5.5 - MADEINUSA (2005) & Dislocation

MAR 7, 2022-1 MIN
The Prestige

5.5 - MADEINUSA (2005) & Dislocation

MAR 7, 2022-1 MIN

Description

<p>The next stop on our journey through Latin America is 2005’s MADEINUSA. After some reviews, we talk about how this film is itself a disturbing experience for the viewers, to what extent it presents the main character as a ‘<em>femme</em> <em>fatale</em>', and why it works as a complete disruption of the ‘white saviour’ myth. </p> <p><strong>Next Up</strong><br> The next film in our Latin American Odyssey is Colombia’s EL PASEO (2010). </p> <p><strong>Recent Media</strong><br> MIDNIGHT MASS (2021): Mike Flanagan, Kate Siegel, Zach Gilford<br> SQUID GAME (2021): Hwang Dong-hyuk, Lee Jung-jae, Park Hae-soo </p> <p><strong>Recommendations</strong><br> LA MALA EDUCACIÓN (2004): Pedro Almodóvar, Gael Garcia Bernal, Fele Martínez<br> HIGH NOON (1952): Fred Zinnemann, Gary Cooper, Grace Kelly<br> THE PURGE (SERIES, 2013–21): James DeMonaco, Ethan Hawke, Lena Headey<br> THE WICKER MAN (1973): Robin Hardy, Edward Woodward, Britt Ekland </p> <p><strong>Footnotes</strong><br> Rob mentions a few cinematic touchstones for some of the visual stylings of this film: kabuki (<a href="http://en.wikipedia.org/wiki/Kabuki" rel="nofollow">en.wikipedia.org/wiki/Kabuki</a>), the morality play (<a href="http://en.wikipedia.org/wiki/Morality_play" rel="nofollow">en.wikipedia.org/wiki/Morality_play</a>), and anime (<a href="http://en.wikipedia.org/wiki/Anime" rel="nofollow">en.wikipedia.org/wiki/Anime</a>). Some of this film’s ideas are also reminiscent of the film noir (<a href="http://en.wikipedia.org/wiki/Film_noir" rel="nofollow">en.wikipedia.org/wiki/Film_noir</a>), particularly at the end. This is an interesting analysis of ‘white saviour’ films: <a href="http://movies.mxdwn.com/feature/a-critical-analysis-of-white-savior-films-and-why-you-should-avoid-them" rel="nofollow">movies.mxdwn.com/feature/a-critical-analysis-of-white-savior-films-and-why-you-should-avoid-them</a>. Finally, Rob mentioned tourism, in the context both of this film and of CITY OF GOD; this is a useful article about this, focused on the film’s geographical setting: <a href="http://barbieri.wordpress.ncsu.edu/files/2020/07/2020_Peru_SusTmo.pdf" rel="nofollow">barbieri.wordpress.ncsu.edu/files/2020/07/2020_Peru_SusTmo.pdf</a>.</p> <p>Find Us On Podchaser - <a href="https://www.podchaser.com/podcasts/the-prestige-417454" rel="nofollow">https://www.podchaser.com/podcasts/the-prestige-417454</a><br> Follow Us - <a href="https://www.twitter.com/prestigepodcast" rel="nofollow">https://www.twitter.com/prestigepodcast</a><br> Follow Sam - <a href="https://www.twitter.com/life_academic" rel="nofollow">https://www.twitter.com/life_academic</a><br> Follow Rob - <a href="https://www.twitter.com/kaijufm" rel="nofollow">https://www.twitter.com/kaijufm</a><br> Find Our Complete Archive on <a href="http://Kaiju.FM" rel="nofollow">Kaiju.FM</a> - <a href="https://www.kaiju.fm/the-prestige/" rel="nofollow">https://www.kaiju.fm/the-prestige/</a></p>