Following Red Dress Day earlier this month, Stuart sits down with KC Adams, a Cree and Anishinaabe relational maker, curator, writer and educator based in Winnipeg, whose work uses photography, installation and public art to explore identity, cultural reclamation and the ongoing impacts of colonialism.KC brings both lived experience and creative practice to a rich conversation about Red Dress Day, the evolution of Jamie Black's iconic installation at the Canadian Museum for Human Rights, and what it really means to make art as an act of advocacy and community uplift.We're talking:Why national recognition of missing and murdered Indigenous women, Two Spirit people, and men matters so deeplyWhy KC prefers the term "relational maker" over "artist," and how Western art terminology fails to honour Indigenous ways of knowing, creating and being in relationshipThe story behind the reimagined Sky Woman installation at the Canadian Museum for Human Rights, and how KC and Jamie Black collaborated to shift the conversation from awareness toward action and ceremonyWhat meaningful allyship looks like, and why KC believes moving forward requires bringing people into the circle, not pushing them awayLearn more about KC Adams and her work at kcadams.netLearn more about the Red Dress Project by Jamie BlackVisit the Canadian Museum for Human Rights to see the Sky Woman installation in person.