Brett Whiteley was inspired, like many artists, by the female form. How do we critique these artworks through a contemporary lens and their place in a long history of the female form being relegated to an object for the male gaze? Fenella Kernebone discusses these ideas with curator Anne Ryan; Wendy Whiteley; and artists Mitch Cairns and Deborah Kelly.&nbsp; To view this artwork, go to <a href="agnsw.art/bwspodcast">agnsw.art/bwspodcast</a> Podcast artwork - Brett Whiteley in his studios 1970 (detail), photo: Robert Walker, National Art Archive, AGNSW &copy; Estate of Robert Walker.See <a href="https://omnystudio.com/listener">omnystudio.com/listener</a> for privacy information.

<description>&lt;p&gt;Brett Whiteley was inspired, like many artists, by the female form. How do we critique these artworks through a contemporary lens and their place in a long history of the female form being relegated to an object for the male gaze? Fenella Kernebone discusses these ideas with curator Anne Ryan; Wendy Whiteley; and artists Mitch Cairns and Deborah Kelly.&amp;nbsp;&lt;/p&gt; &lt;p&gt;To view this artwork, go to &lt;a href="agnsw.art/bwspodcast"&gt;agnsw.art/bwspodcast&lt;/a&gt;&lt;/p&gt; &lt;p&gt;Podcast artwork - Brett Whiteley in his studios 1970 (detail), photo: Robert Walker, National Art Archive, AGNSW &amp;copy; Estate of Robert Walker.&lt;/p&gt;&lt;p&gt;See &lt;a href="https://omnystudio.com/listener"&gt;omnystudio.com/listener&lt;/a&gt; for privacy information.&lt;/p&gt;</description>

Sculptures of her

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