<p>In a world full of media like <em>28 Days Later</em>, <em>Mad Max</em>, and <em>The Last of Us</em>, we often forget that ancient apocalyptic IP - the book of Revelation. In this episode Rachel and Josh discuss the 2001 film <em>Left Behind</em>, a movie that started a direct-to-video saga that did little to inform or warn non-Christians of their fate during the end of days, and did much to comfort those who think they will be taken that if nothing else, at least they'll no longer have to share a planet with Kirk Cameron. We chuckle through the ridiculous plot, poor writing, discount special effects and absence of acting talent (not including Clarence Gilyard, of course) and we ask the question: is this film is a genuine attempt at art or just a soulless Cash Grab?&nbsp;</p>
<p><strong>You can support Cash Grab Cinema by leaving a review and rating us on iTunes, Apple Podcast, or anywhere you download your podcasts. Also share the show with your friends, loved ones, or enemies - we're not picky!</strong><br>
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<strong>Email us at: </strong><a href="http://cashgrabcinema@gmail.com/" rel="ugc noopener noreferrer" target="_blank">cashgrabcinema@gmail.com</a><br>
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<strong>The music used is Blushes by DJ Quads</strong><br>
<strong>@aka-dj-quads</strong></p>

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Cash Grab Cinema

Cash Grab Cinema

Left Behind (Ep. 43)

MAR 10, 202352 MIN
Cash Grab Cinema

Left Behind (Ep. 43)

MAR 10, 202352 MIN

Description

<p>In a world full of media like <em>28 Days Later</em>, <em>Mad Max</em>, and <em>The Last of Us</em>, we often forget that ancient apocalyptic IP - the book of Revelation. In this episode Rachel and Josh discuss the 2001 film <em>Left Behind</em>, a movie that started a direct-to-video saga that did little to inform or warn non-Christians of their fate during the end of days, and did much to comfort those who think they will be taken that if nothing else, at least they'll no longer have to share a planet with Kirk Cameron. We chuckle through the ridiculous plot, poor writing, discount special effects and absence of acting talent (not including Clarence Gilyard, of course) and we ask the question: is this film is a genuine attempt at art or just a soulless Cash Grab?&nbsp;</p> <p><strong>You can support Cash Grab Cinema by leaving a review and rating us on iTunes, Apple Podcast, or anywhere you download your podcasts. Also share the show with your friends, loved ones, or enemies - we're not picky!</strong><br> <br> <strong>Email us at: </strong><a href="http://[email protected]/" rel="ugc noopener noreferrer" target="_blank">[email protected]</a><br> <strong>Instagram: </strong><a href="http://www.instagram.com/cashgrabcinema/" rel="ugc noopener noreferrer" target="_blank">www.instagram.com/cashgrabcinema/</a><br> <strong>Link Tree: </strong><a href="http://linktr.ee/cashgrabcinema" rel="ugc noopener noreferrer" target="_blank">linktr.ee/cashgrabcinema</a><br> <br> <strong>The music used is Blushes by DJ Quads</strong><br> <strong>@aka-dj-quads</strong></p> --- Support this podcast: <a href="https://podcasters.spotify.com/pod/show/cashgrab/support" rel="payment">https://podcasters.spotify.com/pod/show/cashgrab/support</a>