Fully Lit

23. In this episode of Fully Lit Live, we present The Critics Report, an event hosted by the Sydney Review of Books at the State Library of NSW in December 2025.Moderated by SRB deputy editor Tiffany Tsao, the conversation brings together critics, editors and scholars to assess a year that placed unprecedented pressure on Australian arts and cultural institutions — and on the artists and writers who depend upon them.Australia’s 2025 Venice Biennale entrants and Martu writer Karen Wyld, along with journalist Antionette Lattouf, all felt the impact of efforts to set the boundaries of acceptable expression.What are the longer-term effects of these cultural eruptions? And with “social cohesion” high on the political agenda, how might the arts respond? What can the arts tell us about what makes a society cohere in the first place?(Note that our panel took place before Adelaide Writers’ Week imploded, an event that suggests these questions remain urgent, and before the happy news that QUT had stepped up to rescue Meanjin.)The discussion ranges over other important questions, including the role of government and universities as cultural funders, the potential impacts of AI on the arts, and the strain placed on literary journals and critics asked to defend culture while also keeping it alive.Host Tiffany Tsao is Deputy Editor of the Sydney Review of Books. She is a novelist, translator and critic whose work has appeared in major Australian and international publications. Alongside her editorial work at the SRB, she has published multiple novels and is widely recognised for her literary translations from Indonesian to English.Guests Daniel Browning is a Bundjalung and Kullilli writer, journalist and radio broadcaster, and Professor of Indigenous Cultural and Creative Industries at the University of Sydney — a newly established leadership role within the School of Art, Communication and English. He is a former presenter of The Art Show and Arts in 30 on ABC Radio National.Nicholas Croggan is an art historian and critic, and Public Programs Coordinator at the Power Institute at the University of Sydney. He completed his PhD in Art History at Columbia University, New York.Roanna Gonsalves is editor of Southerly, Australia’s oldest literary journal, and a Senior Lecturer in Creative Writing at UNSW Sydney. She is the author of The Permanent Resident (UWAP), and her novel The Servants will be published in November 2026.James Jiang is Editor of the Sydney Review of Books. Prior to joining the SRB, he was Assistant Editor at Griffith Reviewand Australian Book Review. He holds a PhD in Modernist Literature from the University of Cambridge and has taught in the English and Theatre Studies Program at the University of Melbourne.CreditsFully Lit is brought to you by Impact Studios at UTS, the Sydney Review of Books, and the UTS Writing and Publishing Program, and is produced by Regina Botros.Executive Producer: Sarah Gilbert.Mixed by Siobhan Moylan.Find more episodes of Fully Lit wherever you get your podcasts.

In this episode of Fully Lit Live, we bring you a panel discussion recorded at the Blue Mountains Writers Festival in November 2025.James Jiang, editor of the Sydney Review of Books, hosts Willo Drummond and Hasib Hourani for an exploration of how poems work - in the body, on the page, and in your ears.From a discussion of formative reading experiences to a shared close reading of Emma Lew’s Marshes, this conversation is an intimate encounter with poetry and its enduring value.If you’re a devoted reader of poetry, or someone who is yet to approach it, this episode is for you.GUESTSHasib Hourani is a Lebanese-Palestinian writer, editor, arts worker and educator. His debut book, rock flight, won the Kenneth Slessor Prize for Poetry and the Mary Gilmore Award, and was shortlisted for the 2025 Prime Minister’s Literary Award for Poetry.Willo Drummond is a poet and lecturer in creative writing. Her debut collection Moon Wrasse was shortlisted for the Kenneth Slessor Prize for Poetry in the NSW Premier’s Literary Awards and commended in the Five Islands Poetry Prize for a First Book of Poetry. James Jiang is a critic and scholar, and editor of the Sydney Review of Books.CREDITS Fully Lit is brought to you by Impact Studios at UTS, the Sydney Review of Books, and the UTS Writing and Publishing Program, and is produced by Regina Botros.Executive Producer: Sarah GilbertMixed by Siobhan Moylan

Alexis Wright’s novels are often thought of as “difficult,” but this episode of Fully Lit Live challenges that label, and asks what that word is really doing.Critic Geordie Williamson is the author of the recent On Alexis Wright, part of Black Ink’s 'Writers on Writers' series. In this conversation with Ivor Indyk, Wright’s publisher and editor at Giramondo, we learn how to read Wright’s books on their own terms — with attention to rhythm, repetition, and scale rather than plot alone.Moving through Carpentaria, The Swan Book, and Praiseworthy, the discussion centres on Wright’s idea of ‘all time’: a narrative field where ancestral, mythic, and present time coexist, and where people, animals, weather systems and spirits all speak.What happens when we make space for Wright’s digressions and tonal shifts, and allow ourselves the time she demands?GUESTSGeordie Williamson has been chief literary critic of The Australian since 2008. He is publisher of the Picador imprint at Pan Macmillan, a former editor of Island Magazine and Best Australian Essays, and author of The Burning Library, a collection of essays on neglected figures from Australian literature. He lives in Hobart.Ivor Indyk is the publisher of the Giramondo book imprint and Whitlam Chair in the Writing & Society Research Centre at the University of Western Sydney.CREDITSThis episode is brought to you in partnership with our friends at Gleebooks. Head to the Gleebooks events page to discover more great literary events featuring some of Australia’s best and best known authors.Fully Lit is brought to you by Impact Studios at UTS, the Sydney Review of Books and the UTS Writing and Publishing Program, and is produced by Regina Botros.Executive Producer, Sarah Gilbert. This episode was mixed by Siobhan Moylan.Find more episodes of Fully Lit wherever you get your podcasts.

In this episode, we return to Roland Barthes’ famous 1967 essay, The Death of the Author. This influential text is often taught as an anti-authoritarian gesture, shifting the power of meaning from the author to the reader. But what happens when we consider Barthes’ ideas alongside the voices of anticolonial writers who, at the same historical moment, were mobilising literature to galvanise communities against oppression?We explore what these debates reveal about contemporary writing’s tendency to blur authorial fact with fiction, and why questions of agency still matter today. The conversation is sparked by Michael Griffiths’ new book, The Death of the Author and Anticolonial Thought, and was recorded live at UTS’ Centre for the Advancement of Indigenous Knowledges.GuestsMichael Griffiths – Author of The Death of the Author and Anticolonial Thought, Michael is a scholar whose work explores intersections between literary theory and postcolonial studies.Ben Etherington – Academic and writer with expertise in world literature and cultural theory.Elizabeth McMahon – Scholar and author focusing on literature, identity, and critical theory.Graham Akhurst – Academic and author whose work engages with Indigenous storytelling and creative practice.CreditsThis live event was recorded on Gadigal land, live, at UTS’ Centre for the Advancement of Indigenous Knowledges on November 27.The event was produced and recorded by Ben Etherington.Fully Lit is an Impact Studios podcast, made in collaboration with the Sydney Review of Books. Its producer is Regina Botros. Executive producers are Sarah Gilbert and James Jiang.

Recorded at the UTS Writers’ Festival on Friday, 7 November 2025, this episode of Fully Lit Live brings you Rebel Daughters, where you’ll hear acclaimed poet Anne Casey share readings from her latest collection, followed by a Q&A with award-winning poet and critic Sarah Holland-Batt, newly appointed Professor and Head of Creative Writing at UTS. Together, they explore themes of resilience, heritage, feminism, and the rebellious spirit that shapes contemporary Australian writing.GuestsAnne CaseyAnne Casey is an award-winning Irish-Australian poet and writer whose work spans themes of identity, heritage, and resilience. Her poetry has been widely published internationally and translated into multiple languages. Anne is known for her evocative style and fearless exploration of social and cultural issues.Sarah Holland-BattSarah Holland-Batt is an acclaimed Australian poet, critic, and academic. She is the newly appointed Professor and Head of Creative Writing at the University of Technology Sydney. Sarah is the author of several award-winning poetry collections and a leading voice in contemporary literature. Her work often interrogates memory, mortality, and the complexities of human experience, earning her recognition as one of Australia’s most influential literary figures.