Manuscripted
Manuscripted

Manuscripted

Gwendolyn Rehrig

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Peer-reviewed Publications in Spoken Form

Recent Episodes

When more is more: Redundant modifiers can facilitate visual search
JUN 16, 2022
When more is more: Redundant modifiers can facilitate visual search
<html> <h3><i>When more is more: Redundant modifiers can facilitate visual search</h3> <br /> Manuscript authors: Gwendolyn Rehrig, Reese A. Cullimore, John M. Henderson, & Fernanda Ferreira<br /><br /> <b>Abstract</b> <br /><br /> According to the Gricean Maxim of Quantity, speakers provide the amount of information listeners require to correctly interpret an utterance, and no more (Grice in Logic and conversation, 1975). However, speakers do tend to violate the Maxim of Quantity often, especially when the redundant information improves reference precision (Degen et al. in Psychol Rev 127(4):591–621, 2020). Redundant (non-contrastive) information may facilitate real-world search if it narrows the spatial scope under consideration, or improves target template specificity. The current study investigated whether non-contrastive modifiers that improve reference precision facilitate visual search in real-world scenes. In two visual search experiments, we compared search performance when perceptually relevant, but non-contrastive modifiers were included in the search instruction. Participants (NExp.1=48, NExp.2=48) searched for a unique target object following a search instruction that contained either no modifier, a location modifier (Experiment 1: on the top left, Experiment 2: on the shelf), or a color modifier (the black lamp). In Experiment 1 only, the target was located faster when the verbal instruction included either modifier, and there was an overall benefit of color modifiers in a combined analysis for scenes and conditions common to both experiments. The results suggest that violations of the Maxim of Quantity can facilitate search when the violations include task-relevant information that either augments the target template or constrains the search space, and when at least one modifier provides a highly reliable cue. Consistent with Degen et al. (2020), we conclude that listeners benefit from non-contrastive information that improves reference precision, and engage in rational reference comprehension. Manuscript link: <a href="https://cognitiveresearchjournal.springeropen.com/articles/10.1186/s41235-021-00275-4">cognitiveresearchjournal.springeropen.com/articles/10.1186/s41235-021-00275-4</a><br /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Citation: Rehrig, G., Cullimore, R.A., Henderson, J.M. & Ferreira, F. (2021). When more is more: redundant modifiers can facilitate visual search. <i>Cogn. Research 6,</i> 10. https://doi.org/10.1186/s41235-021-00275-4<br />
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62 MIN
Brutoglossia: Democracy, authenticity, and the enregisterment of connoisseurship in 'craft beer talk'
JUN 2, 2022
Brutoglossia: Democracy, authenticity, and the enregisterment of connoisseurship in 'craft beer talk'
<html> <h3><i>Brutoglossia</i>: Democracy, authenticity, and the enregisterment of connoisseurship in 'craft beer talk'</h3> <br /> Manuscript author: Lex Konnelly <br /> Read aloud by Mx. Vagrant Gautam.<br /><br /> <b>Abstract</b> <br /><br /> Building on Silverstein's (2003, 2016) oinoglossia (wine talk), this paper argues for a closely related genre: brutoglossia, (craft) beer talk. Drawing on a corpus of craft beer and brewery descriptions from Toronto, Canada, I argue that the appropriation of wine terminology and tasting practices (re)configures beer brewers and drinkers as ‘elite’ and ‘classy.’ The ‘specialist’ lexical and morphosyntactic components of wine discourse provide the higher order of indexicality through which the emergent technical beer terminology is to be interpreted. Together, the descriptions can be read as fields of indexicalities, mapping linguistic and semiotic variables associated with a particular social object: beer. Manuscript link: <a href="https://tinyurl.com/brutoglossia">https://tinyurl.com/brutoglossia</a><br /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Citation: Konnelly, L. (2020). Brutoglossia: Democracy, authenticity, and the enregisterment of connoisseurship in 'craft beer talk'. <i>Language & Communication, 75,</i> 69-82. https://doi.org/10.1016/j.langcom.2020.09.001<br /> Social media: The author can be found on Twitter at <a href="https://twitter.com/lexicondk">@lexicondk</a>. Read by <a href="https://twitter.com/DippedRusk">@DippedRusk</a> on Twitter.
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69 MIN
Unsettling Languages, Unruly Bodyminds: Imaging a Crip Linguistics
FEB 27, 2022
Unsettling Languages, Unruly Bodyminds: Imaging a Crip Linguistics
<html> <h3>Unsettling Languages, Unruly Bodyminds: Imaging a Crip Linguistics.</h3> <br /> Manuscript authors: Jon Henner, Octavian Robinson <br /> Read aloud by Mx. Vagrant Gautam.<br /><br /> <b>Abstract</b> <br /><br /> People use languages in different ways. Some people use language to help find other people like them. Many people use language in specific ways because of how their body and mind work. Sometimes a person’s environment and material conditions forces them to use language in a certain way. However, when someone languages outside of what people think is normal, others can think that they are bad with language or are not as smart or are broken. We are trying to point out that no one is actually ‘bad with language.’ Our goal with this paper is to help people understand that no language is bad. It is okay to want to change your own language use if it will make you feel better. But no one should make you feel bad about your language. We need a bigger and more flexible understanding of what language is and what it communicates about a bodymind’s capacity. Manuscript link: <a href="https://criticalstudycommunicationdisability.org/index.php/jcscd/article/view/4">https://criticalstudycommunicationdisability.org/index.php/jcscd/article/view/4</a><br /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Citation: Henner, J., & Robinson, O. (2023). Unsettling Languages, Unruly Bodyminds: A Crip Linguistics Manifesto. Journal of Critical Study of Communication and Disability, 1(1), 7–37. https://doi.org/10.48516/jcscd_2023vol1iss1.4 <br /> Social media: The authors can be found on Twitter at <a href="https://twitter.com/jmhenner">@jmhenner</a> and <a href="https://twitter.com/DeafHistorian/">@DeafHistorian</a>. Read by <a href="https://twitter.com/DippedRusk">@DippedRusk</a> on Twitter.
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96 MIN
Singular THEY and the syntactic representation of gender in English
FEB 3, 2022
Singular THEY and the syntactic representation of gender in English
<html> <h3>Singular <i>they</i> and the syntactic representation of gender in English.</h3> <br /> Manuscript author: Bronwyn M. Bjorkman <br /> Read aloud by the author.<br /><br /> <b>Abstract</b> <br /><br /> Singular <i>they</i> enjoys a curious notoriety in popular discussions of English grammar. Despite this, and though its use with quantificational, non-specific, and genuinely epicene antecedents dates back at least to the 1400s (Balhorn 2004), it has been little discussed in formal linguistics. This squib suggests an analysis of this longstanding use of <i>they</i>, while also describing a more recent change in <i>they</i>’s distribution, whereby many speakers now accept it with singular, definite, and specific antecedents of known binary gender. I argue that the distribution of <i>they</i>, in both conservative and innovative varieties, has implications for our understanding of the syntactic representation of gender in English, the structure of bound variable pronouns, and the regulation of coreference. Published manuscript: <a href="https://www.glossa-journal.org/article/id/4942/">https://www.glossa-journal.org/article/id/4942/</a><br /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; DOI: https://doi.org/10.5334/gjgl.374<br /> Citation: Bjorkman, B., (2017) “Singular they and the syntactic representation of gender in English”, <i>Glossa: a journal of general linguistics 2</i>(1), p.80. doi: https://doi.org/10.5334/gjgl.374<br /> Author's website: <a href="http://bronwynbjorkman.net/">http://bronwynbjorkman.net/</a>
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43 MIN