Podcast Guru LogoPodcast Guru LogosearchSearchDiscoverMy Podcasts
Apple App Store BadgeGoogle Play Badge
sign-inSign In
menu
close
sign-inSign In
Discover
My Podcasts
Apple App Store Badge
Google Play Badge
<p>You can find the podcast on&nbsp;<a href="https://www.threads.net/@everyscififilm" rel="noopener noreferrer" target="_blank">Threads</a>,&nbsp;<a href="https://www.instagram.com/everyscififilm" rel="noopener noreferrer" target="_blank">Instagram</a>&nbsp;and&nbsp;<a href="https://bsky.app/profile/everyscififilm.bsky.social" rel="noopener noreferrer" target="_blank">Bluesky</a>.&nbsp;</p><br><p>In 1992 Ishiro Honda sat down for his <a href="https://www.tohokingdom.com/blog/ishiro-honda-his-final-interview/" rel="noopener noreferrer" target="_blank">final interview</a> with journalist David Milner. When asked about which of his own films were his favourite Honda listed Godzilla (1954), Gorath (1962) and The Mysterians from 1957.</p><p>&nbsp;</p><p>The Mysterians is a visually beautiful film full to the brim with sci-fi tropes. A technologically advanced but desperate alien race, affected by radiation, is invading earth and wants to take our healthy women for breeding purposes. There’s also a groovy space station and the first mecha-kaiju in the form of Moguera. A film made at a time when Japan seems to be wrangling with what it means to be a post imperial, post nuclear tragedy country with a growing economy and a booming film industry.</p><p>&nbsp;</p><p>I have two wonderful experts to help shed light on the context of this trope laden sci-fi classic.</p><p>&nbsp;</p><p>Jay Telotte is Professor Emeritus of film and media studies at Georgia Tech. He has written/edited numerous books and articles about science fiction film including the 2023 book Selling Science Fiction Cinema.</p><p>&nbsp;</p><p>Yuki Miyamoto is Professor of Religious Studies and Director of the Humanities Center at DePaul University. Her work focuses on the ethics around nuclear discourse.</p><p>&nbsp;</p><p>Chapters</p><p>00:00 Introduction</p><p>01:56 Japanese Golden Age of Cinema: censorship, art vs big budget &amp; the USA</p><p>08:47 Pacifism and militarism</p><p>14:04 Toho studios</p><p>15:36 Glorious colour, Toho-scope and cinema culture</p><p>19:57 Tradition, science and military might</p><p>27:55 Taking our women: occupation, war &amp; marketing</p><p>36:55 Message of collaboration</p><p>39:50 The US market</p><p>44:51Battle of the Planets</p><p>45:55 Shout outs: Akira Ifukube and Eiji Tsuburaya</p><p>48:10 Legacy and Recommendations</p><p>&nbsp;</p><p>&nbsp;</p><p>NEXT EPISODE!</p><p>In two weeks we will be speaking about a film that shocked me with its striking visual style. The Fabulous World of Jules Verne (1958), also known as Invention for Destruction or in its original Czech: Vynález zkázy. You can look to find the film on Just Watch but people in mainland and central Europe may find it easier to find with mainstream streaming services. The Criterion Channel also has the film available and there may be some Central and Eastern European services that you may be able to sign up to. I believe there may be a copy on YouTube but I am unsure of its quality or validity.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>

Every Single Sci-Fi Film Ever*

Ayesha Khan

The Mysterians: 1957 Sci-Fi Space Invaders in Postwar Japan

APR 13, 202554 MIN
Every Single Sci-Fi Film Ever*

The Mysterians: 1957 Sci-Fi Space Invaders in Postwar Japan

APR 13, 202554 MIN

Description

<p>You can find the podcast on&nbsp;<a href="https://www.threads.net/@everyscififilm" rel="noopener noreferrer" target="_blank">Threads</a>,&nbsp;<a href="https://www.instagram.com/everyscififilm" rel="noopener noreferrer" target="_blank">Instagram</a>&nbsp;and&nbsp;<a href="https://bsky.app/profile/everyscififilm.bsky.social" rel="noopener noreferrer" target="_blank">Bluesky</a>.&nbsp;</p><br><p>In 1992 Ishiro Honda sat down for his <a href="https://www.tohokingdom.com/blog/ishiro-honda-his-final-interview/" rel="noopener noreferrer" target="_blank">final interview</a> with journalist David Milner. When asked about which of his own films were his favourite Honda listed Godzilla (1954), Gorath (1962) and The Mysterians from 1957.</p><p>&nbsp;</p><p>The Mysterians is a visually beautiful film full to the brim with sci-fi tropes. A technologically advanced but desperate alien race, affected by radiation, is invading earth and wants to take our healthy women for breeding purposes. There’s also a groovy space station and the first mecha-kaiju in the form of Moguera. A film made at a time when Japan seems to be wrangling with what it means to be a post imperial, post nuclear tragedy country with a growing economy and a booming film industry.</p><p>&nbsp;</p><p>I have two wonderful experts to help shed light on the context of this trope laden sci-fi classic.</p><p>&nbsp;</p><p>Jay Telotte is Professor Emeritus of film and media studies at Georgia Tech. He has written/edited numerous books and articles about science fiction film including the 2023 book Selling Science Fiction Cinema.</p><p>&nbsp;</p><p>Yuki Miyamoto is Professor of Religious Studies and Director of the Humanities Center at DePaul University. Her work focuses on the ethics around nuclear discourse.</p><p>&nbsp;</p><p>Chapters</p><p>00:00 Introduction</p><p>01:56 Japanese Golden Age of Cinema: censorship, art vs big budget &amp; the USA</p><p>08:47 Pacifism and militarism</p><p>14:04 Toho studios</p><p>15:36 Glorious colour, Toho-scope and cinema culture</p><p>19:57 Tradition, science and military might</p><p>27:55 Taking our women: occupation, war &amp; marketing</p><p>36:55 Message of collaboration</p><p>39:50 The US market</p><p>44:51Battle of the Planets</p><p>45:55 Shout outs: Akira Ifukube and Eiji Tsuburaya</p><p>48:10 Legacy and Recommendations</p><p>&nbsp;</p><p>&nbsp;</p><p>NEXT EPISODE!</p><p>In two weeks we will be speaking about a film that shocked me with its striking visual style. The Fabulous World of Jules Verne (1958), also known as Invention for Destruction or in its original Czech: Vynález zkázy. You can look to find the film on Just Watch but people in mainland and central Europe may find it easier to find with mainstream streaming services. The Criterion Channel also has the film available and there may be some Central and Eastern European services that you may be able to sign up to. I believe there may be a copy on YouTube but I am unsure of its quality or validity.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>