Music by Charles Céleste HUTCHINS

This piece was commissioned and titled by Tim Walters. This piece has two instruments – one uses the Ringz Ugen in SuperCollider and the other is a Sine wave which is phase modulated by another sine wave where both are tuned to the same frequency.

This piece was commissioned and titled by Andy Bannister. Explaining why he picked this title, he said, “My thought process for this, is that the first half sounds like a catalyst for a reaction towards the latter half which could also be interpreted t...

This piece was composed using SuperCollider and a synthesiser for Irene’s birthday. It was presented as a part of an installation at the Rupture Gaming Festival in Kent. The source material is recorded with an analogue modular synthesiser.

My colleague, Jackie Walduck, was showing students how to create phase music by putting loops out of synch in a DAW. Then I went home from teaching and created a PD patch to play low-pass filtered sawtooth waves, as an example for a different class.

As per holiday tradition, I have again produced a Christmas album, although only an EP this year – or a virtual chamber ensemble playing once piece in five movements. This movement is the odd one out, using the same MIDI data for pitch and rhythm as th...