Project Geekology

Send us Fan Mail Green Lantern should be huge, cosmic, and loud, right? HBO Max’s Lanterns goes the other way, and that’s exactly why we can’t stop talking about it. We break down how the DCU turns Hal Jordan and John Stewart into the center of a rural, grounded mystery that plays like a detective story with a power ring, not a space opera with endless lore dumps. We get into the most controversial piece first: Hal Jordan’s characterization. This version is older, jaded, and unpredictable, a...

Send us Fan Mail Resident Evil (2002) is dumb fun, but does that make it a good Resident Evil movie? We’re heading back to the early 2000s to revisit Paul W.S. Anderson’s video game adaptation, and we’ve got some thoughts. Between the Umbrella Corporation, the Red Queen, zombie dogs, and that absolutely brutal laser hallway, there’s plenty to talk about. But for a movie based on a franchise known for its characters, puzzles, and survival horror, how much does this one actually get right? Jen ...

Send us Fan Mail When a movie is this iconic, it’s easy to quote it and never really look at what’s on the screen. We hit play on Ghostbusters (1984) and try to answer a tougher question: does it still work in 2026, or are we just running on nostalgia and a perfect theme song? We talk through why the original Ghostbusters remains a comfort watch and a legit piece of smart blockbuster craft. The mix of paranormal horror, dry comedy, and fast moving plot still clicks, and the “science” sells i...

Send us Fan Mail Aang is back, and we’re heading straight into the world of Avatar! We’re diving into Avatar Aang: The Last Airbender and breaking down the latest adventure in the Avatar universe. From the return of familiar characters and the world of bending to the story, animation, and everything in between, we’re talking about what works, what doesn’t, and whether this new chapter lives up to the legacy of the original series. Does this movie do Aang and the gang justice, or does it strug...

Send us Fan Mail Marty McFly in the Wild West sounds like a gimmick until you rewatch Back to the Future Part III and realize it’s doing something the trilogy hadn’t tried yet: slowing down. We talk through why that pace shift matters, how the 1885 setting changes the whole vibe, and why Part III might be more satisfying than people give it credit for, even when the villains get a little more camp and the characters feel a bit more like heightened versions of themselves. Before we sadd...