Every Single Sci-Fi Film Ever*

As always there are spoilers ahead! You can follow the podcast on social media on Threads, Instagram and Bluesky. If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm Planet of the Vampires was directed by Mario Bava and released in 1965. American International Pictures had made money with Italian films such as Black Sunday (1960) but would often need to oversee many changes to make the films suitable for an American audience. Their solution was to provide a script and co-produce a film so they could control the content. The film had a small budget of around $200,000 and although it definitely has its fair share of Schlock, Bava had a reputation for doing a lot on a small budget. My guests unravel why Mario Bava's reputation and love for this film continue to grow. Scott Higgins is Professor of Film at Wesleyan University as well as being the Curator of the Wesleyan Cinema Archives. Russ Hunter is an Assistant Professor in Film & Television Studies at Northumbria University. He has a special interest in Italian genre cinema. Scott says Eugenio Bava (Mario's Father) invented the Schüfftan process before Eugen Schüfftan after whom it was named. You can read more about this here: https://dcairns.wordpress.com/tag/schufftan-process/ Chapters 00:00 Introduction 01:46 AIP involvement 04:14 Italian cinema in 1965 09:01 Dubbing 14:31 Names changes and US appeal 17:28 Mario Bava 21:51 Scott's love for this film 27:12 Bava and Barry 29:22 Special Effects and the Schüfftan process 33:39 Production and Set Design 35:21 Style over coherence 38:33 The alien 41:35 Influences and origins 43:40 Vampires in name 44:20 Legacy 49:06 Recommendations Recommendations: The Green Slime (1968) by Kinji Fukasaku Tu Vuo' Fa' L'americano by Renato Carosone Danger: Diabolik (1968) by Mario Bava Mario Bava: All the Colors of the Dark by Tim Lucas NEXT EPISODE: As we approach 1966 on the podcast it is time to talk about my favourite franchise which will be 60 years old this September! A little detour into the beginnings of Star Trek in two week's time.

As always there are spoilers ahead! (And the podcast is much more fun if you've seen the film first.) You can follow the podcast on social media on Threads, Instagram and Bluesky. If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm Jean-Luc Godard is potentially the most prominent of the French New Wave directors. In the mid-60s his mind turned to science fiction and the result was a visually striking, choatic film about a dystopian world in which logic rules and love is punished. If you find the film confusing you are not alone and I have two brilliant academic brains to help us out. Roger Luckhurst is a Professor at Birkbeck, University of London. He has written/edited numerous articles and books on cultural history and film. Douglas Morrey is an associate professor of French at the University of Warwick. He has a special interest in the French new Wave on which he has written extensively, including the 2005 book Jean-Luc Godard. CORRECTION: In the podcast I mention Roger citing Alphaville having an image from Chris Marker's La Jetée but the image is actually Marker's photograph which is in the credit sequence but doesn not feature in La Jetée. The book of poetry in the film Capitale de la douleur (Capital of Pain) is written by Paul Elouard. Chapters: 00:00 Intro 01:40 French New Wave in 1965 03:38 Godard's influences for Alphaville 11:31 Eddie Constantine: The illogical Noir hero 16:43 Lemmy Caution and fascism 18:05 Alienation and confusion 25:52 Godard's technique and budgets 30:07 Sound design 32:30 The swimming pool execution scene 39:26 Love, poetry and Godard's divorce 47:00 Godard and women 49:30 Legacy 53:57 Recommendations Recommendations: • The Trial written by Franz Kafka and made into a film by Orson Wells released in 1962. • Weekend (1967) by Godard. NEXT EPISODE! Next episode we will be talking about Planet of the Vampires, the low budget 1965 dubbed delight by Mario Bava. The film is campy (and for me quite hilarious) as well as being famed for inspiring Alien (1979). (Perhaps a little overstated in this regard?) You can find the film to rent on Amazon, Apple, Flixfling and may find it on free platforms with ads in your region. You can check the JustWatch website for more details.

As usual there are spoilers ahead! You can follow the podcast on social media on Threads, Instagram and Bluesky. If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm This episode we track the birth of one of the longest running franchises. Dr Who was first broadcast in 1963 and with the help of some exterminating aliens a film was produced just a couple of years later. I speak to my wonderful Whovian guests about the origins, the hallmarks and the 1960s context of the infamous Doctor including the colourful and shiny 1960s feature films. Paul Booth is a professor of Media and Pop Culture with a special interest in fandoms on which he has written extensively. He is co-editor of the book Adventures Across Space and Time: A Doctor Who Reader. Lee Arnott is the co-host if the Problematic Gaze podcast. He is a social historian who is currently researching the the social history of Britain since the 1960s through the lens of Doctor Who. Although Australian composer Ron Gainer wrote the music for Dr Who it was Delia Derbyshire at the BBC Radiophonic Workshop who produced the theme. You can see the Delia Derbyshire clip I mention on YouTube here: https://www.youtube.com/watch?v=qsRuhCflRyg Chapters: 00:00 Introduction 01:41The BBC origins of the series 04:45 The first episode, changes and differences on the big screen 09:40 The Daleks and Dalekmania 13:20 WW2, Nazis and nuclear fears 19:37 More Daleks 23:33 The Doctor 27:33 What is canon 29:21 The Companions 35:13 The Tardis 38:05 Design 42:02 (The best ever) theme tune 45:46 Legacy 49:22 Success and favourite doctors 53:04 Recommendations Recommendations: Lee recommended The War Game (1965) and Paul recommended the book Dr. Who & The Daleks: The Official Story of the Films by John Walsh. NEXT EPISODE! Next episode we will be discussing the 1965 French New Wave science fiction film Alphaville by Jean-Luc Godard. It is easy to rent on main streaming platforms as well as other places in the US including Mubi and Kanopy. To find the film in your region you can visit the Just Watch website.

As always there are spoilers ahead! You can follow the podcast on social media on Threads, Instagram and Bluesky. If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm First Men on the Moon was written by HG Wells and serialised in The Strand Magazine beginning in 1900. The book was published in 1901 a year before Georges Méliès kicked off science fiction cinema with La Voyage dans la Lune in 1902. (You can learn more about that film in episode number 2 The First Science Fiction Film Ever.) Then in the swinging 60s as the space race was heating up a collection of brilliant sci-fi filmmakers go together to make a story about a Victorian British scientist going to the moon with his anti-gravity material Cavorite! And yet even the amazing Ray Harryhausen stop motion special effects were not enough to make this film a success. My amazing guests break down the origins and outcomes of this mid-century oddity. Keith Williams is a Reader in English Literature at the University of Dundee where he runs the science fiction programme. He has a special interest in the pre 1945 period and is the author of the book H.G. Wells, Modernity and the Movies. Matthew Rule-Jones is a senior lecturer in film studies at the University of Exeter and author of the book Science Fiction Cinema and 1950s Britain: Recontextualising Cultural Anxiety. At 6:09 Keith is about to explain the contraption that Robert William Paul was planning based on HG wells Time Machine. I interrupt him as we've covered this in two episodes priot. You can access more information about that on episode 37 The Time Machine: HG Wells' Legacy in 1960s Sci-Fi at timecode 23:07 or in episode 9 The Invisible Man Exposed at timecode 38:29. Chapters 00:00 Intro 02:23 HG Wells, selenites and Georges Méliès Trip to the Moon 06:57 Balancing act: Producer Charles Schneer vs Writer Nigel Kneale. 12:44 Box Office flop 15:12 Dreams of Empire and international cooperation 19:40 Steampunk sensibilities 22:26 The backdrop of the Space Race 26:58 Bedford and Cavor 33:20 Ray Harryhausen 37:50 NASA and the moon landing 41:12 Ant colonies and sci-fi 46:42 Legacy 50:10 Recommendations Recommendations: The First Men in the Moon (2010) The Stone Tape (1972) available to view on YouTube here: https://www.youtube.com/watch?v=uHgcpzzZspw NEXT EPISODE! The next episode will feature two films: Dr Who & the Daleks (1965) as well as Daleks' Invasion Earth 2150 A.D. (1966). These films are available to buy or stream on mainstream platforms like Apple and Prime as well as subscription services. The Just Watch website is a good resource for finding where films are available in your region.

I am very sorry but I have been unwell this past week. (But I am on the mend!) Multiple visits to the hospital mean that although I have the next episode recorded I have not been able to edit it. I've heard many podcasts serve up older episodes in this circumstance. Maybe an annoyance to those who have already heard all the episodes but for those who haven't since it is 2026 it's probably a good opportunity to watch Metropolis (1927) as this year is the year it was set. I have two remarkable and engaging academics speak about it. Sonja Fritzsche is a professor of German Studies and an author/editor for many books about science fiction. She has taught courses on science fiction, utopia and Metropolis. Noah Isenberg is a film historian and best-selling author. He is a professor at the University of Texas and editor of the book Weimar Cinema: An Essential Guide to Classic Films of the Era. This episode was originally released in April 2024 and was episode 5 of the podcast. I will hopefully be back in great health soon and the new episode on First Men in the Moon will be edited for release in two weeks.