<description>&lt;p class="MsoNormal" style= "margin-bottom: 0cm; line-height: normal;"&gt;&lt;span style= "font-size: 10.5pt; font-family: 'Lato',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; color: #333333; mso-fareast-language: EN-CA;"&gt; In this week's episode of our Gloria Grahame Acteurist Oeuvre-view, we explore the unique casting of unmusical Gloria in Fred Zinnemann's film version of Rodgers and Hammerstein's &lt;em&gt;Oklahoma! &lt;/em&gt;(1955) and follow the thread that leads (through Jud Fry) from the supposedly "wholesome" musical to Charlie Kaufman's dark, experimental&lt;em&gt; I'm Thinking of Ending Things&lt;/em&gt;. Then we switch over to British espionage curiosity &lt;em&gt;The Man Who Never Was&lt;/em&gt; (1956), starring Gloria and Clifton Webb... although they never share a scene. And in Fear and Moviegoing in Toronto, another curious pairing: Cameron Crowe's quintessential 90s romantic comedy &lt;em&gt;Singles&lt;/em&gt; (1992) and Luc Moullet's weirdo Western &lt;em&gt;A Girl Is a Gun&lt;/em&gt;/&lt;em&gt;Une aventure de Billy le Kidd&lt;/em&gt; (1971) offer wildly divergent perspectives on the problem of love.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;u&gt;&lt;span style= "font-size: 10.5pt; font-family: 'Lato',sans-serif; color: #333333; background: white;"&gt; Time Codes:&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p&gt;&lt;span style= "font-size: 11.0pt; font-family: 'Lato',sans-serif; color: #333333; background: white;"&gt; 0h 00m 25s: &lt;span style="mso-tab-count: 1;"&gt;  &lt;/span&gt; OKLAHOMA! (1955) [dir. Fred Zinnemann]&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style= "font-size: 11.0pt; font-family: 'Lato',sans-serif; color: #333333; background: white;"&gt; 0h 32m 04s:&lt;span style= "mso-tab-count: 1;"&gt;   &lt;/span&gt; THE MAN WHO NEVER WAS (1956) [dir. Ronald Neame]&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style= "font-size: 11.0pt; font-family: 'Lato',sans-serif; color: #333333; background: white;"&gt; 0h 40m 38s:&lt;span style= "mso-tab-count: 1;"&gt;   &lt;/span&gt; Fear and Moviegoing in Toronto – Cameron Crowe's &lt;em&gt;Singles&lt;/em&gt; (1992) at The Revue Cinema and Luc Moullet's &lt;em&gt;A Girl is a Gun&lt;/em&gt; /&lt;em&gt;Une aventure de Billy le Kid&lt;/em&gt; (1971) at TIFF Lightbox&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: center;" align="center"&gt;+++&lt;/p&gt; &lt;p&gt;* Listen to our guest episode on &lt;a href= "https://anchor.fm/criterionproject?utm_source=listennotes.com&amp;utm_campaign=Listen+Notes&amp;utm_medium=website"&gt; The Criterion Project&lt;/a&gt; – a discussion of &lt;em&gt;Late Spring&lt;/em&gt;&lt;/p&gt; &lt;p&gt;* Marvel at our meticulously ridiculous &lt;a href= "https://timetravel.libsyn.com/complete-viewing-schedule-the-2020s"&gt; Complete Viewing Schedule for the 2020s&lt;/a&gt;&lt;/p&gt; &lt;p&gt;* Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of &lt;a href= "https://archive.org/details/1926-USA-Archives-1926-10-15-Jean-Goldkette-Orch-v-Keller-Sisters-Sunday"&gt;The Internet Archive&lt;/a&gt;)&lt;/p&gt; &lt;p&gt;* Read Elise's piece on &lt;em&gt;Gangs of New York&lt;/em&gt; – &lt;a href= "https://www.brightwalldarkroom.com/2020/02/18/gangs-of-new-york-2002/"&gt; "Making America Strange Again"&lt;/a&gt;&lt;/p&gt; &lt;p&gt;* Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! &lt;/p&gt; &lt;p&gt;Follow us on Twitter at &lt;a href= "https://twitter.com/therebuggy"&gt;@therebuggy&lt;/a&gt;&lt;/p&gt; &lt;p&gt;Write to us at therebuggy@gmail.com&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style= "font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;"&gt; We now have a Discord server - just drop us a line if you'd like to join! &lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;</description>

There's Sometimes a Buggy

Elise Moore and Dave

Acteurist Oeuvre-view – Gloria Grahame – Part 12: OKLAHOMA! (1955) and THE MAN WHO NEVER WAS (1956)

DEC 5, 202550 MIN
There's Sometimes a Buggy

Acteurist Oeuvre-view – Gloria Grahame – Part 12: OKLAHOMA! (1955) and THE MAN WHO NEVER WAS (1956)

DEC 5, 202550 MIN

Description

In this week's episode of our Gloria Grahame Acteurist Oeuvre-view, we explore the unique casting of unmusical Gloria in Fred Zinnemann's film version of Rodgers and Hammerstein's Oklahoma! (1955) and follow the thread that leads (through Jud Fry) from the supposedly "wholesome" musical to Charlie Kaufman's dark, experimental I'm Thinking of Ending Things. Then we switch over to British espionage curiosity The Man Who Never Was (1956), starring Gloria and Clifton Webb... although they never share a scene. And in Fear and Moviegoing in Toronto, another curious pairing: Cameron Crowe's quintessential 90s romantic comedy Singles (1992) and Luc Moullet's weirdo Western A Girl Is a Gun/Une aventure de Billy le Kidd (1971) offer wildly divergent perspectives on the problem of love. Time Codes: 0h 00m 25s: OKLAHOMA! (1955) [dir. Fred Zinnemann] 0h 32m 04s: THE MAN WHO NEVER WAS (1956) [dir. Ronald Neame] 0h 40m 38s: Fear and Moviegoing in Toronto – Cameron Crowe's Singles (1992) at The Revue Cinema and Luc Moullet's A Girl is a Gun /Une aventure de Billy le Kid (1971) at TIFF Lightbox +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at [email protected] We now have a Discord server - just drop us a line if you'd like to join!