Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

<p>In <em>Into Being </em>Lily Dunn explores the ways in which writing one&#8217;s life has the potential to transform it; how writing, if done well,  can produce &#8220;symbolic repair.&#8221; We look at Virginia Woolf&#8217;s notion of &#8220;moments of being&#8221; as a means and method to find the form that best fits your specific story to tell. We look at different ways memoirists have used the imagination within their own work, and the various ethical issues that arise when writing about people close to you or about other peoples&#8217; trauma. And from beginning to end, we look at Lily&#8217;s own remarkable memoir, <em>Sins of My Father: A Daughter, A Cult, A Wild Unravelling, </em>as a way into these questions as well.</p> <p>For the bonus audio archive Lily walks us through one of the writing exercises in the book. This joins a large and ever-growing archive, everything from craft talks by Marlon James and Jeannie Vanasco, to writing prompts from Danez Smith &amp; Lucy Ives, to readings by everyone from Mattilda Bernstein Sycamore to Richard Powers. You can find out about how to subscribe to the bonus audio and about all the other potential benefits and rewards of joining the Between the Covers community at the show&#8217;s <a href="http://patreon.com/betweenthecovers">Patreon page</a>.</p> <p>Finally here is the <a href="https://bookshop.org/lists/books-from-lily-dunn-conversation">BookShop</a> for today.</p>

<p>Randa Abdel-Fattah&#8217;s new novel <em>Discipline</em> is set in Sydney, Australia in 2021 during Ramadan. <em>Discipline</em> follows two Palestinians there, one in media and one in academia, where each has to confront questions of silence and complicity in their respective fields. As Israel intensifies its bombardment of Gaza, and as an eighteen-year-old student at a local Islamic school is arrested for protesting a university&#8217;s investment in an Israeli arms manufacturer—an arrest that results in an Islamophobic moral panic across Australia, our two Palestinian protagonists make very different decisions on how to engage with the power structures within their disciplines and within the country at large. What is the cost of staying and fighting within an organization that wants to silence you? What is the cost of walking way? In addition to being a riveting read on the level of story, <em>Discipline</em> is also a sort of primer on the weaponization of language, particularly liberal rhetoric employed to capture and domesticate radical movements of change.</p> <p>For the bonus audio archive Randa contributes a reading of excerpts from Chelsea Watego&#8217;s &#8220;Always Bet on Black (Power): The Fight Against Race.&#8221; This joins bonus readings from Dionne Brand, Danez Smith, Isabella Hammad, Natalie Diaz, Omar El Akkad, music from Leanne Betasamosake Simpson and much more. To learn about how to subscribe to the bonus audio and the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter head over to the show&#8217;s <a href="http://patreon.com/betweenthecovers">Patreon page</a>.</p> <p>Finally here is the <a href="https://bookshop.org/lists/books-from-randa-abdel-fattah-conversation">BookShop</a> for today.</p>

<p>Jorge Luis Borges called her the &#8220;Tolstoy of Mexico&#8221; and César Aira the &#8220;greatest novelist of the 20th century,&#8221; so why is it likely that you haven&#8217;t read or even heard of Elena Garro before now? And given that Garro was, like her fantastical stories,  not beholden to the truth when accounting her own life, and given that her own life was, in its radical shifts and contradictions, so wildly resistant to comprehension, how does one present her now to the world? Jazmina Barrera may be the perfect writer to do so as her new Garro-centric book <em>The Queen of Swords</em> is as unconventional as her subject. Full of cats and revolution, Tarot and the CIA, conspiracy and embroidery, this anti-biographical love letter to another writer also becomes a portrait of Jazmina as well.</p> <p>For the bonus audio archive Jazmina contributes a reading from Elena Garro&#8217;s story &#8220;When We Were Dogs,&#8221; in Christina MacSweeney&#8217;s translation. To learn how to subscribe to the bonus audio and the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, head over to the show&#8217;s <a href="http://patreon.com/betweenthecovers">Patreon page</a>.</p> <p>Finally, here is the <a href="https://bookshop.org/lists/books-from-jazmina-barrera-conversation">BookShop</a> for today.</p>

<p>Caren Beilin&#8217;s <a href="https://www.betweenthecoverspodcast.com/podcast/caren-beilin-revenge-of-the-scapegoat/">first appearance on the show, </a>in 2022 to discuss her book <em>Revenge of the Scapegoat</em>, was so unforgettable, and spurred so much enthusiasm and electrifying conversation in its wake, that I couldn&#8217;t say &#8220;no&#8221; to being in conversation with her again, this time live at Powell&#8217;s Bookstore, to discuss her latest book <em>Sea, Poison</em> out with New Directions. So get ready, as if you were a donkey dragged through a mossy ditch of Daniel Day-Lewis-ishness, for a conversation of stolen plots and stolen uteri, medical Oulipo, botched eye surgeries, dirty dancing, and more.</p> <p>If you enjoyed today&#8217;s conversation consider joining the Between the Covers community as a listener-supporter. Find out about all the potential rewards and benefits of doing so at the show&#8217;s <a href="http://patreon.com/betweenthecovers">Patreon page</a>.</p> <p>Finally, here is the<a href="https://bookshop.org/lists/books-from-caren-beilin-sea-poison-conversation"> BookShop</a> for today&#8217;s conversation.</p>

<p>Painter Stephen Hayes latest exhibition, &#8220;Elegy,&#8221; consists of twelve abstract paintings that engage with the genocide in Gaza. One of the twelve paintings was created while listening to the Between the Covers conversation with Omar El Akkad about his book <em>One Day Everyone Will Have Always Been Against This.</em> Because of this, instead of asking, as he usually does, an art curator or fellow painter to be in a public conversation with him as part of the exhibition, he asked me to interview him. Much as our conversation was surely different than the others he has had about his work over his nearly half-century of being a painter, his invitation also asked me to step into unfamiliar territory, to meet Stephen in this third space, unfamiliar to us both, and make something new together.</p> <p>The conversation was held at the Elizabeth Leach Gallery in Portland, Oregon. Head over to <a href="https://www.elizabethleach.com/exhibitions/246-elegy-stephen-hayes/overview/">the gallery website </a>to see images of the &#8220;Elegy&#8221; exhibition and to <a href="https://www.instagram.com/reel/DRA6UteElgL/?utm_source=ig_web_copy_link&amp;igsh=MzRlODBiNWFlZA==">this post on their Instagram page</a> to see the specific painting that was created under the aura of this podcast.</p> <p>If you enjoyed today&#8217;s conversation consider joining the Between the Covers community as a listener-supporter. You can find out about the potential rewards and benefits of doing so at the show&#8217;s <a href="http://patreon.com/betweenthecovers">Patreon page.</a></p>