Aloha fellow cinephiles! We are continuing our look back at the culturally relevant films of 2025 with the second highest domestic grosser of the year (as of this recording), Lilo and Stitch. That's right, Disney has once again gone to the well to fish out another of their classic properties and attempt to make it live action. But what does that even mean? We discuss remakes, reboots, animation, and much, much more as we try to parse meaning from Disney's Lilo and Stitch. Tune in now!

<description>&lt;p&gt;Aloha fellow cinephiles! We are continuing our look back at the culturally relevant films of 2025 with the second highest domestic grosser of the year (as of this recording), Lilo and Stitch. That's right, Disney has once again gone to the well to fish out another of their classic properties and attempt to make it live action. But what does that even mean? We discuss remakes, reboots, animation, and much, much more as we try to parse meaning from Disney's Lilo and Stitch. Tune in now!&lt;/p&gt;
</description>

Aloha fellow cinephiles! We are continuing our look back at the culturally relevant films of 2025 with the second highest domestic grosser of the year (as of this recording), Lilo and Stitch. That's right, Disney has once again gone to the well to fish out another of their classic properties and attempt to make it live action. But what does that even mean? We discuss remakes, reboots, animation, and much, much more as we try to parse meaning from Disney's Lilo and Stitch. Tune in now!

Lilo and Stitch (2025)

Hello all! Following Dustin's cheat-o-thon, we're back to our regularly schedule business. And this month, instead of year-end catch-ups, we are taking a look at the THREE highest domestic grossing films of the year (as of this recording [in early November]). To kick things off, we are joined by filmmaker, friend of the show, rambling lunatic, and all around good dude, "Sick" Nick Sanford to talk James Gunn's Superman. We talk all about the man in blue, superheroes, pop culture, Alan Moore, and much, much more. Join us now as we bring James Gunn's Superman to the analysis table.

<description>&lt;p&gt;Hello all! Following Dustin's cheat-o-thon, we're back to our regularly schedule business. And this month, instead of year-end catch-ups, we are taking a look at the THREE highest domestic grossing films of the year (as of this recording [in early November]). To kick things off, we are joined by filmmaker, friend of the show, rambling lunatic, and all around good dude, "Sick" Nick Sanford to talk James Gunn's Superman. We talk all about the man in blue, superheroes, pop culture, Alan Moore, and much, much more. Join us now as we bring James Gunn's Superman to the analysis table. &lt;/p&gt;
</description>

Hello all! Following Dustin's cheat-o-thon, we're back to our regularly schedule business. And this month, instead of year-end catch-ups, we are taking a look at the THREE highest domestic grossing films of the year (as of this recording [in early November]). To kick things off, we are joined by filmmaker, friend of the show, rambling lunatic, and all around good dude, "Sick" Nick Sanford to talk James Gunn's Superman. We talk all about the man in blue, superheroes, pop culture, Alan Moore, and much, much more. Join us now as we bring James Gunn's Superman to the analysis table. 

Superman (2025) with Nick Sanford

Ahoy dancing queens! Dustin brings the S.S. Cheat-afore into dock with the feel good movie of 1969 (nice), They Shoot Horses, Don't They? And gosh, don't they indeed. We look back at the hard to find work from Sydney Pollack. Thanks to a popular online video website, we were able to watch the film. We talk about power structures, exploitative entertainment, physical media, and much, much more! Come aboard as we bring They Shoot Horses, Don't They? to the analysis table!

<description>&lt;p&gt;Ahoy dancing queens! Dustin brings the S.S. Cheat-afore into dock with the feel good movie of 1969 (nice), They Shoot Horses, Don't They? And gosh, don't they indeed. We look back at the hard to find work from Sydney Pollack. Thanks to a popular online video website, we were able to watch the film. We talk about power structures, exploitative entertainment, physical media, and much, much more! Come aboard as we bring They Shoot Horses, Don't They? to the analysis table!&lt;/p&gt;
</description>

Ahoy dancing queens! Dustin brings the S.S. Cheat-afore into dock with the feel good movie of 1969 (nice), They Shoot Horses, Don't They? And gosh, don't they indeed. We look back at the hard to find work from Sydney Pollack. Thanks to a popular online video website, we were able to watch the film. We talk about power structures, exploitative entertainment, physical media, and much, much more! Come aboard as we bring They Shoot Horses, Don't They? to the analysis table!

They Shoot Horses, Don't They? (1969)

Howdy y'all! The Dustin cheat-a-thon rolls on with an Altman banger? Classic? Masterwork? Maybe. It's Nashville. This epic ensemble escapade brings us to our knees in awe. We discuss Altman's improvisational style, the films technological prowess, dat ensemble, and much, much more as Nashville arrives on the analysis table. Tune in now!

<description>&lt;p&gt;Howdy y'all! The Dustin cheat-a-thon rolls on with an Altman banger? Classic? Masterwork? Maybe. It's Nashville. This epic ensemble escapade brings us to our knees in awe. We discuss Altman's improvisational style, the films technological prowess, dat ensemble, and much, much more as Nashville arrives on the analysis table. Tune in now!&lt;/p&gt;
</description>

Howdy y'all! The Dustin cheat-a-thon rolls on with an Altman banger? Classic? Masterwork? Maybe. It's Nashville. This epic ensemble escapade brings us to our knees in awe. We discuss Altman's improvisational style, the films technological prowess, dat ensemble, and much, much more as Nashville arrives on the analysis table. Tune in now!

Nashville (1975)

Hello GoodTrashers! Dustin continues to fly the plan this week with absolutely no regard for what is being asked of him. His mystery marathon continues with a pick from the actor's director, John Cassavetes. This week, we take a look at the director's neo-noir (maybe) The Killing of a Chinese Bookie. We discuss style, Cassavetes, the New Hollywood, and much, much more in this week's episode—we also breakout the 1-star reviews of shame! Join us now for a GoodTrash time!

<description>&lt;p&gt;Hello GoodTrashers! Dustin continues to fly the plan this week with absolutely no regard for what is being asked of him. His mystery marathon continues with a pick from the actor's director, John Cassavetes. This week, we take a look at the director's neo-noir (maybe) The Killing of a Chinese Bookie. We discuss style, Cassavetes, the New Hollywood, and much, much more in this week's episode—we also breakout the 1-star reviews of shame! Join us now for a GoodTrash time!&lt;/p&gt;
</description>

Hello GoodTrashers! Dustin continues to fly the plan this week with absolutely no regard for what is being asked of him. His mystery marathon continues with a pick from the actor's director, John Cassavetes. This week, we take a look at the director's neo-noir (maybe) The Killing of a Chinese Bookie. We discuss style, Cassavetes, the New Hollywood, and much, much more in this week's episode—we also breakout the 1-star reviews of shame! Join us now for a GoodTrash time!

The Killing of a Chinese Bookie (1976)

A movie analysis show looking at your favorite cult and genre films from across cinema history. Each week, Dustin, Arthur, and Dalton try to apply academic rigor and critical analysis to the films you wouldn’t talk about in a film studies class while having a few laughs along the way. It’s the conversations you have in the lobby of the multiplex with a little more room to breathe, and the occasional footnote. Stay tuned to the feed for bonus episodes on new releases.

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