow in the History of Science at the University of Leeds and the Inaugural Carrollian Fellow of the University of Southern California&lt;/p&gt;&lt;p&gt;Kiera Vaclavik
Professor of Children’s Literature and Childhood Culture at Queen Mary, University of London&lt;/p&gt;&lt;p&gt;And&lt;/p&gt;&lt;p&gt;Robert Douglas-Fairhurst
Professor of English Literature at Magdalen College, University of Oxford&lt;/p&gt;&lt;p&gt;Producer: Simon Tillotson&lt;/p&gt;&lt;p&gt;Reading list:&lt;/p&gt;&lt;p&gt;Kate Bailey and Simon Sladen (eds), Alice: Curiouser and Curiouser (V&amp;amp;A Publishing, 2021)&lt;/p&gt;&lt;p&gt;Gillian Beer, Alice in Space: The Sideways Victorian World of Lewis Carroll (University of Chicago Press, 2016)&lt;/p&gt;&lt;p&gt;Will Brooker, Alice's Adventures: Lewis Carroll and Alice in Popular Culture (Continuum, 2004)&lt;/p&gt;&lt;p&gt;Humphrey Carpenter, Secret Gardens: A Study of the Golden Age of Children’s Literature (first published 1985; Faber and Faber, 2009)&lt;/p&gt;&lt;p&gt;Lewis Carroll (introduced by Martin Gardner), The Annotated Alice: The Definitive Edition, (W. W. Norton &amp;amp; Company, 2000)&lt;/p&gt;&lt;p&gt;Gavin Delahunty and Christoph Benjamin Schulz (eds), Alice in Wonderland Through the Visual Arts (Tate Publishing, 2011)&lt;/p&gt;&lt;p&gt;Robert Douglas-Fairhurst, The Story of Alice: Lewis Carroll and the Secret History of Wonderland (Harvill Secker, 2015)&lt;/p&gt;&lt;p&gt;Colleen Hill, Fairy Tale Fashion (Yale University Press, 2016)&lt;/p&gt;&lt;p&gt;Franziska Kohlt, Alice through the Wonderglass: The Surprising Histories of a Children's Classic (Reaktion, forthcoming 2025)
 
Franziska Kohlt and Justine Houyaux (eds.), Alice: Through the Looking-Glass: A Companion (Peter Lang, forthcoming 2024)&lt;/p&gt;&lt;p&gt;Charlie Lovett, Lewis Carroll: Formed by Faith (University of Virginia Press, 2022)&lt;/p&gt;&lt;p&gt;Elizabeth Sewell, The Field of Nonsense (first published 1952; Dalkey Archive Press, 2016)&lt;/p&gt;&lt;p&gt;Kiera Vaclavik, 'Listening to the Alice books' (Journal of Victorian Culture, Volume 26, Issue 1, January 2021)&lt;/p&gt;&lt;p&gt;Diane Waggoner, Lewis Carroll's Photography and Modern Childhood (Princeton University Press 2020)&lt;/p&gt;&lt;p&gt;Edward Wakeling, The Man and his Circle (IB Tauris, 2014)&lt;/p&gt;&lt;p&gt;Edward Wakeling, The Photographs of Lewis Carroll: A Catalogue Raisonné (University of Texas Press, 2015)&lt;/p&gt;</description>

Melvyn Bragg and guests discuss Lewis Carroll's fantastical tale inspired by Alice Liddell

Melvyn Bragg and guests discuss Lewis Carroll's book which first appeared in print in 1865 with illustrations by John Tenniel. It has since become one of the best known works in English, captivating readers who follow young Alice as she chases a white rabbit, pink eyed, in a waistcoat with pocket watch, down a rabbit hole that becomes a well and into wonderland. There she meets the Cheshire Cat, the Hatter, the March Hare, the Mock Turtle and more, all the while growing smaller and larger, finally outgrowing everyone at the trial of Who Stole the Tarts from the Queen of Hearts and exclaiming 'Who cares for you? You’re nothing but a pack of cards!'WithFranziska Kohlt
Leverhulme Research Fellow in the History of Science at the University of Leeds and the Inaugural Carrollian Fellow of the University of Southern CaliforniaKiera Vaclavik
Professor of Children’s Literature and Childhood Culture at Queen Mary, University of LondonAndRobert Douglas-Fairhurst
Professor of English Literature at Magdalen College, University of OxfordProducer: Simon TillotsonReading list:Kate Bailey and Simon Sladen (eds), Alice: Curiouser and Curiouser (V&amp;A Publishing, 2021)Gillian Beer, Alice in Space: The Sideways Victorian World of Lewis Carroll (University of Chicago Press, 2016)Will Brooker, Alice's Adventures: Lewis Carroll and Alice in Popular Culture (Continuum, 2004)Humphrey Carpenter, Secret Gardens: A Study of the Golden Age of Children’s Literature (first published 1985; Faber and Faber, 2009)Lewis Carroll (introduced by Martin Gardner), The Annotated Alice: The Definitive Edition, (W. W. Norton &amp; Company, 2000)Gavin Delahunty and Christoph Benjamin Schulz (eds), Alice in Wonderland Through the Visual Arts (Tate Publishing, 2011)Robert Douglas-Fairhurst, The Story of Alice: Lewis Carroll and the Secret History of Wonderland (Harvill Secker, 2015)Colleen Hill, Fairy Tale Fashion (Yale University Press, 2016)Franziska Kohlt, Alice through the Wonderglass: The Surprising Histories of a Children's Classic (Reaktion, forthcoming 2025)
 
Franziska Kohlt and Justine Houyaux (eds.), Alice: Through the Looking-Glass: A Companion (Peter Lang, forthcoming 2024)Charlie Lovett, Lewis Carroll: Formed by Faith (University of Virginia Press, 2022)Elizabeth Sewell, The Field of Nonsense (first published 1952; Dalkey Archive Press, 2016)Kiera Vaclavik, 'Listening to the Alice books' (Journal of Victorian Culture, Volume 26, Issue 1, January 2021)Diane Waggoner, Lewis Carroll's Photography and Modern Childhood (Princeton University Press 2020)Edward Wakeling, The Man and his Circle (IB Tauris, 2014)Edward Wakeling, The Photographs of Lewis Carroll: A Catalogue Raisonné (University of Texas Press, 2015)

Alice's Adventures in Wonderland

<description>&lt;p&gt;Melvyn Bragg and guests discuss one of Shakespeare’s great comedies, which plays in the space between marriage, love and desire. By convention a wedding means a happy ending and here there are three, but neither Orsino nor Viola, Olivia nor Sebastian know much of each other’s true character and even the identities of the twins Viola and Sebastian have only just been revealed to their spouses to be. These twins gain some financial security but it is unclear what precisely the older Orsino and Olivia find enduringly attractive in the adolescent objects of their love. Meanwhile their hopes and illusions are framed by the fury of Malvolio, tricked into trusting his mistress Olivia loved him and who swears an undefined revenge on all those who mocked him.&lt;/p&gt;&lt;p&gt;With &lt;/p&gt;&lt;p&gt;Pascale Aebischer
Professor of Shakespeare and Early Modern Performance Studies at the University of Exeter&lt;/p&gt;&lt;p&gt;Michael Dobson
Professor of Shakespeare Studies and Director of the Shakespeare Institute at the University of Birmingham&lt;/p&gt;&lt;p&gt;And &lt;/p&gt;&lt;p&gt;Emma Smith
Professor of Shakespeare Studies at Hertford College, University of Oxford&lt;/p&gt;&lt;p&gt;Produced by Simon Tillotson, Victoria Brignell and Luke Mulhall&lt;/p&gt;&lt;p&gt;Reading list:&lt;/p&gt;&lt;p&gt;C.L. Barber, Shakespeare’s Festive Comedies: A Study of Dramatic Form and Its Relation to Social Custom (first published 1959; Princeton University Press, 2011)&lt;/p&gt;&lt;p&gt;Simone Chess, ‘Queer Residue: Boy Actors’ Adult Careers in Early Modern England’ (Journal for Early Modern Cultural Studies 19.4, 2020)&lt;/p&gt;&lt;p&gt;Callan Davies, What is a Playhouse? England at Play, 1520-1620 (Routledge, 2023)&lt;/p&gt;&lt;p&gt;Frances E. Dolan, Twelfth Night: Language and Writing (Bloomsbury, 2014)&lt;/p&gt;&lt;p&gt;John Drakakis (ed.), Alternative Shakespeares (Psychology Press, 2002), especially ‘Disrupting Sexual Difference: Meaning and Gender in the Comedies’ by Catherine Belsey&lt;/p&gt;&lt;p&gt;Bart van Es, Shakespeare’s Comedies: A Very Short Introduction (Oxford University Press, 2016) &lt;/p&gt;&lt;p&gt;Sonya Freeman Loftis, Mardy Philippian and Justin P. Shaw (eds.), Inclusive Shakespeares: Identity, Pedagogy, Performance (Palgrave Macmillan, 2023), especially ‘”I am all the daughters of my father’s house, and all the brothers too”: Genderfluid Potentiality in As You Like It and Twelfth Night’ by Eric Brinkman &lt;/p&gt;&lt;p&gt;Ezra Horbury, ‘Transgender Reassessments of the Cross-Dressed Page in Shakespeare, Philaster, and The Honest Man’s Fortune’ (Shakespeare Quarterly 73, 2022) &lt;/p&gt;&lt;p&gt;Jean Howard, ‘Crossdressing, the theatre, and gender struggle in early modern England’ (Shakespeare Quarterly 39, 1988)&lt;/p&gt;&lt;p&gt;Harry McCarthy, Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022)&lt;/p&gt;&lt;p&gt;Stephen Orgel, Impersonations: The Performance of Gender in Shakespeare's England (Cambridge University Press, 1996)&lt;/p&gt;&lt;p&gt;William Shakespeare (eds. Michael Dobson and Molly Mahood), Twelfth Night (Penguin, 2005)&lt;/p&gt;&lt;p&gt;William Shakespeare (ed. Keir Elam), Twelfth Night (Arden Shakespeare, 2008)&lt;/p&gt;&lt;p&gt;Emma Smith, This is Shakespeare: How to Read the World's Greatest Playwright (Pelican, 2019)&lt;/p&gt;&lt;p&gt;Victoria Sparey, Shakespeare’s Adolescents: Age, Gender and the Body in Shakespearean Performance and Early Modern Culture (Manchester University Press, 2024)&lt;/p&gt;</description>

Melvyn Bragg and guests discuss Shakespeare's great comedy of love, desire and marriage.

Melvyn Bragg and guests discuss one of Shakespeare’s great comedies, which plays in the space between marriage, love and desire. By convention a wedding means a happy ending and here there are three, but neither Orsino nor Viola, Olivia nor Sebastian know much of each other’s true character and even the identities of the twins Viola and Sebastian have only just been revealed to their spouses to be. These twins gain some financial security but it is unclear what precisely the older Orsino and Olivia find enduringly attractive in the adolescent objects of their love. Meanwhile their hopes and illusions are framed by the fury of Malvolio, tricked into trusting his mistress Olivia loved him and who swears an undefined revenge on all those who mocked him.With Pascale Aebischer
Professor of Shakespeare and Early Modern Performance Studies at the University of ExeterMichael Dobson
Professor of Shakespeare Studies and Director of the Shakespeare Institute at the University of BirminghamAnd Emma Smith
Professor of Shakespeare Studies at Hertford College, University of OxfordProduced by Simon Tillotson, Victoria Brignell and Luke MulhallReading list:C.L. Barber, Shakespeare’s Festive Comedies: A Study of Dramatic Form and Its Relation to Social Custom (first published 1959; Princeton University Press, 2011)Simone Chess, ‘Queer Residue: Boy Actors’ Adult Careers in Early Modern England’ (Journal for Early Modern Cultural Studies 19.4, 2020)Callan Davies, What is a Playhouse? England at Play, 1520-1620 (Routledge, 2023)Frances E. Dolan, Twelfth Night: Language and Writing (Bloomsbury, 2014)John Drakakis (ed.), Alternative Shakespeares (Psychology Press, 2002), especially ‘Disrupting Sexual Difference: Meaning and Gender in the Comedies’ by Catherine BelseyBart van Es, Shakespeare’s Comedies: A Very Short Introduction (Oxford University Press, 2016) Sonya Freeman Loftis, Mardy Philippian and Justin P. Shaw (eds.), Inclusive Shakespeares: Identity, Pedagogy, Performance (Palgrave Macmillan, 2023), especially ‘”I am all the daughters of my father’s house, and all the brothers too”: Genderfluid Potentiality in As You Like It and Twelfth Night’ by Eric Brinkman Ezra Horbury, ‘Transgender Reassessments of the Cross-Dressed Page in Shakespeare, Philaster, and The Honest Man’s Fortune’ (Shakespeare Quarterly 73, 2022) Jean Howard, ‘Crossdressing, the theatre, and gender struggle in early modern England’ (Shakespeare Quarterly 39, 1988)Harry McCarthy, Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022)Stephen Orgel, Impersonations: The Performance of Gender in Shakespeare's England (Cambridge University Press, 1996)William Shakespeare (eds. Michael Dobson and Molly Mahood), Twelfth Night (Penguin, 2005)William Shakespeare (ed. Keir Elam), Twelfth Night (Arden Shakespeare, 2008)Emma Smith, This is Shakespeare: How to Read the World's Greatest Playwright (Pelican, 2019)Victoria Sparey, Shakespeare’s Adolescents: Age, Gender and the Body in Shakespearean Performance and Early Modern Culture (Manchester University Press, 2024)

Twelfth Night, or What You Will

<description>&lt;p&gt;Melvyn Bragg and guests discuss the Dutch artist famous for starry nights and sunflowers, self portraits and simple chairs. These are images known the world over, and Vincent van Gogh (1853-1890) painted them and around 900 others in the last decade of his short, brilliant life and, famously, in that lifetime he made only one recorded sale. Yet within a few decades after his death these extraordinary works, with all their colour and life, became the most desirable of all modern art, propelled in part by the story of Vincent van Gogh's struggle with mental health.&lt;/p&gt;&lt;p&gt;With &lt;/p&gt;&lt;p&gt;Christopher Riopelle
The Neil Westreich Curator of Post 1800 Paintings at the National Gallery&lt;/p&gt;&lt;p&gt;Martin Bailey
A leading Van Gogh specialist and correspondent for The Art Newspaper&lt;/p&gt;&lt;p&gt;And &lt;/p&gt;&lt;p&gt;Frances Fowle
Professor of Nineteenth Century Art at the University of Edinburgh and Senior Curator at National Galleries Scotland&lt;/p&gt;&lt;p&gt;Producer: Simon Tillotson&lt;/p&gt;&lt;p&gt;Reading list: &lt;/p&gt;&lt;p&gt;Martin Bailey, Living with Vincent Van Gogh: The Homes and Landscapes that shared the Artist (White Lion Publishing, 2019)&lt;/p&gt;&lt;p&gt;Martin Bailey, Studio of the South: Van Gogh in Provence (Frances Lincoln, 2021)&lt;/p&gt;&lt;p&gt;Martin Bailey, Van Gogh’s Finale: Auvers and the Artist’s Rise to Fame (Frances Lincoln, 2021)&lt;/p&gt;&lt;p&gt;Nienke Bakker and Ella Hendriks, Van Gogh and the Sunflowers: A Masterpiece Examined (Van Gogh Museum, 2019)&lt;/p&gt;&lt;p&gt;Nienke Bakker, Emmanuel Coquery, Teio Meedendorp and Louis van Tilborgh (eds), Van Gogh in Auvers-sur-Oise: His Final Months (Thames &amp;amp; Hudson, 2023)&lt;/p&gt;&lt;p&gt;Frances Fowle, Van Gogh's Twin: The Scottish Art Dealer Alexander Reid, 1854-1928 (National Galleries of Scotland, 2010) &lt;/p&gt;&lt;p&gt;Bregje Gerritse, The Potato Eaters: Van Gogh’s First Masterpiece (Van Gogh Museum, 2021)&lt;/p&gt;&lt;p&gt;Steven Naifeh and Gregory White Smith, Van Gogh: The Life (Random House, 2012)&lt;/p&gt;&lt;p&gt;Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh: The Letters: The Complete Illustrated and Annotated Edition (Thames and Hudson Ltd, 2009)&lt;/p&gt;&lt;p&gt;Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh, A Life in Letters (Thames and Hudson Ltd, 2020)&lt;/p&gt;&lt;p&gt;Hans Luitjen, Jo van Gogh Bonger: The Woman who Made Vincent Famous Bloomsbury, 2022&lt;/p&gt;&lt;p&gt;Louis van Tilborgh, Martin Bailey, Karen Serres (ed.), Van Gogh Self-Portraits (Courtauld Institute, 2022)&lt;/p&gt;&lt;p&gt;Ingo F. Walther and Rainer Metzger, Van Gogh. The Complete Paintings (Taschen, 2022)&lt;/p&gt;</description>

Melvyn Bragg and guests discuss the great Dutch painter of Sunflowers and Starry Nights.

Melvyn Bragg and guests discuss the Dutch artist famous for starry nights and sunflowers, self portraits and simple chairs. These are images known the world over, and Vincent van Gogh (1853-1890) painted them and around 900 others in the last decade of his short, brilliant life and, famously, in that lifetime he made only one recorded sale. Yet within a few decades after his death these extraordinary works, with all their colour and life, became the most desirable of all modern art, propelled in part by the story of Vincent van Gogh's struggle with mental health.With Christopher Riopelle
The Neil Westreich Curator of Post 1800 Paintings at the National GalleryMartin Bailey
A leading Van Gogh specialist and correspondent for The Art NewspaperAnd Frances Fowle
Professor of Nineteenth Century Art at the University of Edinburgh and Senior Curator at National Galleries ScotlandProducer: Simon TillotsonReading list: Martin Bailey, Living with Vincent Van Gogh: The Homes and Landscapes that shared the Artist (White Lion Publishing, 2019)Martin Bailey, Studio of the South: Van Gogh in Provence (Frances Lincoln, 2021)Martin Bailey, Van Gogh’s Finale: Auvers and the Artist’s Rise to Fame (Frances Lincoln, 2021)Nienke Bakker and Ella Hendriks, Van Gogh and the Sunflowers: A Masterpiece Examined (Van Gogh Museum, 2019)Nienke Bakker, Emmanuel Coquery, Teio Meedendorp and Louis van Tilborgh (eds), Van Gogh in Auvers-sur-Oise: His Final Months (Thames &amp; Hudson, 2023)Frances Fowle, Van Gogh's Twin: The Scottish Art Dealer Alexander Reid, 1854-1928 (National Galleries of Scotland, 2010) Bregje Gerritse, The Potato Eaters: Van Gogh’s First Masterpiece (Van Gogh Museum, 2021)Steven Naifeh and Gregory White Smith, Van Gogh: The Life (Random House, 2012)Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh: The Letters: The Complete Illustrated and Annotated Edition (Thames and Hudson Ltd, 2009)Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh, A Life in Letters (Thames and Hudson Ltd, 2020)Hans Luitjen, Jo van Gogh Bonger: The Woman who Made Vincent Famous Bloomsbury, 2022Louis van Tilborgh, Martin Bailey, Karen Serres (ed.), Van Gogh Self-Portraits (Courtauld Institute, 2022)Ingo F. Walther and Rainer Metzger, Van Gogh. The Complete Paintings (Taschen, 2022)

Vincent van Gogh

<description>&lt;p&gt;Melvyn Bragg and guests discuss Poe (1809-1849), the American author who is famous for his Gothic tales of horror, madness and the dark interiors of the mind, such as The Fall of the House of Usher and The Tell-Tale Heart. As well as tapping at our deepest fears in poems such as The Raven, Poe pioneered detective fiction with his character C. Auguste Dupin in The Murders in the Rue Morgue. After his early death, a rival rushed out a biography to try to destroy Poe's reputation but he has only become more famous over the years as a cultural icon as well as an author.&lt;/p&gt;&lt;p&gt;With&lt;/p&gt;&lt;p&gt;Bridget Bennett
Professor of American Literature and Culture at the University of Leeds&lt;/p&gt;&lt;p&gt;Erin Forbes
Senior Lecturer in 19th-century African American and US Literature at the University of Bristol&lt;/p&gt;&lt;p&gt;And&lt;/p&gt;&lt;p&gt;Tom Wright
Reader in Rhetoric at the University of Sussex&lt;/p&gt;&lt;p&gt;Producer: Simon Tillotson&lt;/p&gt;&lt;p&gt;Reading list: &lt;/p&gt;&lt;p&gt;Peter Ackroyd, Poe: A Life Cut Short (Vintage, 2009)&lt;/p&gt;&lt;p&gt;Amy Branam Armiento and Travis Montgomery (eds.), Poe and Women: Recognition and Revision (Lehigh University Press, 2023)&lt;/p&gt;&lt;p&gt;Joan Dayan, Fables of Mind: An Inquiry into Poe's Fiction (Oxford University Press, 1987)&lt;/p&gt;&lt;p&gt;Erin Forbes, ‘Edgar Allan Poe in the Great Dismal Swamp’ (Modern Philology, 2016)&lt;/p&gt;&lt;p&gt;Kevin J. Hayes (ed.), Edgar Allan Poe in Context (Cambridge University Press, 2012) &lt;/p&gt;&lt;p&gt;J. Gerald Kennedy and Scott Peeples (eds.), The Oxford Handbook of Edgar Allan Poe (Oxford University Press, 2018)&lt;/p&gt;&lt;p&gt;Jill Lepore, 'The Humbug: Poe and the Economy of Horror' (The New Yorker, April 20, 2009)&lt;/p&gt;&lt;p&gt;Toni Morrison, Playing in the Dark (Vintage, 1993)&lt;/p&gt;&lt;p&gt;Scott Peeples and Michelle Van Parys, The Man of the Crowd: Edgar Allan Poe and the City (Princeton University Press, 2020)&lt;/p&gt;&lt;p&gt;Edgar Allan Poe, The Portable Edgar Allan Poe (Penguin, 2006)&lt;/p&gt;&lt;p&gt;Shawn Rosenhelm and Stephen Rachman (eds.), The American Face of Edgar Allan Poe (Johns Hopkins University Press, 1995)&lt;/p&gt;</description>

Melvyn Bragg and guests discuss the author of the Fall of the House of Usher.

Melvyn Bragg and guests discuss Poe (1809-1849), the American author who is famous for his Gothic tales of horror, madness and the dark interiors of the mind, such as The Fall of the House of Usher and The Tell-Tale Heart. As well as tapping at our deepest fears in poems such as The Raven, Poe pioneered detective fiction with his character C. Auguste Dupin in The Murders in the Rue Morgue. After his early death, a rival rushed out a biography to try to destroy Poe's reputation but he has only become more famous over the years as a cultural icon as well as an author.WithBridget Bennett
Professor of American Literature and Culture at the University of LeedsErin Forbes
Senior Lecturer in 19th-century African American and US Literature at the University of BristolAndTom Wright
Reader in Rhetoric at the University of SussexProducer: Simon TillotsonReading list: Peter Ackroyd, Poe: A Life Cut Short (Vintage, 2009)Amy Branam Armiento and Travis Montgomery (eds.), Poe and Women: Recognition and Revision (Lehigh University Press, 2023)Joan Dayan, Fables of Mind: An Inquiry into Poe's Fiction (Oxford University Press, 1987)Erin Forbes, ‘Edgar Allan Poe in the Great Dismal Swamp’ (Modern Philology, 2016)Kevin J. Hayes (ed.), Edgar Allan Poe in Context (Cambridge University Press, 2012) J. Gerald Kennedy and Scott Peeples (eds.), The Oxford Handbook of Edgar Allan Poe (Oxford University Press, 2018)Jill Lepore, 'The Humbug: Poe and the Economy of Horror' (The New Yorker, April 20, 2009)Toni Morrison, Playing in the Dark (Vintage, 1993)Scott Peeples and Michelle Van Parys, The Man of the Crowd: Edgar Allan Poe and the City (Princeton University Press, 2020)Edgar Allan Poe, The Portable Edgar Allan Poe (Penguin, 2006)Shawn Rosenhelm and Stephen Rachman (eds.), The American Face of Edgar Allan Poe (Johns Hopkins University Press, 1995)

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