In 1986, Cameron Crowe, the film director, and Nancy Wilson, of the rock group Heart, got married. They honeymooned in a little cabin in the Pacific Northwest, and while they were there decided to write a musical, about Elvis as a cab driver in Seattle. They wrote and recorded demos of all the songs, and called it “Blue Seattle.” It became a lost masterpiece that never saw the light of day. In our Development Hell season finale, Cameron joins Malcolm to share the songs and tell the story behind “Blue Seattle” for the very first time.
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Before M. Night Shyamalan became a household name for his mind bending thrillers like “The Sixth Sense” and “Signs”, he was just a young screenwriter in love. And during those blissful early years of marriage he wrote a love story. The screenplay for “Labor of Love” sold right away, and over the next 30 years or so there would be numerous attempts to make it into a movie. There was a major studio, there were A-list directors, Shyamalan even found his perfect star. In this episode, M. Night Shyamalan tells Malcolm about the script that haunts him.
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Between her big hits, “Monster” and “Wonder Woman”, Patty Jenkins wrote an R-rated fairy tale, starring a dog. She hoped that the dog would deliver such a great performance that the Academy would — for the first time — give the Best Actor award to an animal. The story was about a dog program in a prison, a perfect set-up for a story of both canine and human redemption, right? Wrong. That’s the kind of story Hollywood loves, but not the kind of story Jenkins wanted to tell. Enter development hell.
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The Happiness Lab’s Dr. Laurie Santos brings together other Pushkin hosts to mark the International Day of Happiness. Revisionist History’s Malcolm Gladwell talks about the benefits of the misery of running in a Canadian winter. Dr. Maya Shankar from A Slight Change of Plans talks about quieting her mental chatter. And Cautionary Tales host Tim Harford surprises everyone with the happiness lessons to be learned from a colonoscopy.
Hear more of The Happiness Lab HERE.
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Before Charles Randolph won an Oscar for writing “The Big Short,” he adapted a memoir called “The Birthday Party”: the true story of a white man kidnapped by three young Black men. Is there a way to bring a story like that to screen, in a way that's honest and authentic? Randolph gives us a masterclass on a screenwriter's many minefields.
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