UMass Press Podcast

New Books Network

Detaylar

Interviews with authors of University of Massachusetts Press books.

Yeni Bölümler

19 EYL, 2026
Brian L. Porto, "Twin States, Different Paths: The Politics of New Hampshire and Vermont" (U Mass Press, 2026)
At first glance, New Hampshire and Vermont seem like mirror images. Separated only by the Connecticut River, the oft-termed "Twin States" share a common history, relatively small populations, and heavily mountainous and forested landscapes dotted with small towns. Yet despite their similarities, they have evolved strikingly different political cultures, with Vermont prizing cooperation and community and New Hampshire celebrating independence and freedom from government. Perhaps nowhere is this divergence in political visions more pronounced than in their respective state mottos: Vermont's communal "Freedom and Unity" and New Hampshire's libertarian "Live Free or Die." Twin States, Different Paths: The Politics of New Hampshire and Vermont (U Mass Press, 2026) explores these contrasting political cultures. Brian Porto traces these differences back to the land itself: to the geology and geography that shaped early settlement, patterns of land use, and the distinct ways people built their communities. From these origins emerged two enduring civic philosophies--New Hampshire's devotion to low taxes and limited government, and Vermont's emphasis on equality and shared responsibility. Bringing historical and cultural analysis together with contemporary case studies, Porto examines how these traditions influence each state's approach to today's policy challenges, including affordable housing and public-school funding. The result is a clear, balanced portrait of how deeply rooted attitudes toward freedom, unity, and governance continue to shape public life in both states. Written with scholarly rigor yet in an engaging and accessible style, Twin States, Different Paths fills a notable gap in the study of New England politics. It offers insights not only for scholars and students of political culture, history, and public policy, but also for general readers, policymakers, and residents who wish to understand how two neighbors--so similar in geography and spirit--continue to follow such different paths in defining the role of government and community.
35 DAK
29 MAY, 2026
Lauren W. Westerfield, "Woman House: Essays and Assemblages" (U Massachusetts Press, 2026)
A compelling and inventive memoir exploring how pain and pleasure are passed down through generations of women For years, Lauren W. Westerfield looked back at her childhood as an imaginative playscape lovingly crafted by her artist mother. But in truth, theirs was always a fraught relationship, close yet turbulent. It wouldn’t be until her mid-twenties that Westerfield would learn that her mother was assaulted while living as a single woman in 1970s Los Angeles, or until her mid-thirties when caretaking for her now chronically ill mother during pandemic lockdown would reveal how that earlier incident and its ripple effects had shaped both their lives. The essays and assemblages in this book plumb the depths of two women’s experiences, exploring the pain and pleasure they find in their bodies, in culture, and in their own art. Violence, beauty, and love reverberate and dissipate and shape the forms and psyches of these two profoundly connected family members. At once raw and refined, narrative and lyrical, nostalgic and blunt, the stories and images presented here explore Westerfield’s life—from childhood to adulthood—passing through innocence, self-discovery and familial tethers. In unpacking her mother’s history and the complexities of their relationship, Westerfield finds herself confronted with her own story: one grounded in a yearning for agency and individuation, of a body and mind groomed to be at odds with one another, of a feminist politics examining deeply rooted patriarchal understandings of beauty, control, and power. Part memoir, part critical sense-making, part reckoning with family, identity, illness, addiction, art, and inheritance, Woman House (U Massachusetts Press, 2026) draws on diverse inspirations in an attempt to recontextualize the female body—in danger, in pleasure, in portraiture, in proximity, in resistance—and challenge the structures that silence and restrict female expression.
35 DAK
27 MAY, 2026
David Faflik, "Segregation Games: Boston, Busing, and the Making of Red Sox Nation" (U Massachusetts Press, 2026)
A cultural history of race, resistance, and representation in a city divided by politics and playWhen outfielder Bernie Carbo joined the Red Sox in 1974, he brought with him a toy gorilla named Mighty Joe Young that became the team’s unofficial mascot for several players and many in the local press. This seemingly innocent stuffed animal was introduced within a baseball team notorious for its stubborn discrimination, and during a particularly fraught era of racial discord in Boston. That June, after years of activism from the city’s Black community, Judge W. Arthur Garrity Jr. ruled that Boston must address the segregation of its schools through redistricting and busing. The ensuing racial animus to these policies led some of the city’s white residents to throw bananas and chant monkey sounds at African American students as they integrated the predominantly white South Boston High School. In this agitated atmosphere, cultural symbols like the Red Sox’s Mighty Joe Young mirrored and amplified the heightened racial tensions of Boston’s busing crisis.Situated at the intersection of US cultural and social history, Segregation Games: Boston, Busing, and the Making of Red Sox Nation (U Massachusetts Press, 2026) examines the surprising ties in 1970s Boston between the racial segregation of the city’s schools and the racial controversies expressed on and off the field of “Red Sox Nation.” “I found out in the black community why they don’t come out [to Fenway Park],” explained Black player Reggie Smith of his experiences with the Red Sox and the city during this period. “The team was the last to get Black players, and some of the things I hear out in the stands make me sick.” To understand these connections, Faflik erases the lines between politics and sport, which routinely blurred in a city suffused with an anti-Black racism that was both deceptively subtle and fiercely overt.Drawing upon deep archival research from sources that have largely been ignored, such as the Black press of the time, Faflik offers a carefully nuanced portrait of Boston’s cultural life at a pivotal moment in the city’s history.
39 DAK
28 MAR, 2026
Nicholas W. Gentile, "Enemies to Their Country: The Marblehead Addressers and Consensus in the American Revolution" (U Mass Press, 2025)
Nicholas W. Gentile complicates our understanding of the American Revolution through a microhistory of one Massachusetts town in his new book, Enemies to Their Country : The Marblehead Addressers and Consensus in the American Revolution (U Mass Press, 2025). In 1774, a group of elite men in the town of Marblehead, Massachusetts, just outside Salem, wrote an address to the royal governor thanking him for his service to the colony, even as town residents began demanding independence from Great Britain. Town meeting records reveal how the town’s patriot majority pressured the signers to withdraw their support for the governor and demanded public recantations and issued damning reports, even forcing some of the signers into exile. Enemies to Their Country tells the story of the year following the Address, chronicling the town’s struggle to achieve consensus even as the war for American independence started. This microhistory of one vitally important town, the second largest in Massachusetts at the time, with a thriving local economy based on fishing and a robust community of religious and civically engaged citizens, complicates simplistic ideas of the American Revolution. Through compelling stories of neighboring individuals and families, many of which have not been told, it also provides an example of a politically polarized constituency struggling to find consensus at a time of great conflict.
109 DAK