On Screenwriting and Media with Dr. Rosanne Welch

On November 21st I’ll be in Jacksonville, Florida on a panel at the MOSH (Museum of Science and History) to discuss a chapter I wrote in the upcoming book Stories Of The Holocaust: Art for Healing and Renewal, edited by Dr. Karen Berman and Dr. Gail Humphries.

I was honored when Dr. Humphries invited me to write the opening reflection to a section in Vol. 2: On Screen and in the Gallery. Then, being me, I asked if they had a chapter on screenwriters Frances and Albert Hackett who adapted The Diary of Anne Frank from book to Pulitzer-Prize-winning Broadway play and then into the film. The editors hadn’t planned such a chapter but it sounded valuable to the collection so they commissioned me to write it. Now I’ll have the chance to tell even more people about the brilliant work of this married team of screenwriters who also gave film fans The Thin Man, Father of the Bride, Easter Parade, and It’s a Wonderful Life.

Joining Dr. Humphries:

Elizabeth Gelman, Senior Director of Arts and Cultural Programming for Creative Pinellas, previous director of The Florida Holocaust Museum (Pinellas County, Florida)

Ruth Gordon, Former social studies teacher in Miami-Dade County and founder/current advisor for Holocaust Impact Theater (Miami, Florida)

Dr. Laurence Sherr, Award-winning composer of international stature, concert producer, and professor of music, Kennesaw State University (Kennesaw, Georgia)

Dr. Rosanne Welch, Executive Director of Stephens College MFA in TV and Screenwriting Program, author and screenwriter (Los Angeles, California); also author for Reflection

Link on MOSH Site

Order from Bloomsbury | Amazon | Bookshop.org

I’m very proud to have a chapter in this new inaugural book in the Screen Storytellers collection covering The Works of Shonda Rhimes. Edited by Anna Weinstein, an Assistant Professor of Screenwriting at Kennesaw State University, the series is designed to do one of my favorite things – bust the outdated ‘auteur’ theory by bringing attention to the writers of the stories we have loved and watched – and rewatched – all our lives. 

For this collection, my chapter focuses on how Rhimes’ shows come from the Humanism ideology even moreso than simply a feminist one, though that is what many people think. But Rhimes’ hired Dan Shapiro, chair of the College of Medicine’s humanities department at Penn State Hershey, as a consultant for her first two medical dramas Grey’s Anatomy (2005–) and Private Practice (2007–13). In this way, Rhimes was able to bring the real-world philosophy of medicine to her fictional hospitals, presenting authentic depictions of humanism to her audiences. One of the things I love about research is learning new things about people/shows/events I thought I already knew well.

The other exciting thing about this inaugural book arriving is that I have signed on to edit a similar book on The Works of Susan Harris so this book is my example of what that future project will feel like when it arrives in the mail!