Love, Take Two

José Rolón and Jaimie Kelton

Lori E. Seid on Baby Dykes, Blue Men and Being in the Spotlight

14 EYL, 202652 DAK

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Most people think finding the spotlight means chasing it. Lori E. Seid spent 40 years actively avoiding it, and somehow ended up more essential to New York's downtown arts scene than almost anyone with their name on the marquee. In this episode of Love, Take Two, Lori takes us through the version of a career nobody plans for on purpose: starting out at a copy shop on West 8th Street making posters for broke, brilliant artists, and just never leaving. What followed was four decades of being the person everyone in the room trusted, road managing Sophie B. Hawkins before she'd released a single song, producing for Rosie O'Donnell's talk show, and turning down Blue Man Group's first millions because eight shows a week just wasn't her cup of tea. She talks candidly about coming of age as a baby dyke on Long Island in the 1970s, getting shipped off to Provincetown after her parents read her diary, and how the queer community there effectively raised her. She gets into the AIDS crisis with unflinching honesty, the lesbian safe sex handbooks she helped smuggle across borders, and the friends she lost who never got the chance to have a Take Two at all. Lori gets into what it actually took to finally step into her own spotlight, at an age when most people are told it's too late to start. No rebrand, no reinvention plan. Just a lifetime of material sitting in her tiny, forty-year apartment, and a night on stage that turned into the performance of her life. She opens up about the moment Cyndi Lauper stopped a nervous young singer mid-performance to tell her she belonged there, and how that memory cracked something open in Lori on the subway ride home. For Lori, this chapter isn't about becoming someone new. It's about finally telling the stories she's been collecting, on purpose, her whole life. This is a conversation about loyalty, timing, and what happens when the person who spent decades making everyone else look good finally decides it's her turn. Key Takeaways How a copy shop job on West 8th Street turned into a 40 year career working alongside Rosie O'Donnell, Cyndi Lauper, and Sophie Hawkins Why she turned down Blue Man Group's early success, and how she felt about it later What coming out on Long Island in the 1970s and being taken in by Provincetown's queer community taught her about survival The lesbian safe sex handbooks she helped create and distribute during the AIDS crisis, and the friends she lost Why she waited until now, decades into her career, to finally step into her own spotlight If this episode resonated, send it to someone who's still waiting for the "right time" to tell their own story. Sometimes forty years of being everyone else's biggest supporter is exactly what gets you ready. Come hang out with us on social.