Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

Today’s archival episode with Marlon James was recorded in 2019 at the studios of KBOO community radio. Marlon’s latest book The Disappearers has garnered the most talked about book review of this year, from the New York Times book critic Dwight Garner (who isn’t known to gush). Not only did he say it should be talked about alongside Faulkner’s Absalom, Absalom, Morrison’s Song of Solomon, and Rushdie’s Midnight’s Children, Garner also called it one of the signal reading experiences of his adult life, a masterpiece, the novel of the decade and possibly of the century so far. The book we discussed seven years ago now, was James’ move into fantasy and myth, a novel that won the 2020 Locus Award for Best Horror, Black Leopard, Red Wolf. The science fiction and fantasy author and critic Amal El-Mohtar, perplexed by all the comparisons of it to George R.R. Martin and J.R.R. Tolkien suggested at the time that it was more as if Toni Morrison had written Ovid’s Metamorphoses: “Painful and strange, full of bodies shifting from personhood into meat, and somehow, always, still, upsettingly beautiful. This isn’t Tolkien’s grief-stricken melancholy, or Martin’s calculating, character-forward plot mechanics; it’s horror and tragedy by way of fantasy, nothing discrete, everything penetrating everything else. Reading Black Leopard, Red Wolf was like being slowly eaten by a bear, one inviting me to feel every pressure of tooth and claw tearing into me, asking me to contemplate the intimacy of violation and occasionally cracking a joke.” For the bonus audio archive Marlon reads his essay “Why I’m Done Talking About Diversity (or, Why We Should Try an All-White Diversity Panel).” We also added his 2015 Tin House Summer Writing Workshop craft lecture “The 9 and 1/2 Rules of Seduction” to the archive. These join many contributions from past guests including Ted Chiang, China Miéville, N.K. Jemisin, Joe Sacco, Naomi Klein, Carl Phillips, Dionne Brand and many others. To learn about how to subscribe to the bonus audio, as well as about all the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page. Finally, for your book shopping needs, don’t miss Milkweed Editions bookstore on BookShop.

China Miéville’s much-anticipated new book The Rouse is twenty-one years in the making. He was writing it when he wrote The City & The City and Embassytown. He was writing it when he wrote October: The Story of the Russian Revolution and A Spectre Haunting: On the Communist Manifesto. He was writing it when he wrote children’s books, comics and his latest collaborative novel with Keanu Reeves. In other words, this novel is not only itself about epochs, and the end of them, but also itself spans many eras and iterations of China’s own life and writing life. Together we look at his many interests over the past two decades—Marxism and monsters, apophatic theology and the nature of consciousness, the failure of language, the power of it, the eerie and spooky, the terror and the horror of all that goes bump in the night—in relation to The Rouse itself. As part of writing his 1200-page-plus new novel, China read many other big books for inspiration—from Gravity’s Rainbow to Mosquito. For the bonus audio archive China discusses one of his favorite’s: Miss MacIntosh, My Darling by Marguerite Young and reads an excerpt for us. This joins bonus material from many past guests including Ted Chiang, N.K. Jemisin, Carmen Maria Machado, Vajra Chandrasekera, and adrienne maree brown, to name a few. You can find out more about subscribing to the bonus material and about all the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, at the show’s Patreon page. Finally, don’t miss the BTC BookShop corresponding to today’s conversation, brimming over with all the books China references and discusses today. And while you are at it, for your general book needs, be sure to browse the Milkweed Bookstore BookShop as well.

Today’s conversation between Thalia Field and David Naimon, moderated by Anne de Marcken, was recorded in February as part of the Pacific Northwest College of Art’s Visual Arts low residency MFA program. Thalia and David discuss and explore their pieces within the anthology Creature Needs: Writers Respond to the Science of Animal Conservation, where each writer was given a scientific study to engage with and create art in relation to. As a result, side-blotched lizards, boreal toads and the green cutthroat trout all help make up the cross-species chorus of today’s conversation, one that isn’t just about making art in relation to science, but also about interrogating, through art-making, the assumptions baked into the scientific frame, and using art to reveal the unexamined stories hidden within that frame. Looking at other non-normative modes of scientific inquiry, ones where the line isn’t so bright between art and science, nor the subjective and the so-called objective, Thalia, David and Anne explore the various possibilities and pitfalls for art-makers and writers when engaging with the more-than-human world. If you enjoyed today’s conversation, consider joining the Between the Covers community as a listener-supporter. Find out about all the potential rewards and benefits of doing so at the show’s Patreon page. Finally, here is the BTC BookShop specific to today’s episode. And don’t miss Milkweed Editions own BookShop bookstore as well.

Today’s guest, poet Hajjar Baban, discusses her truly remarkable debut collection of poetry Low Flying Planes. Together we explore Kurdish poetics, the role of silence, refusal and isolation in her work, the Kurdish Poets Collective, writing lineages, and much more. Selected for the 2025 National Poetry Series by past guest of the show, poet Jake Skeets, Jake says of Low Flying Planes: “…if tradition is to be made whole, if memory, if truth, it begins with a book like this. I’m eager for the world to enter this one and emerge on the other side transformed, into a place where words are both nourished and at stake. I’m eager for this poet, for a new voice that asks us to change. It is my honor to introduce this marvelous work.” For the bonus audio archive, Hajjar contributes an extended reading of short poems by Eugène Guillevic and a discussion of his influence on her work. This joins readings from everyone from Jorie Graham to Omar El Akkad, Dionne Brand to Isabella Hammad and more. You can learn how to subscribe to the bonus audio and about the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter at the show’s Patreon page. Finally, here is the BTC BookShop specific for today’s episode. And don’t miss Milkweed Editions BookShop as well.

Today’s conversation with poet Morgan Parker was recorded in-person in 2019 and was Morgan’s second appearance on the show. Both conversations with Morgan are unforgettable, so don’t miss her first appearance in 2017 after you enjoy today’s episode about Magical Negro. Later that same year Magical Negro won the National Book Critics Circle Award in Poetry. Danez Smith, another past guest of this show, said this about it: “2019 justly belongs to Morgan Parker. Her poems shred me with their intelligence, dark humor and black-hearted vision. Parker is one of this generation’s best minds, able to hold herself and her world, which includes all of us, up to impossible lights, revealing every last bit of our hopes, failings, possibilities and raptures.” For the bonus audio archive Morgan contributed a reading from her YA novel Who Put this Song on? which joins contributions from Kaveh Akbar, Tommy Pico, Dionne Brand, Nikky Finney, Natalie Diaz and more. To find out about how to subscribe to the bonus audio archive and all the other potential benefits and rewards of joining the Between the Covers community as a listener supporter, head over to the show’s Patreon page. And don’t miss Milkweed Editions bookstore BookShop for even more books to explore.