Joni Mitchell’s songs have soundtracked our lives and her pioneering work changed music forever. Jesca Hoop explores her extraordinary story to reveal the life behind the legend.In the first episode, we hear how young Joni loves to watch the trains go by from the window of her house in a Saskatchewan prairie town. Even as a child, there is a desire to see what's around the next bend. She's a tomboy and an athlete, until polio forces her into a period of convalescence; she's no longer picked first for sports teams but when she gets the use of her legs back she rock 'n' roll dances her way through her teens. Her childhood ambition is to be a painter, but when she finally makes it to art school everything changes....“I’ve always been a creature of change” – Joni MitchellThrough archive, fresh interviews, narration, immersive sound design and an original score, we trace the story of an extraordinary life and explore what makes Joni Mitchell a singular artist: the genius of her lyrics; her incredible talent as guitarist, painter and producer; and her restless drive for innovation.In Legend, we follow Joni from her ‘flatlander’ childhood on the Canadian prairies, through the folk clubs of Toronto and Detroit, to a redwood cottage in L.A.’s Laurel Canyon, to a cave in Crete, to a deserted desert highway, to recording studios and stages around the world. From her earliest home recordings to masterpieces like Blue, Court and Spark, and Hejira, we explore some of the stories behind her best-loved songs and celebrate her remarkable return to live performance in 2023: “like seeing, in the wild, a rare bird long feared extinct” (Lindsay Zoladz).Our guide through the series is the California-born, Manchester-based musician, Jesca Hoop. Jesca speaks to musicians like Blake Mills, Allison Russell, Holly Laessig and Jess Wolfe, who have played alongside Joni, and we hear tributes from those, like musician John Grant, who have been inspired and influenced by her music. We also hear from friends, including Larry Klein and Graham Nash; and from music critics and biographers, including Ann Powers, David Yaffe, Lindsay Zoladz, Kate Mossman, Barney Hoskyns, Miles Grier and Jenn Pelly.The Joni Mitchell Story comes from the production team behind BBC Radio 4’s award-winning podcast Soul Music – “… the gold standard for music podcasts…” (Esquire).Producers: Mair Bosworth and Eliza Lomas
Production Coordinator: Andrew Lewis
Editor: Chris Ledgard
Story Editor: Emma Harding
Story Consultant: John Yorke
Sound Design and Original Music: Hannis Brown
Studio Engineers: Ilse Lademann and Michael Harrison
Commissioning Editor: Daniel Clarke

Joni's story begins in a small prairie town in Saskatchewan, Canada.

Introducing Legend: The Joni Mitchell Story

<description>&lt;p&gt;In a special edition of Mastertapes, guitarist, singer-songwriter and producer, Richard Hawley welcomes John Wilson to the Crucible in his home town of Sheffield.&lt;/p&gt;&lt;p&gt;Throughout his 33 (and a third?) year career as a musician (he first recorded a John Peel session at the age of 19, with his band, Treebound Story), Sheffield has always played an influential part in Richard Hawley's song-writing. His 2001 album, Late Night Final, was named after the cry of vendors selling the Sheffield Star evening newspaper on the streets, and all his solo albums since, from Lowedges and Coles Corner to Truelove’s Gutter and Hollow Meadows, immortalized Sheffield landmarks. &lt;/p&gt;&lt;p&gt;At the end of a busy year , in which he worked on four film soundtracks, recorded a new album and debuted his first stage musical - "Standing at the Sky’s Edge" at Sheffield’s Crucible Theatre (featuring a mix of his old and new songs), Richard Hawley looks and plays his way back over a 33 (and a third?) year career as a musician (he first recorded a John Peel session at the age of 19, with his band, Treebound Story). &lt;/p&gt;&lt;p&gt;Performances include what was the world premier of 'My Little Treasures' from Richard's new album, as well as a version of 'Open Up Your Door' from the stage musical "Standing At The Sky's Edge" sung by Maimuna Memon and accompanied by Will Stewart. &lt;/p&gt;&lt;p&gt;Playing with Richard Hawley are Shez Sheridan on guitars, Jon Trier on piano and Clive Mellor on harmonica.&lt;/p&gt;&lt;p&gt;Producer: Paul Kobrak&lt;/p&gt;</description>

John Wilson talks to Steel City’s own maestro of the melancholy melody - Richard Hawley

In a special edition of Mastertapes, guitarist, singer-songwriter and producer, Richard Hawley welcomes John Wilson to the Crucible in his home town of Sheffield.Throughout his 33 (and a third?) year career as a musician (he first recorded a John Peel session at the age of 19, with his band, Treebound Story), Sheffield has always played an influential part in Richard Hawley's song-writing. His 2001 album, Late Night Final, was named after the cry of vendors selling the Sheffield Star evening newspaper on the streets, and all his solo albums since, from Lowedges and Coles Corner to Truelove’s Gutter and Hollow Meadows, immortalized Sheffield landmarks. At the end of a busy year , in which he worked on four film soundtracks, recorded a new album and debuted his first stage musical - "Standing at the Sky’s Edge" at Sheffield’s Crucible Theatre (featuring a mix of his old and new songs), Richard Hawley looks and plays his way back over a 33 (and a third?) year career as a musician (he first recorded a John Peel session at the age of 19, with his band, Treebound Story). Performances include what was the world premier of 'My Little Treasures' from Richard's new album, as well as a version of 'Open Up Your Door' from the stage musical "Standing At The Sky's Edge" sung by Maimuna Memon and accompanied by Will Stewart. Playing with Richard Hawley are Shez Sheridan on guitars, Jon Trier on piano and Clive Mellor on harmonica.Producer: Paul Kobrak

Richard Hawley at the Crucible

<description>&lt;p&gt;John Wilson returns with another run of the series in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. Each edition has John initially quizzing the artist about the album in question, and then the audience puts the questions. &lt;/p&gt;&lt;p&gt;American Pie by Don McLean
Twenty-four year old Don McLean's debut album was rejected by 72 labels before it was released by Mediarts. It was only because that label was taken over by United Artists that his follow-up received the promotion it deserved. &lt;/p&gt;&lt;p&gt;His second album contained: a tribute to the 19th-century Dutch painter, which was cited as a personal inspiration by the late rapper Tupac Shakur; a song that was re-recorded 32 years later by George Michael in protest against the Iraq War; and an eight-and-a-half minute single that in 2017 was designated an "aural treasure... worthy of preservation as part of America's patrimony"&lt;/p&gt;&lt;p&gt;Don McLean responds to questions from the audience and performs live acoustic versions of some of the tracks on the album.&lt;/p&gt;</description>

John Wilson talks to Don McLean about his timeless classic album, American Pie

John Wilson returns with another run of the series in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. Each edition has John initially quizzing the artist about the album in question, and then the audience puts the questions. American Pie by Don McLean
Twenty-four year old Don McLean's debut album was rejected by 72 labels before it was released by Mediarts. It was only because that label was taken over by United Artists that his follow-up received the promotion it deserved. His second album contained: a tribute to the 19th-century Dutch painter, which was cited as a personal inspiration by the late rapper Tupac Shakur; a song that was re-recorded 32 years later by George Michael in protest against the Iraq War; and an eight-and-a-half minute single that in 2017 was designated an "aural treasure... worthy of preservation as part of America's patrimony"Don McLean responds to questions from the audience and performs live acoustic versions of some of the tracks on the album.

Don McLean - American Pie

<description>&lt;p&gt;John Wilson returns with another run of the series in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. &lt;/p&gt;&lt;p&gt;Modern day super-group, DAMON ALBARN, PAUL SIMONON, TONY ALLEN and SIMON TONG talk to John Wilson about their acclaimed debut album "The Good, The Bad &amp;amp; The Queen."&lt;/p&gt;&lt;p&gt;Released in 2007, the album brought together Blur's front-man, the bassist from the Clash, the Afrobeat pioneer who was also Fela Kuti's drummer, and former guitarist from the Verve who co-created the Magnetic North. Described by Damon Albarn as "a song cycle that's also a mystery play about London", the record was voted the Best Album of 2007 by the Observer Music Magazine and it includes the singles Herculean, Kingdom of Doom and Green Fields.&lt;/p&gt;&lt;p&gt;Damon Albarn, Paul Simonon, Tony Allen and Simon Tong respond to questions from the audience and perform live versions of their follow-up album, 2018's "Merrie Land".&lt;/p&gt;</description>

Damon Albarn, Paul Simonon, Tony Allen and Simon Tong talk to John Wilson

John Wilson returns with another run of the series in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. Modern day super-group, DAMON ALBARN, PAUL SIMONON, TONY ALLEN and SIMON TONG talk to John Wilson about their acclaimed debut album "The Good, The Bad &amp; The Queen."Released in 2007, the album brought together Blur's front-man, the bassist from the Clash, the Afrobeat pioneer who was also Fela Kuti's drummer, and former guitarist from the Verve who co-created the Magnetic North. Described by Damon Albarn as "a song cycle that's also a mystery play about London", the record was voted the Best Album of 2007 by the Observer Music Magazine and it includes the singles Herculean, Kingdom of Doom and Green Fields.Damon Albarn, Paul Simonon, Tony Allen and Simon Tong respond to questions from the audience and perform live versions of their follow-up album, 2018's "Merrie Land".

The Good, The Bad & The Queen

<description>&lt;p&gt;John Wilson returns with another run of the series in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. 
Lily Allen talks to John Wilson about her fourth and most personal album, "No Shame"&lt;/p&gt;&lt;p&gt;Always conversational in tone and infused with a dark sense of humour, Lily Allen's lyrics never shies away from the personal - and her most recent album, released in July 2018, is no different. Set against dancehall and reggae influences, the album moved away from her usual witty sarcastic songwriting style and opted for a more "candid" approach. With tracks like 'Trigger Bang', 'Lost My Mind', 'Three' and the album title track, she tackles everything from the breakdown of her marriage and her friendships... to maternal guilt, substance abuse and, as if that's not enough, social and political issues.&lt;/p&gt;&lt;p&gt;Lily Allen responds to questions from the audience and performs live acoustic versions of some of the tracks on the album.&lt;/p&gt;</description>

Lily Allen talks to John Wilson about her fourth and most personal album, "No Shame"

John Wilson returns with another run of the series in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. 
Lily Allen talks to John Wilson about her fourth and most personal album, "No Shame"Always conversational in tone and infused with a dark sense of humour, Lily Allen's lyrics never shies away from the personal - and her most recent album, released in July 2018, is no different. Set against dancehall and reggae influences, the album moved away from her usual witty sarcastic songwriting style and opted for a more "candid" approach. With tracks like 'Trigger Bang', 'Lost My Mind', 'Three' and the album title track, she tackles everything from the breakdown of her marriage and her friendships... to maternal guilt, substance abuse and, as if that's not enough, social and political issues.Lily Allen responds to questions from the audience and performs live acoustic versions of some of the tracks on the album.

Lily Allen - No Shame

John Wilson talks with musicians about a career-defining album, and a live audience also puts questions. Featuring exclusive live performances.

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