Director and legendary cinematographer Kirsten Johnson is known for nonfiction work that is inventive, artful, expressive, and maximal. The same can be said of the film that blew her mind -- Bob Fosse’s All That Jazz. The semi-autobiographical film brings us Joe Gideon (Roy Scheider), a peripatetic creative force working simultaneously to mount a major Broadway production and complete post-production on a feature film, all while maintaining a lifestyle fueled by cigarettes, pills, one-night stands, and Visine, and still finding time for his adoring 12-year old daughter, Michelle. We learn why the iconic film first transfixed Kirsten, and how she continues to be inspired by Fosse’s ingenious use of dance, documentary, theater, music, and more. Host John Cooper shares his personal ties to the film, calling on his days in New York’s theater scene of the 1970s. And co-host Tabitha Jackson (a.k.a. Wife of Kirsten) does her level best to maintain her professional distance as the conversation unfolds. Listen and subscribe to The Film that Blew My Mind on <a href="https://podcasts.apple.com/us/podcast/the-film-that-blew-my-mind/id1711233148">Apple Podcasts</a>. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a>

<description>Director and legendary cinematographer Kirsten Johnson is known for nonfiction work that is inventive, artful, expressive, and maximal. The same can be said of the film that blew her mind -- Bob Fosse’s All That Jazz. The semi-autobiographical film brings us Joe Gideon (Roy Scheider), a peripatetic creative force working simultaneously to mount a major Broadway production and complete post-production on a feature film, all while maintaining a lifestyle fueled by cigarettes, pills, one-night stands, and Visine, and still finding time for his adoring 12-year old daughter, Michelle. We learn why the iconic film first transfixed Kirsten, and how she continues to be inspired by Fosse’s ingenious use of dance, documentary, theater, music, and more. Host John Cooper shares his personal ties to the film, calling on his days in New York’s theater scene of the 1970s. And co-host Tabitha Jackson (a.k.a. Wife of Kirsten) does her level best to maintain her professional distance as the conversation unfolds.

Listen and subscribe to The Film that Blew My Mind on Apple Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>

The "Cameraperson" and "Dick Johnson is Dead" director on Bob Fosse's semi-autobiographical film.

Director and legendary cinematographer Kirsten Johnson is known for nonfiction work that is inventive, artful, expressive, and maximal. The same can be said of the film that blew her mind -- Bob Fosse’s All That Jazz. The semi-autobiographical film brings us Joe Gideon (Roy Scheider), a peripatetic creative force working simultaneously to mount a major Broadway production and complete post-production on a feature film, all while maintaining a lifestyle fueled by cigarettes, pills, one-night stands, and Visine, and still finding time for his adoring 12-year old daughter, Michelle. We learn why the iconic film first transfixed Kirsten, and how she continues to be inspired by Fosse’s ingenious use of dance, documentary, theater, music, and more. Host John Cooper shares his personal ties to the film, calling on his days in New York’s theater scene of the 1970s. And co-host Tabitha Jackson (a.k.a. Wife of Kirsten) does her level best to maintain her professional distance as the conversation unfolds.

Listen and subscribe to The Film that Blew My Mind on Apple Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices

Filmspotting Presents: The Film That Blew My Mind - Kristen Johnson on All That Jazz

With Alex Garland’s “Civil War” on the horizon, Adam and Josh take another look at the writer/director’s prescient AI thriller “Ex Machina.” Plus, a spirited debate over 1942’s “Mrs. Miniver” and a finals matchup in Filmspotting Madness—Best of the ‘50s. (Timecodes will not be precise with ads; chapters may start early.)Open (00:00:00-00:02:19)Review: “Ex Machina” (00:02:20-00:51:47)R.I.P. Louis Gossett Jr, M. Emmett Walsh / Dune 2 Feedback (00:51:48-01:03:36)‘50s Madness Finals (01:03:37-01:13:30)Wyler #3: “Mrs. Miniver” (01:13:31-01:54:55)Close, New Releases (01:54:55-01:57:48)Notes/Links:Filmspotting Madness<a href="https://www.filmspotting.net/madness">https://www.filmspotting.net/madness</a>William Wyler Marathon<a href="https://www.filmspotting.net/marathons">https://www.filmspotting.net/marathons</a>Josh at Ebert Interruptus 2024<a href="https://www.colorado.edu/cwa/">https://www.colorado.edu/cwa/</a>Boulder Meetup w/Josh<a href="https://www.filmspotting.net/events">https://www.filmspotting.net/events</a>Feedback:Email us at <a href="mailto:feedback@filmspotting.net">feedback@filmspotting.net</a>.<a href="https://forms.gle/WvPUi3nm1N7tEQ5YA">Ask Us Anything</a> and we might answer your question in bonus content.Support us:-Join the Filmspotting Family for bonus episodes and complete archive access.<a href="http://filmspottingfamily.com/">http://filmspottingfamily.com</a>-T-shirts (and more) on sale at the Filmspotting Shop.<a href="https://filmspotting.net/shop">https://filmspotting.net/shop</a>Contact us:<a href="https://letterboxd.com/filmspotting">https://letterboxd.com/filmspotting</a>@filmspotting on Threads<a href="https://twitter.com/filmspotting">https://twitter.com/filmspotting</a><a href="https://facebook.com/filmspotting">https://facebook.com/filmspotting</a><a href="https://letterboxd.com/larsenonfilm">https://letterboxd.com/larsenonfilm</a>@larsenonfilm on Threads<a href="https://twitter.com/larsenonfilm">https://twitter.com/larsenonfilm</a><a href="https://facebook.com/larsenonfilm">https://facebook.com/larsenonfilm</a> Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a>

<description>With Alex Garland’s “Civil War” on the horizon, Adam and Josh take another look at the writer/director’s prescient AI thriller “Ex Machina.” Plus, a spirited debate over 1942’s “Mrs. Miniver” and a finals matchup in Filmspotting Madness—Best of the ‘50s. 
(Timecodes will not be precise with ads; chapters may start early.)
Open (00:00:00-00:02:19)
Review: “Ex Machina” (00:02:20-00:51:47)
R.I.P. Louis Gossett Jr, M. Emmett Walsh / Dune 2 Feedback (00:51:48-01:03:36)
‘50s Madness Finals (01:03:37-01:13:30)
Wyler #3: “Mrs. Miniver” (01:13:31-01:54:55)
Close, New Releases (01:54:55-01:57:48)
Notes/Links:
Filmspotting Madness
https://www.filmspotting.net/madness
William Wyler Marathon
https://www.filmspotting.net/marathons
Josh at Ebert Interruptus 2024
https://www.colorado.edu/cwa/
Boulder Meetup w/Josh
https://www.filmspotting.net/events
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
-Join the Filmspotting Family for bonus episodes and complete archive access.
http://filmspottingfamily.com
-T-shirts (and more) on sale at the Filmspotting Shop.
https://filmspotting.net/shop
Contact us:
https://letterboxd.com/filmspotting
@filmspotting on Threads
https://twitter.com/filmspotting
https://facebook.com/filmspotting
https://letterboxd.com/larsenonfilm
@larsenonfilm on Threads
https://twitter.com/larsenonfilm
https://facebook.com/larsenonfilm
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>

Should we feel empathy for Ava if she feels none for us? 

With Alex Garland’s “Civil War” on the horizon, Adam and Josh take another look at the writer/director’s prescient AI thriller “Ex Machina.” Plus, a spirited debate over 1942’s “Mrs. Miniver” and a finals matchup in Filmspotting Madness—Best of the ‘50s. 
(Timecodes will not be precise with ads; chapters may start early.)
Open (00:00:00-00:02:19)
Review: “Ex Machina” (00:02:20-00:51:47)
R.I.P. Louis Gossett Jr, M. Emmett Walsh / Dune 2 Feedback (00:51:48-01:03:36)
‘50s Madness Finals (01:03:37-01:13:30)
Wyler #3: “Mrs. Miniver” (01:13:31-01:54:55)
Close, New Releases (01:54:55-01:57:48)
Notes/Links:
Filmspotting Madness
https://www.filmspotting.net/madness
William Wyler Marathon
https://www.filmspotting.net/marathons
Josh at Ebert Interruptus 2024
https://www.colorado.edu/cwa/
Boulder Meetup w/Josh
https://www.filmspotting.net/events
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
-Join the Filmspotting Family for bonus episodes and complete archive access.
http://filmspottingfamily.com
-T-shirts (and more) on sale at the Filmspotting Shop.
https://filmspotting.net/shop
Contact us:
https://letterboxd.com/filmspotting
@filmspotting on Threads
https://twitter.com/filmspotting
https://facebook.com/filmspotting
https://letterboxd.com/larsenonfilm
@larsenonfilm on Threads
https://twitter.com/larsenonfilm
https://facebook.com/larsenonfilm
Learn more about your ad choices. Visit megaphone.fm/adchoices

#962: Ex Machina in the Age of AI, Mrs. Miniver (Wyler #3), ‘50s Madness Finals

With the release of a new “Road House” starring Jake Gyllenhaal, Adam and Josh debate the merits of the ‘89 original (there are many merits!), along with recommendations of “Godzilla x Kong” and the doc “Ennio” about composer Ennio Morricone. Plus, the Final 4 round of Filmspotting Madness—Best of the '50s.    (Timecodes will not be precise with ads; chapters may start early.)Open (00:00:00-00:03:40)Review: “Road House” at 35 (00:03:41-00:45:54)Review: “Road House” (‘24) (00:45:55-01:01:12)Review (JL): “Godzilla x Kong” (01:01:13-01:05:04)Review (AK): “Ennio” (01:05:05-01:09:04)Next Week / Notes (01:09:05-01:19:36)‘50s Madness - Final 4 (01:19:37-01:33:20)Close, New Releases, Outtake (01:33:21-01:36:06)Notes/Links:<a href="https://www.colorado.edu/cwa/">Josh at Ebert Interruptus 2024</a><a href="https://docs.google.com/forms/d/e/1FAIpQLSeGIioyE_QuSkx0Vuys9Wy-7SKneqZe9N4W9YRYYCjnYEAyCQ/viewform?usp=sf_link">4.12 Boulder Meetup</a>Filmspotting Madness-<a href="https://www.filmspotting.net/madness">https://www.filmspotting.net/madness</a>-William Wyler Marathon<a href="https://www.filmspotting.net/marathons">https://www.filmspotting.net/marathons</a>Feedback:Email us at <a href="mailto:feedback@filmspotting.net">feedback@filmspotting.net</a>.<a href="https://forms.gle/WvPUi3nm1N7tEQ5YA">Ask Us Anything</a> and we might answer your question in bonus content.Support us:-Join the Filmspotting Family for bonus episodes and complete archive access.<a href="http://filmspottingfamily.com/">http://filmspottingfamily.com</a>-T-shirts (and more) on sale at the Filmspotting Shop.<a href="https://filmspotting.net/shop">https://filmspotting.net/shop</a>Contact us:<a href="https://letterboxd.com/filmspotting">https://letterboxd.com/filmspotting</a>@filmspotting on Threads<a href="https://twitter.com/filmspotting">https://twitter.com/filmspotting</a><a href="https://facebook.com/filmspotting">https://facebook.com/filmspotting</a><a href="https://letterboxd.com/larsenonfilm">https://letterboxd.com/larsenonfilm</a>@larsenonfilm on Threads<a href="https://twitter.com/larsenonfilm">https://twitter.com/larsenonfilm</a><a href="https://facebook.com/larsenonfilm">https://facebook.com/larsenonfilm</a> Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a>

<description>With the release of a new “Road House” starring Jake Gyllenhaal, Adam and Josh debate the merits of the ‘89 original (there are many merits!), along with recommendations of “Godzilla x Kong” and the doc “Ennio” about composer Ennio Morricone. Plus, the Final 4 round of Filmspotting Madness—Best of the '50s.    
(Timecodes will not be precise with ads; chapters may start early.)
Open (00:00:00-00:03:40)
Review: “Road House” at 35 (00:03:41-00:45:54)
Review: “Road House” (‘24) (00:45:55-01:01:12)
Review (JL): “Godzilla x Kong” (01:01:13-01:05:04)
Review (AK): “Ennio” (01:05:05-01:09:04)
Next Week / Notes (01:09:05-01:19:36)
‘50s Madness - Final 4 (01:19:37-01:33:20)
Close, New Releases, Outtake (01:33:21-01:36:06)
Notes/Links:
Josh at Ebert Interruptus 2024
4.12 Boulder Meetup
Filmspotting Madness
-https://www.filmspotting.net/madness
-William Wyler Marathon
https://www.filmspotting.net/marathons
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
-Join the Filmspotting Family for bonus episodes and complete archive access.
http://filmspottingfamily.com
-T-shirts (and more) on sale at the Filmspotting Shop.
https://filmspotting.net/shop
Contact us:
https://letterboxd.com/filmspotting
@filmspotting on Threads
https://twitter.com/filmspotting
https://facebook.com/filmspotting
https://letterboxd.com/larsenonfilm
@larsenonfilm on Threads
https://twitter.com/larsenonfilm
https://facebook.com/larsenonfilm
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>

Patrick Swayze defends his title as cinema’s greatest bouncer.

With the release of a new “Road House” starring Jake Gyllenhaal, Adam and Josh debate the merits of the ‘89 original (there are many merits!), along with recommendations of “Godzilla x Kong” and the doc “Ennio” about composer Ennio Morricone. Plus, the Final 4 round of Filmspotting Madness—Best of the '50s.    
(Timecodes will not be precise with ads; chapters may start early.)
Open (00:00:00-00:03:40)
Review: “Road House” at 35 (00:03:41-00:45:54)
Review: “Road House” (‘24) (00:45:55-01:01:12)
Review (JL): “Godzilla x Kong” (01:01:13-01:05:04)
Review (AK): “Ennio” (01:05:05-01:09:04)
Next Week / Notes (01:09:05-01:19:36)
‘50s Madness - Final 4 (01:19:37-01:33:20)
Close, New Releases, Outtake (01:33:21-01:36:06)
Notes/Links:
Josh at Ebert Interruptus 2024
4.12 Boulder Meetup
Filmspotting Madness
-https://www.filmspotting.net/madness
-William Wyler Marathon
https://www.filmspotting.net/marathons
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
-Join the Filmspotting Family for bonus episodes and complete archive access.
http://filmspottingfamily.com
-T-shirts (and more) on sale at the Filmspotting Shop.
https://filmspotting.net/shop
Contact us:
https://letterboxd.com/filmspotting
@filmspotting on Threads
https://twitter.com/filmspotting
https://facebook.com/filmspotting
https://letterboxd.com/larsenonfilm
@larsenonfilm on Threads
https://twitter.com/larsenonfilm
https://facebook.com/larsenonfilm
Learn more about your ad choices. Visit megaphone.fm/adchoices

#961: Road House at 35, Road House ‘24, Godzilla x Kong, ‘50s Madness Final Four

With "Godzilla x Kong" coming to theaters this weekend, we go to the archives for this 2021 conversation (inspired by "Godzilla v Kong") which has Adam and Josh pitting the two classic monster movies against each other. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a>

<description>With "Godzilla x Kong" coming to theaters this weekend, we go to the archives for this 2021 conversation (inspired by "Godzilla v Kong") which has Adam and Josh pitting the two classic monster movies against each other.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>

Which classic monster movie reigns supreme?

With "Godzilla x Kong" coming to theaters this weekend, we go to the archives for this 2021 conversation (inspired by "Godzilla v Kong") which has Adam and Josh pitting the two classic monster movies against each other.
Learn more about your ad choices. Visit megaphone.fm/adchoices

From the Archive: Godzilla ('54) v Kong ('33)

Adam and Josh praise Rose Glass’s nasty new noir “Love Lies Bleeding” and are knocked out by 1946’s “The Best Years of Our Lives,” William Wyler’s incisive and moving Best Picture winner. Plus, the Elite 8 of ‘50s Filmspotting Madness.(Timecodes will not be precise with ads; chapters may start early.)Open (00:00:00-00:04:01)Review: “Love Lies Bleeding” (00:04:02-00:28:20)Next Week / Notes (00:28:21-00:33:20)‘50s Madness - Elite 8 (00:33:21-00:48:28)Wyler #2: “The Best Years of Our Lives” (00:48:29-01:35:33)Close, New Releases (01:35:34-01:39:27)Notes/Links:Filmspotting Madness<a href="https://www.filmspotting.net/madness">https://www.filmspotting.net/madness</a>William Wyler Marathon<a href="https://www.filmspotting.net/marathons">https://www.filmspotting.net/marathons</a>Josh at Ebert Interruptus 2024<a href="https://www.colorado.edu/cwa/">https://www.colorado.edu/cwa/</a>Feedback:Email us at <a href="mailto:feedback@filmspotting.net">feedback@filmspotting.net</a>.<a href="https://forms.gle/WvPUi3nm1N7tEQ5YA">Ask Us Anything</a> and we might answer your question in bonus content.Support us:-Join the Filmspotting Family for bonus episodes and complete archive access.<a href="http://filmspottingfamily.com/">http://filmspottingfamily.com</a>-T-shirts (and more) on sale at the Filmspotting Shop.<a href="https://filmspotting.net/shop">https://filmspotting.net/shop</a>Contact us:<a href="https://letterboxd.com/filmspotting">https://letterboxd.com/filmspotting</a>@filmspotting on Threads<a href="https://twitter.com/filmspotting">https://twitter.com/filmspotting</a><a href="https://facebook.com/filmspotting">https://facebook.com/filmspotting</a><a href="https://letterboxd.com/larsenonfilm">https://letterboxd.com/larsenonfilm</a>@larsenonfilm on Threads<a href="https://twitter.com/larsenonfilm">https://twitter.com/larsenonfilm</a><a href="https://facebook.com/larsenonfilm">https://facebook.com/larsenonfilm</a> Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a>

<description>Adam and Josh praise Rose Glass’s nasty new noir “Love Lies Bleeding” and are knocked out by 1946’s “The Best Years of Our Lives,” William Wyler’s incisive and moving Best Picture winner. Plus, the Elite 8 of ‘50s Filmspotting Madness.
(Timecodes will not be precise with ads; chapters may start early.)
Open (00:00:00-00:04:01)
Review: “Love Lies Bleeding” (00:04:02-00:28:20)
Next Week / Notes (00:28:21-00:33:20)
‘50s Madness - Elite 8 (00:33:21-00:48:28)
Wyler #2: “The Best Years of Our Lives” (00:48:29-01:35:33)
Close, New Releases (01:35:34-01:39:27)
Notes/Links:
Filmspotting Madness
https://www.filmspotting.net/madness
William Wyler Marathon
https://www.filmspotting.net/marathons
Josh at Ebert Interruptus 2024
https://www.colorado.edu/cwa/
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
-Join the Filmspotting Family for bonus episodes and complete archive access.
http://filmspottingfamily.com
-T-shirts (and more) on sale at the Filmspotting Shop.
https://filmspotting.net/shop
Contact us:
https://letterboxd.com/filmspotting
@filmspotting on Threads
https://twitter.com/filmspotting
https://facebook.com/filmspotting
https://letterboxd.com/larsenonfilm
@larsenonfilm on Threads
https://twitter.com/larsenonfilm
https://facebook.com/larsenonfilm
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>

Kristen Stewart stars in Rose Glass’s sexy, scuzzy desert-set noir.  

Adam and Josh praise Rose Glass’s nasty new noir “Love Lies Bleeding” and are knocked out by 1946’s “The Best Years of Our Lives,” William Wyler’s incisive and moving Best Picture winner. Plus, the Elite 8 of ‘50s Filmspotting Madness.
(Timecodes will not be precise with ads; chapters may start early.)
Open (00:00:00-00:04:01)
Review: “Love Lies Bleeding” (00:04:02-00:28:20)
Next Week / Notes (00:28:21-00:33:20)
‘50s Madness - Elite 8 (00:33:21-00:48:28)
Wyler #2: “The Best Years of Our Lives” (00:48:29-01:35:33)
Close, New Releases (01:35:34-01:39:27)
Notes/Links:
Filmspotting Madness
https://www.filmspotting.net/madness
William Wyler Marathon
https://www.filmspotting.net/marathons
Josh at Ebert Interruptus 2024
https://www.colorado.edu/cwa/
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
-Join the Filmspotting Family for bonus episodes and complete archive access.
http://filmspottingfamily.com
-T-shirts (and more) on sale at the Filmspotting Shop.
https://filmspotting.net/shop
Contact us:
https://letterboxd.com/filmspotting
@filmspotting on Threads
https://twitter.com/filmspotting
https://facebook.com/filmspotting
https://letterboxd.com/larsenonfilm
@larsenonfilm on Threads
https://twitter.com/larsenonfilm
https://facebook.com/larsenonfilm
Learn more about your ad choices. Visit megaphone.fm/adchoices

#960: Love Lies Bleeding, The Best Years of Our Lives (Wyler #2), ‘50s Madness (Elite 8)

Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).

Filmspotting - Movie Reviews

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