When you realize that help is not on the way, what do you do next?
<ul><li>Prologue: Saddam Sayyaleh’s job right now is trying to get trucks filled with aid into Gaza and he knows it’s nowhere close to what’s actually needed. (10 minutes)</li><li>Act One: Tim Reeves runs a hospital in rural Pennsylvania, and he’s trying to do something that is so hard to do and that he knows is completely up to him. (11 minutes)</li><li>Act Two: One of our producers, Nadia Reiman, talked to officials who work in the asylum and refugee branches at the United States Citizenship and Immigration Services. They gave her a window into the immigration system under President Biden that you don’t usually get. (32 minutes)</li></ul>Transcripts are available at <a href="https://www.thisamericanlife.org/817/transcript">thisamericanlife.org</a>

When you realize that help is not on the way, what do you do next?


When you realize that help is not on the way, what do you do next?


Prologue: Saddam Sayyaleh’s job right now is trying to get trucks filled with aid into Gaza and he knows it’s nowhere close to what’s actually needed. (10 minutes)

Act One: Tim Reeves runs a hospital in rural Pennsylvania, and he’s trying to do something that is so hard to do and that he knows is completely up to him. (11 minutes)

Act Two: One of our producers, Nadia Reiman, talked to officials who work in the asylum and refugee branches at the United States Citizenship and Immigration Services. They gave her a window into the immigration system under President Biden that you don’t usually get. (32 minutes)

817: The Cavalry Is Not Coming

During the highest turkey consumption period of the year, we bring you a This American Life tradition: stories of turkeys, chickens, geese, ducks, fowl of all kinds—real and imagined—and their mysterious hold over us.
<ul><li>Prologue: Ira Glass talks with Scharlette Holdman, who works with defense teams on high profile death row cases, and who has not talked to a reporter in more than 25 years. Why did she suddenly end the moratorium on press? Because her story is about something important: namely, a beautiful chicken. (2 minutes)</li><li>Act One: Scharlette Holdman's story continues, in which she and the rest of a legal defense team try to save a man on death row by finding a star witness — a chicken with a specific skill. (10 minutes)</li><li>Act Two: Yet another testimony to the power chickens have over our hearts and minds.  Jack Hitt reports on an opera about Chicken Little.  It's performed with dressed-up styrofoam balls, it's sung in Italian and, no kidding, able to make grown men cry. (14 minutes)</li><li>Act Three: Ira accompanies photographer Tamara Staples as she attempts to photograph chickens in the style of high fashion photography. The chickens are not very cooperative. (15 minutes)</li><li>Act Four: Kathie Russo's husband was Spalding Gray,  who was best known for delivering monologues onstage—like "Monster in a Box," and "Swimming to Cambodia." On January 10, 2004, he went missing. Witnesses said they saw him on the Staten Island Ferry that night. Two months later, his body was pulled out of the East River. Kathie tells the story of the night he disappeared, and about how, in the weeks following, she and each of their three children were visited by a bird, who seemed to be delivering a message to them. (9 minutes)</li></ul>Transcripts are available at <a href="https://www.thisamericanlife.org/816/transcript">thisamericanlife.org</a>

Turkeys, chickens, geese, ducks, fowl of all kinds—real and imagined—and their mysterious hold over us.


During the highest turkey consumption period of the year, we bring you a This American Life tradition: stories of turkeys, chickens, geese, ducks, fowl of all kinds—real and imagined—and their mysterious hold over us.


Prologue: Ira Glass talks with Scharlette Holdman, who works with defense teams on high profile death row cases, and who has not talked to a reporter in more than 25 years. Why did she suddenly end the moratorium on press? Because her story is about something important: namely, a beautiful chicken. (2 minutes)

Act One: Scharlette Holdman's story continues, in which she and the rest of a legal defense team try to save a man on death row by finding a star witness — a chicken with a specific skill. (10 minutes)

Act Two: Yet another testimony to the power chickens have over our hearts and minds.  Jack Hitt reports on an opera about Chicken Little.  It's performed with dressed-up styrofoam balls, it's sung in Italian and, no kidding, able to make grown men cry. (14 minutes)

Act Three: Ira accompanies photographer Tamara Staples as she attempts to photograph chickens in the style of high fashion photography. The chickens are not very cooperative. (15 minutes)

Act Four: Kathie Russo's husband was Spalding Gray,  who was best known for delivering monologues onstage—like "Monster in a Box," and "Swimming to Cambodia." On January 10, 2004, he went missing. Witnesses said they saw him on the Staten Island Ferry that night. Two months later, his body was pulled out of the East River. Kathie tells the story of the night he disappeared, and about how, in the weeks following, she and each of their three children were visited by a bird, who seemed to be delivering a message to them. (9 minutes)

816: Poultry Slam

Things our dads taught us, whether they intended to or not.
<ul><li>Prologue: Ira talks about the time his dad taught him to shave, and how unusual that was. (5 minutes)</li><li>Act One: When Jackie read the obits for the man who had invented the famous Trapper Keeper notebook, she was very surprised. As far as she knew, the inventor was very much alive. It was her dad. Not the guy in the obit. (15 minutes)</li><li>Act Two: A father and son find themselves in a very traditional relationship. Until the end. (21 minutes)</li><li>Act Three: Simon Rich reads his short story "History Report," in which a father explains the sex robots of the future. And other things as well. (14 minutes)</li></ul>Transcripts are available at <a href="https://www.thisamericanlife.org/815/transcript">thisamericanlife.org</a>

Things our dads taught us, whether they intended to or not.


Things our dads taught us, whether they intended to or not.


Prologue: Ira talks about the time his dad taught him to shave, and how unusual that was. (5 minutes)

Act One: When Jackie read the obits for the man who had invented the famous Trapper Keeper notebook, she was very surprised. As far as she knew, the inventor was very much alive. It was her dad. Not the guy in the obit. (15 minutes)

Act Two: A father and son find themselves in a very traditional relationship. Until the end. (21 minutes)

Act Three: Simon Rich reads his short story "History Report," in which a father explains the sex robots of the future. And other things as well. (14 minutes)

815: How I Learned to Shave

What happens when you realize the people in charge don’t have the answers.
<ul><li>Prologue: Guest Host Chana Joffe-Walt asks her kids when they first encountered adult fallibility. (8 minutes)</li><li>Act One: A middle schooler really wants to trust the adults have her best interests in mind. But some of the most powerful people at her school begin to make that very difficult. (27 minutes)</li><li>Postscript: In Israel and Gaza, children are directly facing the fact that the adults around them cannot protect them. (4 minutes)</li><li>Act Two: Comedian Gary Gulman on a choice his dad made for him when he was seven years old. (11 minutes)</li><li>Act Three: There are many kids who do not gradually discover that grown ups don’t have a handle on everything.  These kids already know. Miriam Toews’s novel, “Fight Night,” is about a nine-year-old named Swiv who takes care of her grandma and manages her mom’s mental health struggles. Even simple tasks can become complicated, like taking them both on the bus. (7 minutes)</li></ul>Transcripts are available at <a href="https://www.thisamericanlife.org/814/transcript">thisamericanlife.org</a>

What happens when you realize the people in charge don’t have the answers.


What happens when you realize the people in charge don’t have the answers.


Prologue: Guest Host Chana Joffe-Walt asks her kids when they first encountered adult fallibility. (8 minutes)

Act One: A middle schooler really wants to trust the adults have her best interests in mind. But some of the most powerful people at her school begin to make that very difficult. (27 minutes)

Postscript: In Israel and Gaza, children are directly facing the fact that the adults around them cannot protect them. (4 minutes)

Act Two: Comedian Gary Gulman on a choice his dad made for him when he was seven years old. (11 minutes)

Act Three: There are many kids who do not gradually discover that grown ups don’t have a handle on everything.  These kids already know. Miriam Toews’s novel, “Fight Night,” is about a nine-year-old named Swiv who takes care of her grandma and manages her mom’s mental health struggles. Even simple tasks can become complicated, like taking them both on the bus. (7 minutes)

814: Parents Are People

You've been seeing yourself, getting to know what you look like, your whole life. So why does it often take an outsider to see things about you that are obvious, and set you straight?
<ul><li>Prologue: Guest host Nancy Updike talks about learning something new, and unpleasant, about herself in, where else, a makeup store. She also talks with other people about moments where someone made an observation about them that was shocking. (8 minutes)</li><li>Act One: Writer Domingo Martinez tells a story from his memoir, "The Boy Kings of Texas," about when he was forced to face how he might look in 20 years if he kept doing what he was doing. (12 minutes)</li><li>Act Two: A man has a very clear vision of how he always stood up to his father, protected his mother and fought hard for the truth. Until one day he discovers actual raw data — secretly recorded conversations — that threaten to change his picture of everything. (12 minutes)</li><li>Act Three: Ira Glass interviews actress Molly Ringwald about what happened when she watched one of her own movies, "The Breakfast Club" with her daughter. Ringwald talks about how for the first time, she saw the movie from the parents' point of view, not the kids'. (19 minutes)</li></ul>Transcripts are available at <a href="https://www.thisamericanlife.org/813/transcript">thisamericanlife.org</a>

Why does it often take an outsider to see things about you that are obvious?


You've been seeing yourself, getting to know what you look like, your whole life. So why does it often take an outsider to see things about you that are obvious, and set you straight?


Prologue: Guest host Nancy Updike talks about learning something new, and unpleasant, about herself in, where else, a makeup store. She also talks with other people about moments where someone made an observation about them that was shocking. (8 minutes)

Act One: Writer Domingo Martinez tells a story from his memoir, "The Boy Kings of Texas," about when he was forced to face how he might look in 20 years if he kept doing what he was doing. (12 minutes)

Act Two: A man has a very clear vision of how he always stood up to his father, protected his mother and fought hard for the truth. Until one day he discovers actual raw data — secretly recorded conversations — that threaten to change his picture of everything. (12 minutes)

Act Three: Ira Glass interviews actress Molly Ringwald about what happened when she watched one of her own movies, "The Breakfast Club" with her daughter. Ringwald talks about how for the first time, she saw the movie from the parents' point of view, not the kids'. (19 minutes)

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