Beethoven's only opera encodes tremendous metaphysical truths gleaned from his own inner spiritual development on the initiatic path. What is more remarkable is that he conveyed gnostic principles on the demiurge, archons, aeons, and redemption without physical access to classical gnostic texts. This is because as a master of meditation, he was privy to knowledge inaccessible to the mind, personality, or senses, and through his psychological work, was able to witness, live, and portray first hand the very root source of such knowledge informing the conception and documentation of the Gnostic Gospels and Nag Hammadi corpus. He composed Fidelio not only to musically uplift humanity's level of being, but also to teach the realities of divine law (karma), atonement, and the esoteric spiritual work for candidates of the mysteries. Such wisdom is elucidated by Samael Aun Weor's rich commentary on The Gnostic Bible: The Pistis Sophia Unveiled, which serves as the basis for future viewings of Beethoven's masterpiece. Discover the deep insights of this truly gnostic opera, and how a prophet of music demonstrated true love for divinity and the overpowering realities of Pistis Sophia's salvation (the penitent soul who longs for and aspires to the light). Resources and References: https://chicagognosis.org/lectures/karma-archons-aeons-the-demiurge-and-salvation-in-beethovens-fidelio Beethoven - Fidelio: Janowitz, Kollo, Popp, Vienna State Opera