In this very special episode, Rachel, Trae, and Josh recount the experience of making Lookout Point, a short film for the 48 Hour Film Project. We discuss what it was like to make a film in a frantic, sweaty panic and what we think of the end result. Spoilers -- we don't consider our own film to be a shameless Cash Grab (confirmation bias abounds).
You can support Cash Grab Cinema by leaving a review and rating us on iTunes, Apple Podcast, or anywhere you download your podcasts. Also share the show with your friends, loved ones, or enemies - we're not picky!
Email us at: [email protected]
Instagram: www.instagram.com/cashgrabcinema/
Link Tree: linktr.ee/cashgrabcinema
The music used is Blushes by DJ Quads
@aka-dj-quads
Ahoy mateys! In this episode, we jump the shark and dive into the 2018 summer blockbuster The Meg! Join Rachel, Trae, and Josh on this fin-tastic adventure in which we unravel jaw-dropping scenes, dissect fishy dialogue, and of course, sit in awe of the force of nature we call Jason Statham. Does this movie gill-iver a sincere attempt at art, or is this just another smelly Cash Grab?
You can support Cash Grab Cinema by leaving a review and rating us on iTunes, Apple Podcast, or anywhere you download your podcasts. Also share the show with your friends, loved ones, or enemies - we're not picky!
Email us at: [email protected]
Instagram: www.instagram.com/cashgrabcinema/
Link Tree: linktr.ee/cashgrabcinema
The music used is Blushes by DJ Quads
@aka-dj-quads
In a world full of media like 28 Days Later, Mad Max, and The Last of Us, we often forget that ancient apocalyptic IP - the book of Revelation. In this episode Rachel and Josh discuss the 2001 film Left Behind, a movie that started a direct-to-video saga that did little to inform or warn non-Christians of their fate during the end of days, and did much to comfort those who think they will be taken that if nothing else, at least they'll no longer have to share a planet with Kirk Cameron. We chuckle through the ridiculous plot, poor writing, discount special effects and absence of acting talent (not including Clarence Gilyard, of course) and we ask the question: is this film is a genuine attempt at art or just a soulless Cash Grab?
You can support Cash Grab Cinema by leaving a review and rating us on iTunes, Apple Podcast, or anywhere you download your podcasts. Also share the show with your friends, loved ones, or enemies - we're not picky!
Email us at: [email protected]
Instagram: www.instagram.com/cashgrabcinema/
Link Tree: linktr.ee/cashgrabcinema
The music used is Blushes by DJ Quads
@aka-dj-quads