<description>&lt;p&gt;&lt;span style= "font-size: 10.5pt; font-family: 'Lato',sans-serif; color: #333333; background: white;"&gt; For our November 2025 Special Subject we watched the Antoine Doinel films of François Truffaut: &lt;em&gt;The 400 Blows&lt;/em&gt; (1959), &lt;em&gt;Antoine et Colette&lt;/em&gt; (1962), &lt;em&gt;Stolen Kisses&lt;/em&gt; (1968), &lt;em&gt;Bed and Board&lt;/em&gt; (1970), and &lt;em&gt;Love on the Run&lt;/em&gt; (1979). In addition to the charms of star/auteur avatar Jean-Pierre Léaud, we focus on the films' evolving style and increasing interest in the women in Doinel's life. And in our Fear and Moviegoing in Toronto section we discuss Paul Leni's horror comedy &lt;em&gt;The Cat and the Canary&lt;/em&gt; (1927) and a Hitchcock double feature,&lt;em&gt; Shadow of a Doubt&lt;/em&gt; (1943) and &lt;em&gt;Saboteur &lt;/em&gt;(1942).&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;u&gt;&lt;span style= "font-size: 10.5pt; font-family: 'Lato',sans-serif; color: #333333; background: white;"&gt; Time Codes:&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p&gt;&lt;span style= "font-size: 11.0pt; font-family: 'Lato',sans-serif; color: #333333; background: white;"&gt; 0h 00m 25s: &lt;span style="mso-tab-count: 1;"&gt;  &lt;/span&gt; THE FOUR HUNDRED BLOWS / LES QUATRE CENTS COUPS (1959) [dir. François Truffaut]&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style= "font-size: 11.0pt; font-family: 'Lato',sans-serif; color: #333333; background: white;"&gt; 0h 28m 50s:&lt;span style= "mso-tab-count: 1;"&gt;   &lt;/span&gt; ANTOINE ET COLETTE (1962) [dir. François Truffaut]&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style= "font-size: 11.0pt; font-family: 'Lato',sans-serif; color: #333333; background: white;"&gt; 0h 37m 30s:&lt;span style= "mso-tab-count: 1;"&gt;   &lt;/span&gt; STOLEN KISSES / BAISERS VOLÉS (1968) [dir. François Truffaut]&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style= "font-size: 11.0pt; font-family: 'Lato',sans-serif; color: #333333; background: white;"&gt; 0h 54m 42s:&lt;span style= "mso-tab-count: 1;"&gt;   &lt;/span&gt; BED AND BOARD / DOMICILE CONJUGAL (1970) [dir. François Truffaut]&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style= "font-size: 11.0pt; font-family: 'Lato',sans-serif; color: #333333; background: white;"&gt; 1h 05m 15s:&lt;span style= "mso-tab-count: 1;"&gt;   &lt;/span&gt; LOVE ON THE RUN / L'AMOUR EN FUITE (1979) [dir. François Truffaut]&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style= "font-size: 11.0pt; font-family: 'Lato',sans-serif; color: #333333; background: white;"&gt; 1h 19m 32s:&lt;span style= "mso-tab-count: 1;"&gt;   &lt;/span&gt; Fear and Moviegoing in Toronto – Paul Leni's&lt;/span&gt; &lt;em&gt;&lt;span style= "font-size: 10.5pt; font-family: 'Lato',sans-serif; color: #333333; background: white;"&gt; The Cat and the Canary&lt;/span&gt;&lt;/em&gt;&lt;span style= "font-size: 10.5pt; font-family: 'Lato',sans-serif; color: #333333; background: white;"&gt; (1927) at TIFF Lightbox and Alfred Hitchcock's &lt;em&gt;Saboteur&lt;/em&gt; (1942) and &lt;em&gt;Shadow of a Doubt&lt;/em&gt; (1943) at The Paradise&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: center;" align="center"&gt;+++&lt;/p&gt; &lt;p&gt;* Listen to our guest episode on &lt;a href= "https://anchor.fm/criterionproject?utm_source=listennotes.com&amp;utm_campaign=Listen+Notes&amp;utm_medium=website"&gt; The Criterion Project&lt;/a&gt; – a discussion of &lt;em&gt;Late Spring&lt;/em&gt;&lt;/p&gt; &lt;p&gt;* Marvel at our meticulously ridiculous &lt;a href= "https://timetravel.libsyn.com/complete-viewing-schedule-the-2020s"&gt; Complete Viewing Schedule for the 2020s&lt;/a&gt;&lt;/p&gt; &lt;p&gt;* Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of &lt;a href= "https://archive.org/details/1926-USA-Archives-1926-10-15-Jean-Goldkette-Orch-v-Keller-Sisters-Sunday"&gt;The Internet Archive&lt;/a&gt;)&lt;/p&gt; &lt;p&gt;* Read Elise's piece on &lt;em&gt;Gangs of New York&lt;/em&gt; – &lt;a href= "https://www.brightwalldarkroom.com/2020/02/18/gangs-of-new-york-2002/"&gt; "Making America Strange Again"&lt;/a&gt;&lt;/p&gt; &lt;p&gt;* Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! &lt;/p&gt; &lt;p&gt;Follow us on Twitter at &lt;a href= "https://twitter.com/therebuggy"&gt;@therebuggy&lt;/a&gt;&lt;/p&gt; &lt;p&gt;Write to us at therebuggy@gmail.com&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;em&gt;&lt;span style= "font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;"&gt; We now have a Discord server - just drop us a line if you'd like to join! &lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;</description>

There's Sometimes a Buggy

Elise Moore and Dave

Special Subject - Truffaut's Antoine Doinel Series – LES QUATRE CENTS COUPS (1959); ANTOINE ET COLETTE (1962); BAISERS VOLÉS (1968); DOMICILE CONJUGAL (1970) and L'AMOUR EN FUITE (1979)

NOV 21, 202588 MIN
There's Sometimes a Buggy

Special Subject - Truffaut's Antoine Doinel Series – LES QUATRE CENTS COUPS (1959); ANTOINE ET COLETTE (1962); BAISERS VOLÉS (1968); DOMICILE CONJUGAL (1970) and L'AMOUR EN FUITE (1979)

NOV 21, 202588 MIN

Description

For our November 2025 Special Subject we watched the Antoine Doinel films of François Truffaut: The 400 Blows (1959), Antoine et Colette (1962), Stolen Kisses (1968), Bed and Board (1970), and Love on the Run (1979). In addition to the charms of star/auteur avatar Jean-Pierre Léaud, we focus on the films' evolving style and increasing interest in the women in Doinel's life. And in our Fear and Moviegoing in Toronto section we discuss Paul Leni's horror comedy The Cat and the Canary (1927) and a Hitchcock double feature, Shadow of a Doubt (1943) and Saboteur (1942). Time Codes: 0h 00m 25s: THE FOUR HUNDRED BLOWS / LES QUATRE CENTS COUPS (1959) [dir. François Truffaut] 0h 28m 50s: ANTOINE ET COLETTE (1962) [dir. François Truffaut] 0h 37m 30s: STOLEN KISSES / BAISERS VOLÉS (1968) [dir. François Truffaut] 0h 54m 42s: BED AND BOARD / DOMICILE CONJUGAL (1970) [dir. François Truffaut] 1h 05m 15s: LOVE ON THE RUN / L'AMOUR EN FUITE (1979) [dir. François Truffaut] 1h 19m 32s: Fear and Moviegoing in Toronto – Paul Leni's The Cat and the Canary (1927) at TIFF Lightbox and Alfred Hitchcock's Saboteur (1942) and Shadow of a Doubt (1943) at The Paradise +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at [email protected] We now have a Discord server - just drop us a line if you'd like to join!