<description>Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. 
Today we talk about someone who played Bond, James Bond, and Blanc, Benoit Blanc. It’s Daniel Craig! 

Our returning guest is the great Gavin Mevius, co-host of both The Mixed Reviews Podcast and The Q Division on Glitterjaw.

Our B-Sides today include The Mother, Enduring Love, The Golden Compass, and Cowboys &amp; Aliens. We also spend some time on The Invasion.

We remember the controversy of Craig’s being blonde and being cast as Bond (silly!), as well as the early roles he took on before our B-Sides. There’s conversation on the films of Roger Michell and if he really is some version of Mike Leigh lite. There’s also an earnest debate about which film is worse: The Golden Compass or Cowboys &amp; Aliens?

Mild shock takes hold as we three recall both that HBO did in fact make FULL THREE SEASONS of His Dark Materials (!) and the somewhat disingenuous, cash-grabby way Cowboys &amp; Aliens came to be.</description>

Welcome to The B-Side! Here we talk about movie s…

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. 
Today we talk about someone who played Bond, James Bond, and Blanc, Benoit Blanc. It’s Daniel Craig! 

Our returning guest is the great Gavin Mevius, co-host of both The Mixed Reviews Podcast and The Q Division on Glitterjaw.

Our B-Sides today include The Mother, Enduring Love, The Golden Compass, and Cowboys & Aliens. We also spend some time on The Invasion.

We remember the controversy of Craig’s being blonde and being cast as Bond (silly!), as well as the early roles he took on before our B-Sides. There’s conversation on the films of Roger Michell and if he really is some version of Mike Leigh lite. There’s also an earnest debate about which film is worse: The Golden Compass or Cowboys & Aliens?

Mild shock takes hold as we three recall both that HBO did in fact make FULL THREE SEASONS of His Dark Materials (!) and the somewhat disingenuous, cash-grabby way Cowboys & Aliens came to be.

The B-Side Ep. 172 – Daniel Craig (with Gavin Mevius)

<description>One of the many special things in Train Dreams, directed by Clint Bentley, is the production design. Nearly every element of each setting feels like it was just sitting there, waiting to be captured. Of course, this is not the case. It was meticulously, carefully planned and built. The Film Stage's Dan Mecca was lucky and honored to speak with Alexandra Schaller, the film’s production designer, about the agonies and ecstasies of bringing Train Dreams to life, as well as some earlier, accomplished work in her career.

Additional thanks to Schaller, who provided The Film Stage access to mood boards and behind-the-scenes photos from the project. 

Explore here: https://thefilmstage.com/train-dreams-production-designer-alexandra-schaller-on-finding-beauty-in-the-land-and-making-small-films-feel-big/</description>

One of the many special things in Train Dreams, d…

One of the many special things in Train Dreams, directed by Clint Bentley, is the production design. Nearly every element of each setting feels like it was just sitting there, waiting to be captured. Of course, this is not the case. It was meticulously, carefully planned and built. The Film Stage's Dan Mecca was lucky and honored to speak with Alexandra Schaller, the film’s production designer, about the agonies and ecstasies of bringing Train Dreams to life, as well as some earlier, accomplished work in her career.

Additional thanks to Schaller, who provided The Film Stage access to mood boards and behind-the-scenes photos from the project. 

Explore here: https://thefilmstage.com/train-dreams-production-designer-alexandra-schaller-on-finding-beauty-in-the-land-and-making-small-films-feel-big/

Production Designer Alexandra Schaller on Crafting Train Dreams

<description>Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. 

Today we discuss Richard Linklater! He’s an American indie legend who we recently just spoke to! With two new films out here at the end of 2025 (Blue Moon and Nouvelle Vague), we discuss his B-Sides: SubUrbia, The Newton Boys, Me and Orson Welles, and Apollo 10½: A Space Age Childhood.

Our guest is Ryland Aldrich, our dear friend, an accomplished producer and experienced writer on film, as well as the creator of FYCit App,“the number one smartphone app for awards voters and guild members to find awards screenings, events, and content for all the season’s top contenders.” 

Conor, Ryland, and I dig into our love for Linklater, the highs and lows of his long, accomplished career, and his continued improvement as a stylist. 

We debate Ethan Hawke’s chances of getting an Oscar nomination for his Blue Moon performance, the lasting cultural relevance of School of Rock, and Orson Welles’ famous response to a question about Elia Kazan many years ago.
There’s also mention of the Mercury Theater’s famous 1938 broadcast of “The War of the Worlds,” the documentary Chasing Chasing Amy, and those real-life clips of The Newton Boys.</description>

Welcome to The B-Side! Here we talk about movie d…

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. 

Today we discuss Richard Linklater! He’s an American indie legend who we recently just spoke to! With two new films out here at the end of 2025 (Blue Moon and Nouvelle Vague), we discuss his B-Sides: SubUrbia, The Newton Boys, Me and Orson Welles, and Apollo 10½: A Space Age Childhood.

Our guest is Ryland Aldrich, our dear friend, an accomplished producer and experienced writer on film, as well as the creator of FYCit App,“the number one smartphone app for awards voters and guild members to find awards screenings, events, and content for all the season’s top contenders.” 

Conor, Ryland, and I dig into our love for Linklater, the highs and lows of his long, accomplished career, and his continued improvement as a stylist. 

We debate Ethan Hawke’s chances of getting an Oscar nomination for his Blue Moon performance, the lasting cultural relevance of School of Rock, and Orson Welles’ famous response to a question about Elia Kazan many years ago.
There’s also mention of the Mercury Theater’s famous 1938 broadcast of “The War of the Worlds,” the documentary Chasing Chasing Amy, and those real-life clips of The Newton Boys.

The B-Side Ep. 171 – Richard Linklater (with Ryland Aldrich)

<description>A world-cinema fixture who's earned the support of Martin Scorsese, M. Night Shyamalan, Olivier Assayas, Apichatpong Weerasethakul, Béla Tarr, Claire Denis, Christian Petzold, Tilda Swinton, and Ryusuke Hamaguchi––among many others––Carlo Chatrian reshaped the festival landscape with his work as artistic director of the Locarno Film Festival and Berlinale, his influence such that an abdication of his position at the latter in 2023 caused an honest-to-God outcry.

He is now serving as director of the National Cinema Museum in Turin and, for the last couple weeks, also acted as head of the international competition jury at the Tokyo International Film Festival. While we were both there, I sought the opportunity to ask him about these responsibilities, and found myself engaged in a rigorous serious conversation about where he sees cinema culture at the moment, where it might be headed, and––amidst all this––reasons to be hopeful.</description>

A world-cinema fixture who's earned the support o…

A world-cinema fixture who's earned the support of Martin Scorsese, M. Night Shyamalan, Olivier Assayas, Apichatpong Weerasethakul, Béla Tarr, Claire Denis, Christian Petzold, Tilda Swinton, and Ryusuke Hamaguchi––among many others––Carlo Chatrian reshaped the festival landscape with his work as artistic director of the Locarno Film Festival and Berlinale, his influence such that an abdication of his position at the latter in 2023 caused an honest-to-God outcry.

He is now serving as director of the National Cinema Museum in Turin and, for the last couple weeks, also acted as head of the international competition jury at the Tokyo International Film Festival. While we were both there, I sought the opportunity to ask him about these responsibilities, and found myself engaged in a rigorous serious conversation about where he sees cinema culture at the moment, where it might be headed, and––amidst all this––reasons to be hopeful.

Emulsion Ep. 18 - Carlo Chatrian on the Tokyo IFF and Future of Cinema Culture

<description>Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. 

Today we discuss David Cronenberg, one of the truly great Canadian geniuses and the filmmaker credited with the advent of “body horror” (a distinction he bristles against, for what it’s worth). Our B-Sides today include Fast Company, The Brood, M. Butterfly, and Spider. Our guest today is the incomparable Veronica Fitzpatrick, professor at Brown University and Editor-at-Large and Podcast Co-Host at Bright Wall/Dark Room. 

We talk about how handsome Oliver Reed is in The Brood, how Cronenberg’s films often start with a bang, how misguided M. Butterfly is, and how Fast Company was, in fact, a movie directed by David Cronenberg. There’s talk of his novel Consumed, his multiple collaborations with certain great performers like Jeremy Irons, and his incredible, intellectual mind. This is a man who has adapted Stephen King, William Burroughs, Don DeLillo, J.G. Ballard, and Patrick McGrath. What range!

There’s the real-life French diplomat on which M. Butterfly is based, as well as the metatextual nature of both Cronenberg’s adaptation of David Henry Hwang and his later picture A Dangerous Method. It’s Cronenberg taking stock of the psychology of his own films! Fascinating. Veronica mentions B.D. Wong’s Tony speech, we all marvel at the fact that Adrian Lyne remade Lolita (with Jeremy Irons!) in 1997 and it barely got a release! There’s a lot in here! Happy Halloween!</description>

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. 

Today we discuss David Cronenberg, one of the truly great Canadian geniuses and the filmmaker credited with the advent of “body horror” (a distinction he bristles against, for what it’s worth). Our B-Sides today include Fast Company, The Brood, M. Butterfly, and Spider. Our guest today is the incomparable Veronica Fitzpatrick, professor at Brown University and Editor-at-Large and Podcast Co-Host at Bright Wall/Dark Room. 

We talk about how handsome Oliver Reed is in The Brood, how Cronenberg’s films often start with a bang, how misguided M. Butterfly is, and how Fast Company was, in fact, a movie directed by David Cronenberg. There’s talk of his novel Consumed, his multiple collaborations with certain great performers like Jeremy Irons, and his incredible, intellectual mind. This is a man who has adapted Stephen King, William Burroughs, Don DeLillo, J.G. Ballard, and Patrick McGrath. What range!

There’s the real-life French diplomat on which M. Butterfly is based, as well as the metatextual nature of both Cronenberg’s adaptation of David Henry Hwang and his later picture A Dangerous Method. It’s Cronenberg taking stock of the psychology of his own films! Fascinating. Veronica mentions B.D. Wong’s Tony speech, we all marvel at the fact that Adrian Lyne remade Lolita (with Jeremy Irons!) in 1997 and it barely got a release! There’s a lot in here! Happy Halloween!

The B-Side Ep. 170 – David Cronenberg (with Veronica Fitzpatrick)

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