The Creative Nonfiction Podcast with Brendan O'Meara

"This is also me saying here's a literary reading of the universe through physics. There's a way you can read The Edge of Space-Time as me  doing close-reading for a few 100 pages. I'm close-reading equations. I'm close-reading Dirac. I'm close-reading Hawking and Ellis, but it's all different versions of a literary practice," says Chanda Prescod-Weinstein, author of The Edge of Space-Time: Particles, Poetry, and the Cosmic Dream Boogie (Pantheon Books). Coming at you at the speed of sound, CNFers, with Chanda Prescod-Weinstein, who is the author of The Disordered Cosmos: A Journey into Dark Matter, Spacetime, and Dreams Deferred and her latest book The Edge of Space-Time: Particles, Poetry, and the Cosmic Dream Boogie. It's published by Pantheon Books. She is an associate professor of physics and core faculty member in women's and gender studies at the University of New Hampshire. Her work lives at the intersection of particle physics, cosmology, and astrophysics and she's also a theorist of Black feminist science studies. Her book is accessible, for sure, but it's mind-bendy and it strikes me as the kind of book you want to read twice. One, it's good company, and two, the material she translates is really difficult to get your head around, but that's the nature of the quantum mechanics, and general relativity, and particle physics, and how the hell did we get here in the first place? Gah! So Chanda talks about: * The publishing business in conversations she had with CNF Pod alum Keith O'Brien * Writing for Black and queer audiences * The different selves who approach the page * Paying attention to acknowledgements * Epigraph rights and how they set the vibe * The fork in the road researchers face when they write a pop science book * Physicist brain * A literary reading of the universe * The world keeps happening while you're writing * Understanding metaphors * And what Newton and Einstein might talk about if they sat down at a bar together Be sure you visit Chanda's website chanda.science and follow her on Instagram at chanda.prescod.weinstein. This episode will pair well with: * Episode 103: Persistent, Constant, Careful Work with Dennis Overbye * Episode 111: The Empowering and Exciting Nature of Film with Emer Reynolds * Episode 307: Greg Brennecka * Episode 334: Katrina Miller * Episode 395: "The Six," Mini-Deadlines and the Twang with Loren Grush

"I'm very comfortable not writing perfectly. I think a lot of writers have difficulty writing because they can be such good editors that there's almost this like, inherent need of sometimes rereading the same chapter over and over again and trying to make it perfect. And so I think, for me, I'm  very comfortable with the idea of, like, let me just get stuff on paper," says Mary Cain, author of This is Not About Running: A Memoir. It's Mary Cain! She's @runmarycain on Instagram and she serves on the board of The Army of Survivors and the founder of the nonprofit Atalanta NYC which employs professional female runners to serve as mentors to girls in underserved part so the city.  For a certain subset of people they're gonna be like, Who dat? To them, I say, Mary was a running prodigy in the 2010s, the fastest high school girl in America and one of the fastest across all ages before the age of 18 in events like the 800 meters and the 1,500. She was recruited by the now disgraced Alberto Salazar for the Nike Oregon Project where she was physically, emotionally, and psychologically abused by Salazar in a win-at-all-costs culture. In 2019, she published a video op-ed with the New York Times that brought down the Nike Oregon Project and Alberto Salazar. It lit a fire and this book is also lighting a firestorm as well. This was a really fun conversation. I was working in specialty running retail when Mary exploded onto the scene, so it was just really cool to chat with her. Part of the appeal for her coming on this show was to talk about the writing, which she's not really going to experience on this book tour, which will primarily be on the running shows. She was very generous with her time and we talked for almost 90 minutes on topics like: Her love of Hemingway * Procrastination * Writing in the present tense * The benefits of reading when you're writing * Finishing as a skill * Not writing perfectly * Sticking to artificial deadlines * Seasonality in writing * Support networks * Starting from pure anger * The monetization of fake advocacy * And the one sentence she wrote that I wish I wrote Mary is a medical student now at STanford University and basically runs for fun. This episode will pair well with my conversations with Maggie Mertens, Christine Yu, Lauren Fleshman and Renee Hess. I had a real blast talking to her and I think you'l enjoy as well. Parting shot on my marathon experience, but for now, here's the super cool Mary Cain.

"In the case of being a storyteller, I keep a document that I call my nonfiction compost pile. I keep little snippets of things that I've heard but it didn't really dive deeper into it. When you have other things to fall back on, it's easier to to pivot and say, 'Okay, this one didn't work out.' If you really believe in a story, you're going to find somebody else who believes in it too," says Nick Davidson, whose "Big Game" is this month's featured Atavist story. We've got Nick Davidson (@nickgdavidson on IG) returning to the pod because he has within the span of about two years landed ANOTHER story with our dear friends at the Atavist Magazine. Nose to tail, this is one of the best Atavist pods you're going to hear. I don't know what was in the air, but Jonah Ogles, the lead editor, and Nick, were in the zone. I'm very excited for you to sink into this one for reasons I think that'll be clear once you sit with it. Head to magazine.atavist.com [http://magazine.atavist.com/] to read the story and consider subscribing, and no, I don't get kickbacks and I, in fact, pay for my own subscription, so stick that in your pipe and smoke it. Nick's story chronicles the undercover operation to take down dozens of poachers in the San Luis Valley of southern Colorado. The federal agent at the heart of it, George Morrison, goes undercover and what follows is a riveting story that raises all kinds of questions and blurs the lines between right and wrong. It's titled: Big Game: Colorado's San Luis Valley was a wildlife poacher's paradise. Then an undercover federal agent arrived. Nick  can be found at nickgdavidson.com [http://nickgdavidson.com/]. His work has appeared in Outside, Men's Journal, Truly Adventurous, Garden & Gun, High Country News, Backpacker, VICE Sports, and Popular Science. There's a Buddhist vibe to Nick in that he's an eternal optimistic and he surrenders to the current, not in a passive way, I know that sounds contradictory, but what I mean is he's not one to frantically paddle upstream. He practices in the martial arts, which imbues him with a sense of confidence of mind and body; he preaches non-attachment, which is always good materialistically but also when it comes to stories that might not pan out. He's of abundant mindset and he  very much had me questioning my headspace, which as you know is a cesspool of toxic goo. So in our conversation, we talk about: * How he established a freelance career * Pitching * Excitement for the story * Having a positive attitude * Telling the story that's right in front of you * Google alerts * Writing long * Developing character * Beginnings and endings * And when the magic happens I think you're really going to leave this chat feeling energized at possibility. Maybe that's just me. Order The Front Runner [https://www.harpercollins.com/products/the-front-runner-brendan-omeara?variant=43044900962338] Welcome to Pitch Club [https://welcometopitchclub.substack.com/] Show notes: brendanomeara.com [http://brendanomeara.com/]

"The Chronology of Water story was an 11-page story written in tiny fragments. And the MFA program I was in, they told me, that's not a story. It's a poem or something. It's a list of fragments. I'm like, 'Fuck you!' My whole enterprise has been to trouble the edges," says Lidia Yuknavitch, bestselling author of several books, most recently a memoir titled Reading the Waves. Lidia Yuknavitch makes her thrilling return to the podcast, this a live recording of the show at Gratitude Brewing in Eugene in partnership with the revival of the Northwest Review. My understanding is that there's a significant literary prize, including creative nonfiction essays. You might want to try you filthy animals. The Northwest Review was the first place that ever published Lidia, a short, 11-page story called the Chronology of Water, so, maybe YOU could be the next Lidia Yuknavitch, though we know that's impossible so don't even try. She's the author of eight books of fiction, nonfiction, and the editor of an essay collection on menopause called The Big M. She's best known for her memoir, or anti-memoir called The Chronology of Water, the novels Thrust, Verge, and The Small Backs of Children. And her most recent nonlinear, fractured memoir is the brilliant Reading the Waves. She won the Oregon Book Award in 2016 and also stood on the TED stage and delivered a beautiful talk about misfits. Her work has appeared  in Guernica, Ms., and Another Chicago Magazine. She founded the workshop series Corporeal Writing in Portland, Oregon. She is a very good swimmer. We talk about: * Getting rid of the good/bad binary * Writing in a group setting * Inventing your own rituals * The beautiful and the brutal living next to each other * Taking your turn * Troubling the edges * Being good compost * And how her market days are over and she's cool with that You'll want to pair this episode with 217, Lidia's first time as well as: * Episode 447: Brooke Champagne Sits Back from the Suckitude * Episode 498: Sasha Bonet on Not Holding Back, and  * Episode 123: Elena Passarello on Listening to the book, Polaroids, and Self-Doubt Dig it, friend. Order The Front Runner [https://www.harpercollins.com/products/the-front-runner-brendan-omeara?variant=43044900962338] Welcome to Pitch Club [https://welcometopitchclub.substack.com/] Show notes: brendanomeara.com [http://brendanomeara.com/]

"Not to confuse journalism with newspapers. Newspapers are one set of communication methods. But it's certainly not the only one. If they have the right mindset, and that's what I try to get them to do, there are so many more opportunities. You can go out and do a podcast, or you can do a newsletter. You can't think of it as I need to work at The New York Times. You have to think of it as I need — I need — to tell stories, and I've got this curiosity." Anthony DePalma is a journalist and professor at Columbia University. He's the author of several books, his latest being On This Ground: Hardship and Hope at the Toughest Prep School in America. It's published by Mariner Books. He spent 22 years as a reporter for The New York Times, and another 8 as a stringer for them, so, let's do the math … that's 30 years. He reported a lot on Mexico and Cuba, as well as Albania, Guyana, and Suriname. You can find him at anthonydepalma.com [http://anthondydepalma.com/] and on the Facebooks and Substacks, at anthontyrdepalma Anthony DePalma has been all over the world telling true stories. He's the author of The Cubans, City of Dust, The Man Who Invented Fidel, and Here: A Biography of the New American Continent. In this conversation we talk about: * How not to confuse journalism with newspapers * The NEED to tell stories * The stunning lack of curiosity among young journalists * Not wearing headphones on walks * Accelerated intimacy * Challenge of being of satisfied with the writing * Still being a WIP * What to do when you can't be everywhere at once * Cutting 30-40% of his ms * Radical pragmatism * What makes St. Benedict's tough * And how grafting apple trees is like writing Order The Front Runner [https://www.harpercollins.com/products/the-front-runner-brendan-omeara?variant=43044900962338] Welcome to Pitch Club [https://welcometopitchclub.substack.com/] Show notes: brendanomeara.com [http://brendanomeara.com/]